scholarly journals Genre Knowledge and (Cross)disciplinary Awareness: Preparing Graduate Consultants to Support Proposals

2021 ◽  
pp. 229-240
Author(s):  
Elizabeth Festa
Keyword(s):  
Genre Knowledge

scholarly journals Genre Knowledge and Writing Development: Results From the Writing Transfer Project

2019 ◽  
Vol 37 (1) ◽  
pp. 69-103 ◽  
Author(s):  
Dana Lynn Driscoll ◽  
Joseph Paszek ◽  
Gwen Gorzelsky ◽  
Carol L. Hayes ◽  
Edmund Jones
Keyword(s):  
General Education ◽  
Institutional Design ◽  
Explanatory Power ◽  
Theoretical Work ◽  
Writing Development ◽  
First Year ◽  
Writing Courses ◽  
Key Factor ◽  
Genre Knowledge ◽  
Audience Awareness

Using a mixed-methods, multi-institutional design of general education writing courses at four institutions, this study examined genre as a key factor for understanding and promoting writing development. It thus aims to provide empirical validation of decades of theoretical work on and qualitative studies of genre and the nature of genre knowledge. While showing that both simplistic and nuanced genre knowledge promote writing development, our findings suggest that nuanced genre knowledge correlates with writing development over the course of a semester. Based on these findings, we propose an expanded view of Tardy’s four genre knowledge components and argue for their explanatory power. We recognize these genre components can be cultivated by using three particular strategies: writing for nonclassroom audiences, using source texts explicitly to join existing disciplinary conversations, and cultivating two types of metacognitive awareness (awareness of the writing strategies used to complete specific tasks and awareness of one’s levels of proficiency in particular types of writing knowledge). Findings can be used to enrich first-year or upper-division writing curricula in the areas of genre knowledge, audience awareness, and source use.

Narrative skills and genre knowledge: Ways of telling in the primary school grades

1990 ◽  
Vol 11 (1) ◽  
pp. 83-104 ◽  
Author(s):  
Deborah Hicks
Keyword(s):  
Primary School ◽  
Language Use ◽  
Silent Film ◽  
Primary Grade ◽  
Primary School Children ◽  
Narrative Texts ◽  
Linguistic Markers ◽  
Narrative Skills ◽  
On Line ◽  
Genre Knowledge

ABSTRACTChildren in the preschool years develop a linguisticrepertoireof narrative skills as they adapt their ways of representing events to different occasions of language use. The present study examines the abilities of primary school children to draw upon their repertoire of narrative skills in the service of language tasks. Children in grades K-2 were shown a shortened version of the silent film,The Red Balloon, and were asked to perform three narrative tasks: (a) produce an on-line narration of a 3-minute segment from the film, (b) recount the film's events as a news report, and (c) recount the film's events as an embellished story. The narrative texts produced for each task were subjected to analyses of linguistic markers of genre differences. The findings revealed very subtle distinctions between the narrative texts produced for the three genre tasks, leading to the conclusion that primary grade children have only nascent ability to apply their genre knowledge to school language tasks.

“Helping Me Learn New Things Every Day”: The Power of Community College Students’ Writing Across Genres

2020 ◽  
Vol 38 (1) ◽  
pp. 31-76
Author(s):  
Tanzina Ahmed
Keyword(s):  
Higher Education ◽  
College Students ◽  
Community College ◽  
Academic Success ◽  
Community College Students ◽  
Linguistically Diverse ◽  
Diverse Students ◽  
Linguistically Diverse Students ◽  
Entry Points ◽  
Genre Knowledge

Although community colleges are important entry points into higher education for many American students, few studies have investigated how community college students engage with different genres or develop genre knowledge. Even fewer have connected students’ genre knowledge to their academic performance. The present article discusses how 104 ethnically, culturally, and linguistically diverse students reported on classroom genre experiences and wrote stories about college across three narrative genres (Letter, Best Experience, Worst Experience). Findings suggest that students’ engagement with classroom genres in community college helped them develop rhetorical reading and writing skills. When students wrote about their college lives across narrative genres, they reflected on higher education in varied ways to achieve differing sociocultural goals with distinct audiences. Finally, students’ experience with classroom and narrative genres predicted their GPA, implying that students’ genre knowledge signals and influences their academic success. These findings demonstrate how diverse students attending community college can use genres as resources to further their social and academic development.

Genre Knowledge in Disciplinary Communication: Cognition/Culture/Power

1996 ◽  
Vol 47 (3) ◽  
pp. 437 ◽  
Author(s):  
Carol Berkenkotter ◽  
Thomas N. Hucken
Keyword(s):  
Genre Knowledge

Perceptions of Prior Genre Knowledge

2015 ◽  
Author(s):  
Natasha Artemeva ◽  
Donald N. Myles
Keyword(s):  
Genre Knowledge

Genre and constructional analysis

2018 ◽  
Vol 25 (3) ◽  
pp. 543-575
Author(s):  
Kiki Nikiforidou
Keyword(s):  
Cultural Context ◽  
State Of The Art ◽  
Frame Semantics ◽  
Pragmatic Information ◽  
Cultural Currency ◽  
Genre Knowledge ◽  
Constructional Work

Abstract Constructional approaches to genre model genre knowledge in terms of genre-based constructions. Like all constructions, these represent conventionalized pairings of meaning and form, of varying degrees of length and schematicity, whose pragmatic specifications include their association with a particular socio-cultural context. In this state-of-the-art article I review genre-related constructional work, discussing grammatical patterns that are licensed only in particular contexts, including conversational genres, as well as expressions that qualify as constructions simply on the basis of socio-cultural currency. The appropriateness of constructional analysis for the language of genre derives from the definitional incorporation of discourse-pragmatic information in constructional descriptions and the possibility of relating genre-bound, idiosyncratic patterns to the rest of the constructions in a language through relations of inheritance. I further highlight the compatibility of Frame Semantics with the notion of genre and critically discuss the concept of conventionality as it applies to genre language.

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