Chapter 4. Hawaiian Women, Kapu, and the Emergence of Kãnãwai

2019 ◽  
pp. 132-174
Keyword(s):  
2020 ◽  
pp. 251484862090143
Author(s):  
Max Ritts ◽  
Sarah M Wiebe

This paper considers how systems of interspecies knowing and care in Hawai'i push against state-supported frameworks of liberal biopolitical governance. In 2015, the National Oceanic and Atmospheric Administration (NOAA) issued a citation suing two Kanaka Maoli (Native Hawaiian) women under the Marine Mammal Protection Act, for unlawfully “tak[ing] and/or or transporting” a stranded melon-headed whale (“Wānanalua”). In the lawsuit, prosecutors deliberated on the legality of the traditional sea burial situating it within a broader context of cultural accommodations granted by National Oceanic and Atmospheric Administration. From our examination of the lawsuit, we develop the argument that marine mammal care operates in Hawaiʻi as a regulatory device for ordering interspecies relations and for pacifying Indigenous demands for greater marine political authority. To combine these claims, we consider the relation between two governance logics: liberal “recognition,” wherein accommodations regarding culture are extended to previously disenfranchised social groups, and biopolitics, pertaining in the present case to care practices governing more-than-human actors and environments. Our arguments are supported by detailed case files and interviews with local informants, including the Kanaka women accused of mishandling Wānanalua. The “ruptures” marking the Wānanalua case suggest a liberal recognition framework whose failures are connected to the biopolitics it embraces, but with an added detail: The present story reflects on how an interspecies biopolitics—an attempted management of Kānaka-whale care practices—structures strategies of liberal recognition.


Contraception ◽  
2015 ◽  
Vol 92 (4) ◽  
pp. 394-395
Author(s):  
R. Soon ◽  
J. Elia ◽  
N. Beckwith ◽  
B. Kaneshiro ◽  
T. De Ver Dye

2017 ◽  
Vol 45 (3) ◽  
pp. 454-468 ◽  
Author(s):  
Van M. Ta Park ◽  
Joseph Keawe’aimoku Kaholokula ◽  
Puihan Joyce Chao ◽  
Mapuana Antonio

Author(s):  
James Revell Carr

This chapter examines the first musical encounters between Hawaiians and Euro-American sailors, beginning with the arrival of Captain James Cook in 1778. It explains early European and American visions of what Cook called “The Sandwich Islands,” and demonstrates that modern stereotypes of Hawaiian culture had their genesis in the stories of paradise on earth brought back to Europe and the United States by sailors. It shows how Hawaiians used music and dance as a conscious strategy for pacifying and disseminating information about the potentially violent foreigners. The chapter concludes with stories of the earliest recorded performances of hula in North America: in 1792, when two young Hawaiian women traveling with Captain George Vancouver performed at the home of the governor of Alta California in Monterey; and in 1802, when Hawaiian seamen working aboard American ships performed at the Park Theatre in New York and the Federal Street Theatre in Boston in productions of the popular pantomime The Death of Captain Cook.


2000 ◽  
Vol 31 (5) ◽  
pp. 529-537 ◽  
Author(s):  
Carolyn Cook Gotay ◽  
Richard O. Banner ◽  
Doris Segal Matsunaga ◽  
Nancy Hedlund ◽  
Rachelle Enos ◽  
...  

Sign in / Sign up

Export Citation Format

Share Document