Faded Gray and Taste Synesthesia in Korean Film Little Forest(2018)

2021 ◽  
Vol 63 ◽  
pp. 61-82
Author(s):  
Jong-Guk Kim
Keyword(s):  
2021 ◽  
Author(s):  
Jimmyn Parc ◽  
Patrick A. Messerlin
Keyword(s):  

JURNAL ELINK ◽  
2020 ◽  
Vol 7 (1) ◽  
pp. 66
Author(s):  
Chalimatus Shadiyah ◽  
Jannatul Laily Novia Bahari

Based on Korean Film Data, Extreme Job is a Korean action comedy film has become the second best-seller Korean film which is directed by Lee Byung Hun. Not only is the comedian's story interesting, this film also contains solidarity value. The problem in this study is how the representation of solidarity value through Extreme Job film by Lee Byung Hun? To elaborate the problem in depth, this study uses the method of semiotic analysis by Roland Barthes. The aim is to analyse the representation of solidarity value in Extreme Job film. Barthes's semiotic analysis, namely denotative and connotative. Denotation is the first step in system of signification. It explained shortly, densely, and clearly. Connotation is the second step in system of signification. It explained more extensively than denotation because connotation is liberal. On the significance of the first step is cohesion showed by the existence of togetherness on doing something, the persuasion is the result of their solidarity also as a reason in order to buy the chicken restaurant through altruism, and division police's jobs for investigating narcotic consumers to various places where destinated by delivers of chicken with narcotic. On the significance of the second step is cohesion as a solidarity indicated based on main purpose of police, recklessness of altruism that showed solidarity among job partners for make success their mission to chasing the group of narcotic fugitives, and job division sign that showed solidarity among job partners for arresting the group of narcotic fugitives.Keywords: Solidarity, Film


2018 ◽  
Vol null (115) ◽  
pp. 207-236
Author(s):  
Kim, Myung Hee ◽  
Yunja Jeong
Keyword(s):  

Author(s):  
Su-Hyun Berg

While the local buzz and global pipeline approach has provided a useful platform for understanding knowledge creation and diffusion in the creative industries, little attention has been paid to the complex dynamics of knowledge flows through time and space. This article examines how the dynamics of local buzz and global pipelines supported Hallyu (translated into English as the ‘Korean Wave’, which refers to the increased popularity of South Korean cultural goods outside of Korea) by analysing the Korean film and TV industry. It is argued that changes in extra-local knowledge linkages offer opportunities for the expansion of the industry, both in domestic and international markets. The main findings indicate that not only did the dynamics of local buzz and global pipelines reconfigure Hallyu but also public support policies, private sector’s exertion and increased demand in the global market promoted Hallyu.


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