A Gripping Tail: Re-interpreting the Archaic Potnia Theron Schema

<p>The Archaic Potnia Theron schema depicts a central female figure grasping an animal in each hand. She is often associated with the goddess Artemis. Yet, evidence from the early Archaic period indicates that she was not yet associated with the goddess. The identity of the schema has been the subject of a number of studies, and the connection of the figure with Artemis is well ingrained in scholarship. The identification of the figure as Artemis relies heavily on a brief description from Pausanias’s Perigesis, and the epithet Ποτνία Θηρῶν given to Artemis once in the Iliad (Hom. Il. 21.470). Furthermore, the image was later attributed to the goddess Artemis on account of her affiliations to wild animals. However, this thesis investigates the identification of the figure and examines the evidence (or lack thereof) for the attribution of the figure to Artemis in the Archaic period. Chapter One will investigate the Potnia Theron schema and its use in the Bronze Age. It will consider the possible contribution that the Bronze Age schema may have had on the image in the Archaic period, acknowledging possible influence from the Near East. It will also discuss problems with Archaic source material, the fluidity of Archaic Greek religion, and the characteristics of the Archaic Potnia Theron schema. Chapter Two will analyse the sanctuary of Artemis Orthia in Sparta as the main case study for the use of the Archaic schema in a sanctuary context. The chronology at the site, and its examples of the schema make it particularly useful for this investigation. Chapter Three will follow with an analysis of the schema on items lacking contexts, as it was used for decorative purposes on vases, jewelry, and plaques. Finally, Chapter Four will examine the role of Artemis, how the Potnia Theron pose has since been interpreted to represent the goddess. This thesis will determine when the schema became associated with Artemis and investigate evidence for its use prior to this association.</p>

A Gripping Tail: Re-interpreting the Archaic Potnia Theron Schema

<p>The Archaic Potnia Theron schema depicts a central female figure grasping an animal in each hand. She is often associated with the goddess Artemis. Yet, evidence from the early Archaic period indicates that she was not yet associated with the goddess. The identity of the schema has been the subject of a number of studies, and the connection of the figure with Artemis is well ingrained in scholarship. The identification of the figure as Artemis relies heavily on a brief description from Pausanias’s Perigesis, and the epithet Ποτνία Θηρῶν given to Artemis once in the Iliad (Hom. Il. 21.470). Furthermore, the image was later attributed to the goddess Artemis on account of her affiliations to wild animals. However, this thesis investigates the identification of the figure and examines the evidence (or lack thereof) for the attribution of the figure to Artemis in the Archaic period. Chapter One will investigate the Potnia Theron schema and its use in the Bronze Age. It will consider the possible contribution that the Bronze Age schema may have had on the image in the Archaic period, acknowledging possible influence from the Near East. It will also discuss problems with Archaic source material, the fluidity of Archaic Greek religion, and the characteristics of the Archaic Potnia Theron schema. Chapter Two will analyse the sanctuary of Artemis Orthia in Sparta as the main case study for the use of the Archaic schema in a sanctuary context. The chronology at the site, and its examples of the schema make it particularly useful for this investigation. Chapter Three will follow with an analysis of the schema on items lacking contexts, as it was used for decorative purposes on vases, jewelry, and plaques. Finally, Chapter Four will examine the role of Artemis, how the Potnia Theron pose has since been interpreted to represent the goddess. This thesis will determine when the schema became associated with Artemis and investigate evidence for its use prior to this association.</p>

Direct Evidence for Geophyte Exploitation in the Wyoming Basin

In the Wyoming Basin, archaeological sites dating from the Early Archaic to Late Prehistoric are often found associated with or adjacent to dense populations of Cymopterus bulbosus (springparsley), a nutritious geophyte that would have been an important food source for prehistoric humans living in the region. Experimental data have shown that the caloric return rates of C. bulbosus were enough to support seasonal exploitation by foragers, yet there has been no direct evidence for the use of this geophyte from the archaeological record. In this study, we examine starch granules from 10 ground stone tools excavated from two stratified, multicomponent archaeological sites in the Wyoming Basin to determine if C. bulbosus was collected and consumed in the past. Taproots of C. bulbosus were collected from two populations in the immediate vicinity of the archaeological sites in order to develop a modern starch reference. Identification of Cymopterus starch granules is based on a systematic study of those reference granules. The presence of Cymopterus starch on the ground stone artifacts suggests that prehistoric foragers were collecting and consuming these geophytes. These findings support previous hypotheses about geophyte use in southern Wyoming and therefore have implications for increasing human populations as well as settlement and subsistence decisions.

THE LATE HELLENISTIC WINE PRESS EXCAVATIONS FROM KNOSSOS: THE EARLY IRON AGE, HELLENISTIC AND EARLY ROMAN CONTEXTS

The remains of an exceptionally well-preserved Hellenistic wine press were uncovered during a rescue excavation at Knossos in 1977. The architecture, stratigraphy and faunal remains from this campaign were published in BSA 89 (1994) by J. Carington Smith (the excavator) and S. Wall. The artefact assemblages from this excavation, however, have remained unstudied and unpublished until now. The current article presents the artefact assemblages from the wine press excavation and considers them within their urban context at Knossos. The key findings from this excavation relate to the Late Hellenistic wine press and its associated material, which enables us to consider both the ancient winemaking process at Knossos and the economic topography of the city in the decades around the Roman conquest of the island in 67 bc. In addition to the Late Hellenistic phase, material of Minoan, Early Iron Age–Early Archaic, earlier Hellenistic and Early Roman dates is also presented and discussed.

Writing and Pre-Writing in Early Archaic Methone and Eretria

This chapter concentrates on the important collections of early graffiti and non-alphabetic marks recently published from Methone and Eretria, and dating to the late eighth and early seventh centuries. It picks up Jeffery's emphasis on the materiality of writing, examining their placing on the whole pot or sherd, and it asks what these new graffiti contribute to our views about the spread of the early alphabet. It makes particular use of the graffiti which are not alphabetic, but which seem from placing and appearance to be engaged in a similar form of marking and communication to the obviously alphabetic marks. It argues that these early graffiti do not show the alphabet as necessarily trying to recreate sound or speech, but do show why there was such an impetus to take over the alphabet. In Methone and Eretria we see the 'seed bed' for the rapid spread of the alphabet.