scholarly journals Star Trek : paradigme juridique et laboratoire du droit

2016 ◽  
Vol 45 (2) ◽  
pp. 613-635
Author(s):  
Fabrice Defferrard
Keyword(s):  

Star Trek est un univers de science-fiction paradigmatique pour le droit. Il repose pour l’essentiel sur une architecture juridique et judiciaire complexe, inspirée d’un modèle universaliste mettant en valeur les libertés publiques, les droits fondamentaux et une justice équitable. Chargés d’explorer pacifiquement l’espace, les officiers de Starfleet nouent des liens de droit et résolvent des conflits de normes dans des situations parfois inédites qui font de cette divertissante saga un véritable laboratoire du droit.

2014 ◽  
Vol 03 (01) ◽  
pp. 18-21
Author(s):  
APPN Editorial Team

In an episode of the popular science fiction series Star Trek: The Next Generation, the crew of the USS Enterprise-D happened upon a full Dyson sphere when its gravitational fluctuations brought them to a stop. After some analysis of the sphere, Lieutenant Commander Data informed that the inside surface area of the sphere was equal to "250 million class-M worlds".


The first two seasons of the television series Star Trek: Discovery, the newest instalment in the long-running and influential Star Trek franchise, received media and academic attention from the moment they arrived on screen. Discovery makes several key changes to Star Trek’s well-known narrative formulae, particularly the use of more serialized storytelling, appealing to audiences’ changed viewing habits in the streaming age – and yet the storylines, in their topical nature and the broad range of socio-political issues they engage with, continue in the political vein of the franchise’s megatext. This volume brings together eighteen essays and one interview about the series, with contributions from a variety of disciplines including cultural studies, literary studies, media studies, fandom studies, history and political science. They explore representations of gender, sexuality and race, as well as topics such as shifts in storytelling and depictions of diplomacy. Examining Discovery alongside older entries into the Star Trek canon and tracing emerging continuities and changes, this volume will be an invaluable resource for all those interested in Star Trek and science fiction in the franchise era.


Joanna Russ ◽  
2019 ◽  
pp. 20-38
Author(s):  
Gwyneth Jones

“Experiment and Experience” covers Joanna’s first years as a reviewer for the Magazine of Fantasy and Science Fiction, under the editorship of Judith Merril, and her first post as a university teacher at Cornell, and discusses modernism in sf, Joanna’s role as interpreter of the British “New Worlds” writers and the American New Wave and her response to the protest movements and cultural revolutions of the 1960s (in the psychedelic “Modernist novel by a Star Trek fan”) And Chaos Died. Essays and stories (1968-1971) examined include the important “The Wearing Out of Genre Materials,” and autobiographical short fictions that foreshadow The Female Man and illuminate And Chaos Died.


2019 ◽  
Vol 5 ◽  
pp. 135
Author(s):  
Janet Vertesi

Although they command real spacecraft exploring the solar system, NASA scientists refer frequently to science fiction in the course of their daily work. Fluency with the Star Trek series and other touchstone works demonstrates membership in broader geek culture. But references to Star Trek, movies like 2001 and 2010, and Dr. Strangelove also do the work of demarcating project team affiliation and position, theorizing social and political dynamics, and motivating individuals in a chosen course of action. As such, science fiction classics serve as local folk fictions that enable embedded commentary on the socio-political circumstances of technoscientific work: in essence, a form of lay social theorizing. Such fiction references therefore allow scientists and engineers to openly yet elliptically discuss their social, political, and interactional environment, all the while maintaining face as credible, impartial, technical experts.


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