No Ivory Tower: Local History and the Small Museum

OLA Quarterly ◽  
2012 ◽  
Vol 18 (3) ◽  
pp. 10-13
Author(s):  
Carolyn Purcell
1977 ◽  
Vol 22 (7) ◽  
pp. 491-492
Author(s):  
J. HERBERT HAMSHER
Keyword(s):  

1980 ◽  
Vol 25 (2) ◽  
pp. 152-153
Author(s):  
JAMES LUGINBUHL ◽  
COURTNEY MULLIN
Keyword(s):  

2006 ◽  
Author(s):  
Mark A. Wilson ◽  
Milton Hakel ◽  
Robert J. Harvey
Keyword(s):  

Author(s):  
Darikha Dyusibaeva ◽  

The origins and characteristics of the rare book collection of L. Tolstoy Scientific Library are discussed. The focus is made of the unique publications in the local history of the late 19-th – eary 20-th century. The publications cover the history of the region and comprising vast document array. Several publications are described in detail, e. g. «Migrant small-holders in Turgay Oblast», «Essays in the Natural History of the 1- st and 2-тв Maurzum volost of Turgay Oblast», statistical reports, land management instructions, «The Proceedings of Kustanay Society of Local Lore and History», etc. The problem of the collection preservation and digitization is discussed.


2017 ◽  
Vol 7 (3) ◽  
pp. 210-223
Author(s):  
Anna Burton

In The Woodlanders (1887), Hardy uses the texture of Hintock woodlands as more than description: it is a terrain of personal association and local history, a text to be negotiated in order to comprehend the narrative trajectory. However, upon closer analysis of these arboreal environs, it is evident that these woodscapes are simultaneously self-contained and multi-layered in space and time. This essay proposes that through this complex topographical construction, Hardy invites the reader to read this text within a physical and notional stratigraphical framework. This framework shares similarities with William Gilpin's picturesque viewpoint and the geological work of Gideon Mantell: two modes of vision that changed the observation of landscape in the eighteenth and nineteenth centuries. This comparative discussion at once reviews the perception of the arboreal prospect in nineteenth-century literary and visual cultures, and also questions the impact of these modes of thought on the woodscapes of The Woodlanders.


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