Introducing remote printing into the publishing industry of a small, remote economy: The case of New Zealand

<p>This research investigates the expected effects on developed business models of introducing remote printing technology into the New Zealand book publishing industry. Remote printing technology will both address and improve on the constraints of geographical proximity and market size, enabling the New Zealand book publishing industry to collectively grow and experience future prosperity. Aspects of technological innovation and consumer behaviour are examined to explore issues surrounding geographic proximity and supply chain inefficiencies. Criteria are developed using Just-In-Time (JIT) theory and Supply Chain Management (SCM) to evaluate where remote printing technology might best be integrated in the New Zealand book publishing industry’s supply chain. The mutual effects between remote printing technology adoption and the expected effects on business models are evaluated, identifying which model is expected to provide the most significant benefits in a New Zealand context. A case study of six New Zealand book industry respondents was conducted. Qualitative data was collected in semi-structured interviews with members associated within different sectors of the New Zealand book publishing industry. The interview data was supplemented with secondary data sources, including publicly available information about the New Zealand book industry. A within-case and cross-case analysis was performed around the research identified above. By evaluating developed business models and assessing which model/s effectively address the New Zealand context, remote printing offers brick-and-mortar booksellers the ability to better compete with offshore online booksellers. The expected effects remote printing technology will have on the New Zealand book industry are presented. A major contribution to this study is that remote printing technology could in fact have a revolutionary impact on the New Zealand book industry, compared to what has been previously considered.</p>

Introducing remote printing into the publishing industry of a small, remote economy: The case of New Zealand

<p>This research investigates the expected effects on developed business models of introducing remote printing technology into the New Zealand book publishing industry. Remote printing technology will both address and improve on the constraints of geographical proximity and market size, enabling the New Zealand book publishing industry to collectively grow and experience future prosperity. Aspects of technological innovation and consumer behaviour are examined to explore issues surrounding geographic proximity and supply chain inefficiencies. Criteria are developed using Just-In-Time (JIT) theory and Supply Chain Management (SCM) to evaluate where remote printing technology might best be integrated in the New Zealand book publishing industry’s supply chain. The mutual effects between remote printing technology adoption and the expected effects on business models are evaluated, identifying which model is expected to provide the most significant benefits in a New Zealand context. A case study of six New Zealand book industry respondents was conducted. Qualitative data was collected in semi-structured interviews with members associated within different sectors of the New Zealand book publishing industry. The interview data was supplemented with secondary data sources, including publicly available information about the New Zealand book industry. A within-case and cross-case analysis was performed around the research identified above. By evaluating developed business models and assessing which model/s effectively address the New Zealand context, remote printing offers brick-and-mortar booksellers the ability to better compete with offshore online booksellers. The expected effects remote printing technology will have on the New Zealand book industry are presented. A major contribution to this study is that remote printing technology could in fact have a revolutionary impact on the New Zealand book industry, compared to what has been previously considered.</p>

Local Place-Identities, Outgoing Tourism Guidebooks, and Israeli-Jewish Global Tourists

The current research is based on a socio-historical approach to the cultural role of tourism media in the reconstruction of cultural identities, specifically place-identity. It explores the role of Israeli outgoing tourism guidebooks in the reconstruction of local, Israeli place-identities. Stemming from a multidisciplinary methodological approach to the research of the book publishing industry, 17 titles written in Hebrew for Israeli outgoing tourists are chosen for their cultural stance and a manifest textual referencing of issues regarding Israeli identity. Critical discourse analysis of lingual content is used for exploring the texts’ social actions regarding the Israeli identity by following the inclusion and omission of tourist information and suggested itineraries. Results suggest justification of tourism abroad as the books’ main textual strategy. Six textual tactics are used for reconstructing Israeli tourists’ pre-trip motivations, on-trip tourist roles and behaviors, and post-trip reflections. Israeli outgoing tourism is reconstructed as creating a temporary, playful sphere for reiterating Israel’s predominance in the lives of Israelis even while touring abroad. The cultural significance of tourism media is discussed in conclusion by pointing at the books’ double role in both marketing and cultural construction of a consensual Israeli-Jewish pace-identity amidst global changes.

Mudharabah based crowdfunding as an alternative source of funding book publications in Malaysia

Purpose This paper aims to explore the applicability of mudharabah (partnership) based crowdfunding as an alternative fund to support the book publishing industry, particularly for self-publishers and small publishers. Design/methodology/approach This is an exploratory qualitative study whereby the data are obtained from library research and empirical studies. As for empirical data, it is sourced from semi-structured interviews with three types of groups: the book industry, the crowdfunding platform and Shari’ah experts. Findings The study found that mudharabah crowdfunding could overcome the book publishing industry’s financial problems. However, this requires special requirements for applicants (writers or publishers) to avoid fraudulent cases, as well as committed management in running the platform and a substantial crowd of loyal funders to maintain the platform. Simultaneously, even though mudharabah is a risky instrument, the risk can be mitigated by closely monitoring the progress of the project. As a result, this study proposes a special framework for mudharabah based crowdfunding to fund self-publishers and small publishers in Malaysia. Research limitations/implications This is an exploratory study, in which its findings may not be generalised due to the limited number of participants. Practical implications A special model for mudharabah based crowdfunding can be established through an online platform to support book publishing in Malaysia. Social implications As this mudharabah crowdfunding model has the potential to support the book industry financially, it could also nurture talented young writers while also preserving knowledge. Originality/value This study highlights a fresh and in-depth discussion both in theory and practice in proposing a special Islamic crowdfunding framework based on mudharabah as an alternative fund for the book industry, particularly to support self- and small publishers.

Print culture in the digital era : the publishing industry in the 21st century

This thesis provides an examination of the impact of new technologies on the book publishing industry and literary culture; analyzing the ways in which digital technologies like the eBook and eReader are changing reading practices and the conception of the book as a physical object and cultural artifact, as well as the way in which the internet, and Web 2.0 applications in particular, are being used to create new literary communities. I posit that the communications circuit described by Robert Darnton is disrupted and reconfigured by new technologies that facilitate novel forms of communication between authors, publishers, booksellers and readers, but that these changes are an extension of existing practices within literary culture. Further, in significant ways, these changes signal a recuperation of collaborative forms of production and reading practices that predate the print era, and herald an era of renewed collaboration and communication amongst literary communities.

Print culture in the digital era : the publishing industry in the 21st century

This thesis provides an examination of the impact of new technologies on the book publishing industry and literary culture; analyzing the ways in which digital technologies like the eBook and eReader are changing reading practices and the conception of the book as a physical object and cultural artifact, as well as the way in which the internet, and Web 2.0 applications in particular, are being used to create new literary communities. I posit that the communications circuit described by Robert Darnton is disrupted and reconfigured by new technologies that facilitate novel forms of communication between authors, publishers, booksellers and readers, but that these changes are an extension of existing practices within literary culture. Further, in significant ways, these changes signal a recuperation of collaborative forms of production and reading practices that predate the print era, and herald an era of renewed collaboration and communication amongst literary communities.

Digital Piracy

Digital refers to the practice of downloading and distributing copyrighted contents such as music, video, software, and e-book without permission. It is a fact of life for book publishing industry, entertainment industry, movie industry, television sector, film industry, etc. Piracy is regarded as a crime. Not only does piracy hurts and cause economic loss to these companies, it also inhibits incentive to keep creating. Unfortunately, there is no “silver bullet” solution to the problem of digital piracy. This paper provides an introduction to digital piracy.