Fashion Product Design that Reflects Korean Formative Beauty : Handbag Design using the Aesthetic Motif of the Hanok

2021 ◽  
Vol 71 (1) ◽  
pp. 48-64
Author(s):  
HyeJin Nam
Keyword(s):  
Product Design ◽  
The Aesthetic

scholarly journals Optimization of Cultural and Creative Product Design Based on Simulated Annealing Algorithm

Complexity ◽  
2021 ◽  
Vol 2021 ◽  
pp. 1-10
Author(s):  
Xianzhe Meng
Keyword(s):  
Simulated Annealing ◽  
Product Design ◽  
Simulated Annealing Algorithm ◽  
Cultural Resources ◽  
Application Process ◽  
Wide Range ◽  
Development And Utilization ◽  
Annealing Algorithm ◽  
Creative Products ◽  
The Aesthetic

This paper introduces the basic principle and application process of simulated annealing algorithm and improves the simulated annealing algorithm so that it can converge faster to get the new parameters of cultural and creative product design and make it more in line with the reality of engineering optimization. In the cultural creative industry, it is necessary to use the creatorʼs creativity and technology to derive and develop the original cultural resources with the help of various materialization means, to refine the abstract and profound contents of cultural resources to make them more visualized, and to produce products with both spiritual and economic values through the multiple development and utilization of their intellectual property contents. By studying the feasibility analysis of the cultural and creative design, the design positioning of the cultural and creative products is determined. In this article, we use the simulated annealing method to simulate and analyse the condition values in the design process of cultural creative products. As the Internet era progresses, people have more diversified requirements for cultural and creative products, and they need to have innovative ideas to follow the trend, so the design of cultural and creative products can spread culture through different design expressions and media. As one of the important pillar industries for future development, cultural and creative products are characterized by a wide range of styles and practicality, which meet the aesthetic needs and fashion trends of modern people.

scholarly journals A New Design and Development Framework for Better Aesthetic Appearance for Consumers Products

2021 ◽  
Vol 56 (3) ◽  
pp. 262-273
Author(s):  
Mohd Qadafie Ibrahim ◽  
Fairuz Izzuddin Romli ◽  
Hassan Alli ◽  
Eris Elianddy Supeni ◽  
Hambali Arep
Keyword(s):  
Product Design ◽  
Engineering Students ◽  
Consumer Products ◽  
Design And Development ◽  
Form And Function ◽  
Design Engineers ◽  
Development Framework ◽  
Aesthetic Appearance ◽  
Development Processes ◽  
The Aesthetic

One of the primary issues with many product design and development processes today is having a good balance between the elements of form and function. While all products must be able to perform their intended functions, considerations of aesthetic features are also necessary for them to be accepted as a good quality design. However, most available design and development processes of consumer products have been more focused on achieving the functional aspects and have tended to treat the aesthetic aspects as less crucial features. This approach has led to many failed functional products in the market, as their physical design lacks appealing factors to targeted users. To improve the situation, a new product design and development framework is proposed in this study to better facilitate designers or engineers in creating an all-rounded quality product design. This new method is developed based on the findings from a survey conducted among engineering students, who are future product design engineers, in order to identify and also resolve issues with the current methods that they typically apply for their design tasks. All in all, the new proposed method is fundamentally tailored to offer a structured guide for developing beautiful and useful products based on a semantic design approach.

Review: Peter Sloterdijk, Der Ästhetische Imperativ – Schriften zur Kunst

2016 ◽  
Vol 33 (7-8) ◽  
pp. 367-374
Author(s):  
Sascha Rashof
Keyword(s):  
Product Design ◽  
Aesthetic Experience ◽  
Philosophical Approach ◽  
Modern Design ◽  
Light Product ◽  
Environmentally Responsible ◽  
Artificial Condition ◽  
Peter Sloterdijk ◽  
The Aesthetic ◽  
Action Cinema

Peter Sloterdijk’s Der Ästhetische Imperativ – Schriften zur Kunst is a collection of essays addressing a range of topics in the aesthetic realm, including sound, light, product design, cities and architecture, the human (artificial) condition, museums, action cinema and the art system. Via a ‘media’-anthropological, historico-philosophical approach, he critiques the ‘aesthetic imperative’ of (post-)modern design civilizations by re-evaluating the analogy between universal ethics and aesthetics after Kant. In this way, Sloterdijk argues for a more singular, intensive, socially and environmentally responsible aesthetic experience.

Beauty in Efficiency

2016 ◽  
Vol 35 (1) ◽  
pp. 93-120 ◽  
Author(s):  
Odette da Silva ◽  
Nathan Crilly ◽  
Paul Hekkert
Keyword(s):  
Experimental Design ◽  
Experimental Evidence ◽  
Product Design ◽  
Consumer Products ◽  
Maximum Effect ◽  
Aesthetic Appreciation ◽  
Use Of Resources ◽  
Wide Range ◽  
The Aesthetic ◽  
Principle Of Maximum

Theory and discourse suggest that the aesthetic appreciation of a wide range of artifacts—including works of art and consumer products—is partially governed by the principle of maximum effect for minimum means. We conducted two studies to find experimental evidence of this principle in the context of product design. In Study 1, we tested the hypothesis that the aesthetic appreciation of a product would be positively affected by the perception of the product as the minimum means achieving the maximum effect. Encouraged by the results of this study, we conducted Study 2 to test again the principle of maximum effect for minimum means using a more controlled experimental design. Our findings provide support for our hypothesis, indicating that the aesthetic appreciation of a product depends, to some extent, on the perception that the product achieves more than other products from its category by making an efficient use of resources.

scholarly journals Design Practice of Ceramic Tea Set Based on Aesthetic Features of Fractal Pattern

2020 ◽  
Vol 179 ◽  
pp. 02107
Author(s):  
Wenming Liu ◽  
Penghui Chen
Keyword(s):  
Product Design ◽  
Design Practice ◽  
Pattern Design ◽  
Fractal Pattern ◽  
Appearance Design ◽  
The Aesthetic ◽  
Aesthetic Characteristics ◽  
Design Ideas

The unique aesthetic characteristics of the fractal pattern are analyzed and discussed, and the aesthetic features of the fractal pattern are used to practice the appearance design and decorative pattern design of the ceramic tea set. Through the practice of product design based on fractal ideas, a set of effective and feasible ideas and methods for applying fractal ideas to product design were explored, which broadened product design ideas and tried new possibilities for product design.

Knowledge Support System for Aesthetics in Product Design

2013 ◽  
Vol 13 (1) ◽  
Author(s):  
Sitaram Soni ◽  
Pritee Khanna ◽  
Puneet Tandon
Keyword(s):  
Product Design ◽  
Support System ◽  
Creative Design ◽  
Aesthetic Design ◽  
Knowledge Based ◽  
Robust Model ◽  
Design Generation ◽  
Knowledge Support ◽  
Artificial Neural Network Ann ◽  
The Aesthetic

The research described is the initial efforts to develop knowledge based support system to the aesthetic design in industrial products. The methodology takes into account the cognition process during the design generation and captures this behavior in a group theoretic structure. This approach leads to a mathematically robust model for the creative design generation during the product design. Based on this model, an artificial neural network (ANN) and genetic algorithm (GA) based framework is implemented to assess the validity and usefulness of the approach.

Sense of Sculpture in the Form Design of Product

2013 ◽  
Vol 753-755 ◽  
pp. 1640-1642
Author(s):  
Rui Fen Chang
Keyword(s):  
Product Design ◽  
Product Innovation ◽  
Aesthetic Experience ◽  
Product Form ◽  
New Period ◽  
Form Design ◽  
Design Innovation ◽  
The New Period ◽  
The Aesthetic ◽  
Solid Form

In numerous products design, Consumers pay more and more attention to the aesthetic experience of product form. Aesthetic is inseparable from form, and sculpture is a kind of pure solid form, so how to create the product form with sense of sculpture? Product innovation is the trend of product design, only if learn from natural formhighlight key pointsreflect personality, which can make product form keep going to the new period of design innovation.

Application Study of Wa Nationality Totem Symbol of Lincang in Modern Furniture Design

2011 ◽  
Vol 117-119 ◽  
pp. 29-32
Author(s):  
Wu Jian Li ◽  
Rui Bo Hu ◽  
Xi Ye ◽  
Na Li ◽  
Hui Chen
Keyword(s):  
Body Size ◽  
Product Design ◽  
National Culture ◽  
Human Body ◽  
Furniture Design ◽  
Application Study ◽  
Size Scale ◽  
The Aesthetic

Today, the inheritance and protection of national culture become increasingly prominent. The findings can be seen that worship plays an important role in Wa nationality through the analysis of Cow Head and Wooden Drum in Wa’s totem worship. Combing with the design of specific cases and Wa’s totem worship, at the same time, extracted the national elements, furniture product design have been carried out. According to the aesthetic demand modern people and human body size scale, the design started which is not only good to realize national culture inheritance and protection, but also will push modern furniture design into the market. It is a good way to inherent and protect national culture, meanwhile, making a profit and reward.

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