Seeing Complexity To Continue to Understand Emotions

Commentary on Michael S. Brady’s book, Emotion: The Basics, indicating that it offers an overview of the field of philosophy of emotions while raising awareness about the intrinsic complexity of the issues in emotion research. This makes it possible to show how emotion research is inevitably tied to specific philosophical assumptions. Three illustrations are discussed that hopefully also testify that, as Brady states, the philosophy of emotion is inevitably tied to the question of what it means to do philosophy.

Affective shifts: mood, emotion and well-being

It is a familiar feature of our affective psychology that our moods ‘crystalize’ into emotions, and that our emotions ‘diffuse’ into moods. Providing a detailed philosophical account of these affective shifts, as I will call them, is the central aim of this paper. Drawing on contemporary philosophy of emotion and mood, alongside distinctive ideas from the phenomenologically-inspired writer Robert Musil, a broadly ‘intentional’ and ‘evaluativist’ account will be defended. I argue that we do best to understand important features of these affective shifts–which I document across this paper–in terms of intentional and evaluative aspects of the respective states of moods and emotion. At same the time, the account is pitched at the phenomenological level, as dealing with affective shifts primarily in terms of moods and emotions as experiential states, with respect to which it feels-like-something to be undergoing the relevant affective experience. The paper also applies the intentional-evaluative model of affective shifts to anxiety in more detail, developing the idea that certain patterns of affective shift, particularly those that allow for a kind of ‘emotional release’, can contribute to a subject’s well-being.

Rasāsvāda: A Comparative Approach to Emotion and the Self

This paper explores the philosophy of emotion in classical India. Although some scholars have endeavored to develop a systematic philosophy of emotion based on rasa theory, no serious effort has been made to read the relationship between emotion and the self in light of rasa theory. This exclusion, I argue, is an outcome of a broader presupposition that the 'self' in classical Indian philosophies is outside the scope of emotion. A fresh reading of classical Sanskrit texts finds this premise baseless. With an underlying assumption that emotion and self are inherently linked, this paper explores similarities between the Indian and Chinese approaches.

The New Ledoux: Survival Circuits and the Surplus Meaning of ‘Fear’

ABSTRACT LeDoux's pioneering work on the neurobiology of fear has played a crucial role in informing debates in the philosophy of emotion. For example, it plays a key part in Griffiths’ argument for why emotions don’t form a natural kind. Likewise, it is employed by Faucher and Tappolet to defend pro-emotion views, which claim that emotions aid reasoning. LeDoux, however, now argues that his work has been misread. He argues that using emotion terms, like ‘fear’, to describe neurocognitive data adds a ‘surplus meaning’: it attributes phenomenal properties to survival circuits which they don’t possess. This paper aims to explore LeDoux's new proposal, and examine the potentially devastating consequences that ensue for the aforementioned views. I end by addressing the worry that these lessons are conditional on LeDoux's own higher-order theory of emotional consciousness being true.

The Aesthetic Dimension of Passion

This paper is stimulated by and indebted to a study by Charles Altieri of the ways in which affect is present and articulated in art and literature, which, he argues, hold significance for the philosophy of emotion. I focus on Altieri's thesis that affective states may have aesthetic qualities and value. I pursue this notion first with reference to Nietzsche's attempt to recruit affect as a means of countering Schopenhauer's pessimism. I then attempt to show the coherence of the (on the face of it problematic) notion that passion may exhibit an aesthetic dimension, drawing on Richard Wollheim's account of certain ideas in psychoanalytic theory, for which I suggest precedents in the history of philosophy.

Pre-emotional Awareness and the Content-Priority View

Much contemporary philosophy of emotion has been in broad agreement about the claim that emotional experiences have evaluative content. This paper assesses a relatively neglected alternative, which I call the content-priority view, according to which emotions are responses to a form of pre-emotional value awareness, as what we are aware of in having certain non-emotional evaluative states which are temporally prior to emotion. I argue that the central motivations of the view require a personal level conscious state of pre-emotional value awareness. However, consideration of extant suggestions for the relevant type of evaluative state shows them all to be problematic. As such, I conclude that at present we do not have a persuasive formulation of the content-priority view, and that to get one defenders of the view need to specify which version they are committed to and defend it against the criticisms raised.