Paul Groussac’s Void: The French Writer and the Argentine Tradition

The French-Argentine Paul Groussac embodied a wide range of writerly functions and cultural-political positions within the Argentine cultural field between the 1880s and the 1920s: writer, playwright, chronicler, traveler, literary, art, and music critic, historian, educator, editor, and director of the National Library during 44 years. This essay considers his place in the history of Argentine literature looking at two of the many ways in which he inscribed himself in it. The first takes up the production and reproduction of the ontological privilege of French identity as a form of legitimization for his public—and often polemic—interventions, through which he sought to establish scholarly-disciplinary practices, protocols, and conventions that would articulate an entire critical field around his own authority. The second proposes to think his alternatively weak and strong inscriptions in the literary tradition through his own narrative production: his fiction and dramaturgy, travelogues, and biographical sketches. In other words, this essay situates Groussac in an Argentine literary tradition (conceived as an organic and institutionally sanctioned textual corpus) he believed to have founded and established, a selfrepresentation that led Borges to say that Groussac saw himself as “a missionary of Voltaire among the mulattage.”

The Synthesizing Impulse: J. B. S. Haldane

By any standards, John Burdon Sanderson Haldane (1892–1964) was a fascinating man. An eminent scientist, prolific writer and speaker, fiery political activist, and all-round colorful character, he has been the subject of several full-length biographies and multiple biographical sketches.

Significant Engineers in America’s Rise to Industrial Prominence

This chapter is entirely biographical, focusing on engineers active in the period in which the United States was transformed from a minor industrial power to the world’s leading industrial power, i.e., in the century between 1840 and 1940. The bulk of the biographical sketches in this chapter were written by Fritz Hirschfeld. They were commissioned by ASME as part of the commemoration of the Society’s 100th anniversary and appeared in Mechanical Engineering between November 1979 and March 1981.

A Tour Through Scotland: A Finding Aid of Scottish Tavel Photography at the Archival & Special Collections, University of Guelph

Among the various collections housed in the Archival & Special Collections (ASC) at the University of Guelph is a group of photographic material that exhibits the integral role photography played in Scotland’s tourism industry from the nineteenth and early twentieth centuries. Photographic publishing firms such as G.W. Wilson & Co. and Valentine & Sons, Ltd. incorporated photography into their commercial repertoires and both helped to create and capitalize on Scotland’s vibrant tourism industry during this period. This thesis focuses on this specific group of material that includes four bound albums, five opalines, seven travel view books, and over four hundred stereographs, and additionally looks at how institutions such as the ASC use descriptive tools like finding aids to provide access to and information about their collections. This thesis project reevaluates the structure and role of the finding aid as applied to photographic material in archival collections. Additional components such as a biographical sketches, a glossary of photographic terms, a geographic index, and a historical overview, have been incorporated to further demonstrate how a finding aid can build a greater web of connections and narratives for such collections.

A Tour Through Scotland: A Finding Aid of Scottish Tavel Photography at the Archival & Special Collections, University of Guelph

Among the various collections housed in the Archival & Special Collections (ASC) at the University of Guelph is a group of photographic material that exhibits the integral role photography played in Scotland’s tourism industry from the nineteenth and early twentieth centuries. Photographic publishing firms such as G.W. Wilson & Co. and Valentine & Sons, Ltd. incorporated photography into their commercial repertoires and both helped to create and capitalize on Scotland’s vibrant tourism industry during this period. This thesis focuses on this specific group of material that includes four bound albums, five opalines, seven travel view books, and over four hundred stereographs, and additionally looks at how institutions such as the ASC use descriptive tools like finding aids to provide access to and information about their collections. This thesis project reevaluates the structure and role of the finding aid as applied to photographic material in archival collections. Additional components such as a biographical sketches, a glossary of photographic terms, a geographic index, and a historical overview, have been incorporated to further demonstrate how a finding aid can build a greater web of connections and narratives for such collections.

Tour Through Scotland: A Finding Aid of Scottish Travel Photography at the Archival & Special Collections, University of Guelph

Among the various collections housed in the Archival & Special Collections CASC) at the University of Guelph is a group of photographic material that exhibits the integral role photography played in Scotland's tourism industry from the nineteenth and early twentieth centuries. Photographic publishing firms such as G.W. Wilson & Co. and Valentine & Sons, Ltd. incorporated photography into their commercial repertoires and both helped to create and capitalize on Scotland's vibrant tourism industry during this period. This thesis focuses on this specific group of material that includes four bound albums, five opalines, seven travel view books, and over four hundred stereographs, and additionally looks at how institutions such as the ASC use descriptive tools like finding aids to provide access to and information about their collections. This thesis project reevaluates the structure and role of the finding aid as applied to photographic material in archival collections. Additional components such as a biographical sketches, a glossary of photographic terms, a geographic index, and a historical overview, have been incorporated to further demonstrate how a finding aid can build a greater web of connections and narratives for such collections.