Victorian Women's Travel Writing on Meiji Japan

Author(s):  
Tomoe Kumojima

Victorian Women’s Travel Writing on Meiji Japan: Hospitable Friendship explores real-life instances and literary manifestations of cross-cultural friendship between Victorian female travellers and Meiji Japanese, examining its ethico-political significance against the backdrop of British ‘New Imperialism’. Shifting critical focus from the individualist model of subjectivity to affective relationality, Tomoe Kumojima conceptualizes the female travellers’ open subjectivity as hospitable friendship and argues that femininity proves to be an asset in their praxis of more equitable cross-cultural contact in non-colonial Japan. Political affordances of literature are the book’s overarching thread. Kumojima opens new archives of unpublished correspondence and typescripts and introduces contemporary Japanese literature hitherto unavailable in English, shedding a refreshing light on the works of Isabella Bird, Mary Crawford Fraser, and Marie Stopes. The book traverses the themes of identity fluidity, literary afterlife, international female solidarity, literary diplomacy, cross-racial heterosexual intimacy, and cross-gender friendship. It traces the shifts in the representation of Japan in Victorian discourses prompted by Britain’s colonial management, Japan’s successful modernization, the Anglo-Japanese bilateral relationship, and global geopolitics, demonstrating how the women travellers complicated and challenged Oriental stereotypes and imperial binaries by creating counter-discourses through their literary activities. Kumojima also offers parallel narratives of three Meiji female pioneers in Britain and burgeoning transnational feminist alliances. The book addresses the absence of Japan in discussions of the British Empire in the field of literary studies and that of women and female agency in the male-dominated historiography of the Anglo-Japanese relationship.

2021 ◽  
pp. 1-52
Author(s):  
Tomoe Kumojima

The introductory chapter provides the historical and cultural contexts to situate the discussions on Victorian women’s travel writing on Meiji Japan in the wider academic debate on the British Empire, Victorian literature, and female travel writing. It provides an overview of Anglo–Japanese relations between 1854 and 1912 to trace shifts in the bilateral relationship and foreground its singularity in a multitude of East–West encounters. It then examines travel writings by both male and female travellers to Meiji Japan and fictional representations of the country in Victorian literature and theatre. It surveys travelogues by a group of female travellers alongside those by diplomats and journalists like Kipling, Japan-related writings by Wilde and Stevenson, and theatrical pieces such as The Mikado. The chapter considers the literary invention of Japan and analyses how women travellers negotiated discursive constraints due to gender and colonialism and challenged mainstream representations of Japan and Japanese people.


2012 ◽  
Vol 45 (1-2) ◽  
pp. 119-128
Author(s):  
Ricciarda Ricorda

Travel writing is a literary space particularly promoting moments of cross-cultural contact. In 18th century, Enlightenment new ideas encourage the production of odeporics in Italian literature, while writers and readersʼ interest for this genre increases conspicuously. The article mainly focuses on two travel books suggesting some remarkable research cues, Viaggio in Dalmazia by Alberto Fortis and Viaggio in Grecia by Saverio Scrofani, considering the travellersʼ specific approach and depiction of local people and analyzing their capability to turn these experiences into occasions to get closer to the Others and to represent them.


2021 ◽  
pp. 112-147
Author(s):  
Tomoe Kumojima

Chapter 3 discusses Mary Crawford Fraser and her Japan-related literary works to highlight political affordances of literature for cross-cultural female friendship and solidarity. Fraser opened up her writing space to her Japanese friends and enabled her readers to hear their voices in her writings. It examines Fraser’s friendships with Japanese people in A Diplomatist’s Wife in Japan (1898) and analyses the influence of these friendships on her fictional works. It brings to light the existence of a long-forgotten international reading society of women in Meiji Japan. It provides real-life examples of cross-racial, international female friendship, an underdeveloped resource in recent scholarship on Victorian travelogues. It demonstrates how Fraser mobilized literature as a safe space for a woman to carry out diplomatic tasks during the tumultuous period of treaty revision and the conclusion of Anglo-Japanese Alliance and strove to redress demeaning stereotypes of Japanese women.


Author(s):  
Subarna Bhattacharya ◽  

In feminist studies, the relation between gender and travel has been addressed in many important critical discourses. Feminist critics have pointed out that travel writing had for long remained oblivious about women’s travel, one reason being that travel was, forever, a masculinist exercise. Underlining the gendered aesthetics of travel writing, feminist criticism has read women’s travelogues as interesting sites of struggle between repeating the normative patterns of male travelling and casting an ‘alternative’ gaze. However, reading women’s travel writing simply as feminist narratives against their masculinist counterparts can be an oversimplification, as it may mean ignoring the deeper complexities underlying the texts. Being an autobiographical form, travel writing creates textual spaces where the formation of selfhood happens through a constant negotiation of the ‘self’ with the ‘world’, not only in terms of gender, but also other subject identities like race, class, and culture. In this context, my paper proposes to read Jamaica Kincaid’s Among Flowers. A Walk in the Himalaya (2005), as a female travel writing, where the question of gender intertwines with her non-white, ex-colonial, diasporic identity during her travel in Himalayan Nepal. My focus would be on examining the writer’s narratorial self as a female agency, influencing, and negotiating her postcolonial identity. The paper will try to address how the travelogue functions as a register of female experiences, while Kincaid, as a post-colonial black traveller, negotiates her position within the existing imperialist paradigm of white travelling.


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