Early Representations of Wartime Violence in Films, 1914–1930

2017 ◽  
Vol 6 (1) ◽  
pp. 37-56
Author(s):  
Dario Vidojković

This article deals with the cinematic representations of warfare violence and with its aestheticization in early films. It argues, in particular, that the patterns and narrative structures of (anti-)war movies were laid out during the First World War. Among the first films establishing those patterns and rules were D.W. Griffith's The Birth of a Nation, a film on the American Civil War, and Hearts of the World, showing the war on the western front, produced in 1918. Films such as these offered the main elements that would mark, henceforth, how anti-war movies would portray violence. With the up-coming of sound, moviegoers would be able not only to see, but also to hear what a war sounded like. Lewis Milestone's All Quiet on the Western Front (1930), one of the first sound films, exposed the audiences to a series of (calculated) audio/visual distortions, including explosions, screams, and the monotone sound of machinegun fire.

2018 ◽  
pp. 245-262
Author(s):  
Vejas Gabriel Liulevicius

Igor Narskij examines the experience of Russian soldiers on the eastern front, an experience significantly different from that undergone by soldiers on the western front because of the vast area of the eastern theater of war and the fact that it was largely fought as a mobile war, not a static one. Maintaining that prevalent arguments put forward by historians to explain Russia’s failure in the war―including the alleged backwardness of the country’s peasant soldiers and the lack of adequate supplies―have been overstated, the chapter posits that the war actually had a significant civilizing and disciplining effect. The chapter also argues that because for Russia the First World War segued into internal dissension in the Revolution of 1917 and the Civil War of 1918–1920, Russians never completely integrated the experience of the world war into its cultural memory.


Author(s):  
S. V. Novikov ◽  

The article is devoted to the study of the circumstances of coming to power in the anti-Bolshevik Omsk of Admiral A. V. Kolchak. He concentrated in his hands the executive, legislative, judicial and military power becoming the Supreme Ruler of Russia and the Supreme Commander-in-Chief. The author comes to the conclusion that the appearance of A.V. Kolchak in Omsk was a consequence of the contradictions between British and French politicians, and the admiral himself, relying on the British, was a victim of a redivision of the world following the First World War


Author(s):  
James Muldoon

The German council movements arose through mass strikes and soldier mutinies towards the end of the First World War. They brought down the German monarchy, founded several short-lived council republics, and dramatically transformed European politics. This book reconstructs how participants in the German council movements struggled for a democratic socialist society. It examines their attempts to democratize politics, the economy, and society through building powerful worker-led organizations and cultivating workers’ political agency. Drawing from the practices of the council movements and the writings of theorists such as Rosa Luxemburg, Anton Pannekoek, and Karl Kautsky, this book returns to their radical vision of a self-determining society and their political programme of democratization and socialization. It presents a powerful argument for renewed attention to the political theories of this historical period and for their ongoing relevance today.


Author(s):  
Gregory A. Barton

After the death of Gabrielle Howard from cancer, Albert married her sister Louise. Louise had been pressured to leave Cambridge as a classics lecturer as a result of her pro-peace writings during the First World War. After working for Virginia Wolf, she then worked for the League of Nations in Geneva. Louise was herself an expert on labor and agriculture, and helped Albert write for a popular audience. Albert Howard toured plantations around the world advocating the Indore Method. After the publication of the Agricultural Testament (1943), Albert Howard focused on popularizing his work among gardeners and increasingly connected his composting methods to issues of human health.


2020 ◽  
Author(s):  
Susanne Klengel

The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book of poetry Pauliceia desvairada (1922), which I reinterpret in the light of historical studies on the Spanish flu in São Paulo. An in-depth examination of all parts of this important early opus of the Brazilian Modernism shows that Mário de Andrade’s poetic images of urban coexistence simultaneously aim at a radical renewal of language and at a melancholic coming to terms with a traumatic pandemic past.


2011 ◽  
Vol 39 (2) ◽  
pp. 463-482 ◽  
Author(s):  
Gordon Fraser

On November 16, 1918, a little more than two weeks after an armistice officially ended World War I, an editorial in the Idaho Statesman offered advice about the future of the world economy. Lifting the title of its editorial directly from Benjamin Disraeli's Sybil, or The Two Nations, the Statesman argued only the political philosophy espoused by that novel and its author could show the world a way forward. Quoting from the novel's final paragraph, the newspaper declares: “‘To be indifferent and to be young can no longer be synonymous.’ Those words were true when Disraeli penned them just 73 years ago, but they apply with striking force to the problems of today and to the problems which will be certain to develop in the years just ahead” (“Trustees of Posterity” 4). The newspaper wasn't only advocating political involvement by the nation's youth, nor was Disraeli. Sybil proposes a particular kind of economic and political order, a union between a “just” aristocracy, led by the young and ambitious, and the laboring classes. It proposes that great statesmen take up the mantle of responsibility just as Thomas Carlyle, in Disraeli's day, advocated great captains of industry take up that mantle (Houghton 328). The newspaper's argument implies this seventy-year-old British novel will be critical to America's political future. But this vision of responsibility belongs in the nineteenth century – it is rooted in the conflict between republicanism and aristocratic oligarchy – and the timing of the Statesman article at first seems wildly inappropriate. As the First World War ended, the Statesman expected the world would face the kind of threats Americans had perceived before the war. The editorial warns that “mobocracy” still “holds nearly half of the area of Europe and much of northern Asia in its bloody and irresponsible grip.” If there is any doubt about who is behind this “mobocracy,” the newspaper clears that matter up, answering: “Bolshevists, Socialists and all of the disciples of unrest who may be roughly grouped as ‘The Reds’” (“Trustees of Posterity” 4). And when the Statesmen warns about “Reds,” it can easily expect its readers to remember that, only seventeen years earlier, President McKinley had been shot by just such a “Red”: Leon Czolgosz, an alleged anarchist and the child of Polish immigrants.


Sign in / Sign up

Export Citation Format

Share Document