Greek High Culture in Hellenistic and Early Imperial Bithynia

The article attempts to set out evidence for various forms of Greek high culture in Bithynia from the fifth century BC to the middle of the third century AD, taking as a cut-off point the tetrarchic period in which Diocletian’s choice of Nicomedia as a capital had a marked impact on its and other Bithynian cities’ cultural life. The preliminary prosopography lists representatives of Greek culture by city, subdividing into the categories doctor, grammaticus, historian, philosopher, poet, rhetor or sophist, and scholar (with a sprinkling of other performers). Only Nicaea, with 30 names, makes a strong and persistent showing; of other cities only Nicomedia musters more than 10 names, though Prusa and Prusias ad mare produce several doctors. Prusias ad Hypium, by contrast, can boast only a single philosopher, perhaps a rhetor who moved to Nicaea, and a visiting tragic performer.

THE INFLUENCE OF GREEK PHILOSOPHY ON ISLAMIC CULTURE AL-TAWHIDI IS A MODEL

The East, with its ontological history, is full of religions, and the spirituality of the eastern mind is evident in its love for the literature of proverbs and wisdom that it was able to formulate, and its sanctification of the word is only due to its magical impact on himself; It is his consolation for his painful reality! It deals with its concepts and religious and worldly matters, and that he did not digest Greek philosophy until after the writers presented it with short sentences with wise meanings from the sayings of its philosophers! It is known that wisdom and proverbs are advice, guidance, advice and exhortation, expressing a subjective experience, length of contemplation and insight into life matters, and they often have moral dimensions and that they are suitable for all human societies in a time and place. The concept of culture is so complex that it includes all human aspects. Speaking about the impact of Greek culture on Arab culture or even the presence of multiple connections, it stems from the phenomenon of influence and influence. Greek philosophy was mixed with Islamic thought and culture in the Abbasid era in general, and Arabic literature in general. In particular, it became one of the tools of expression, and the Greek philosophical culture penetrated into the Arab culture (its terms, concepts and sayings of its philosophers) until it spread in its three types: pure philosophical culture, literary philosophy, and philosophical literature. Islamic Society As the names of Greek philosophers gained popularity among members of society in all its classes! The research focused on the issue of the impact of Muslim writers on the dissemination of Greek philosophical culture in the Abbasid era, taking from Abu Hayyan al-Tawhidi (d. 414 AH / 1023 AD) as a model; Although al-Tawhidi was not unique in mixing literature with philosophy; But it is a typical example of the writers of the Abbasid era who were influenced by Greek philosophy and whose literary culture was mixed with Greek philosophy. Greek philosophy has spread among members of the Islamic community by publishing the wisdom, proverbs and sayings of Greek philosophers and scientists. The research was divided into three sections that dealt with the first topic: the relationship between literature and philosophy, while the second topic: the reasons for monotheistic influence on Greek philosophy, and the third topic: it follows the impact of Greek philosophy with the works of monotheism.

Peculiarities of Greek Origin Words Perception by the Representatives of Contemporary Russian Linguistic Culture: Associative Experiment

The article describes the associative experiment as one of the most productive methods of modern psycholinguistics. The theoretical works of Russian and foreign researchers on the theory and practice of the associative experiment in modern linguistics are reviewed. To illustrate the associative experiment, the analysis of the associative fields, formed by the reactions of the Russian-speaking respondents to the words of Greek origin is presented. The relevance of the work is determined by the fact that the authors make an attempt to study the peculiarities of the perception of borrowed words, using the mechanisms of perception of these or those concepts by native speakers, their evaluation and connotations. This seems interesting not only for contemporary psycholinguistics, but also for semantics, stylistics, cognitive linguistics and other branches of linguistics. The linguocultural value of the study lies in the fact that the experiment allows determine how a word of foreign origin, occurring in Russian, retains the charge of the original culture from which it came. The linguistic material for the study is the most common or typical Greek expressions from the poems of A.S. Khomyakov, a Russian poet of the 19th century, one of the founders of the Slavophile movement. The novelty of the research lies in the fact that the language of A.S. Khomyakovs works is still understudied. The study of the Greekisms as a foreign cultural phenomenon in the texts of a Slavophile poet, whose philosophical concept is connected with "traditionalism" both in the understanding of culture and language, is of scientific interest. We describe the associative fields to the words-stimuli prophet and ether , using Y.N. Karaulov's methodology, which implies the consideration of associations from lexico-syntactic, morphological, cognitive, pragmatic and statistical points of view. From the linguocultural point of view it is important to identify the cognitive features of the perception of the stimuli. The experiment helped to discover that words of Greek origin continue to carry a charge of Greek culture, in addition, they have become an integral part of Russian culture, manifesting themselves in the minds of native speakers through association with Russian precedent texts. The analysis of associative fields made it possible to reveal the peculiarities of the perception of words of Greek origin by native speakers of modern Russian, and to compare the obtained meanings with those that the words had when they were written in the 19th century. The transformation of semantics, as well as the re-accumulation from one meaning to another, the emergence of new meanings, which corresponds to the historical development of words, are noted.

Themis and Dike – Justice in Greek Myth and Tradition

The understanding of law in Ancient Greece was based on the religious interpretations of human nature and natural laws. Two Greek goddesses were representatives of justice and fairness. In the ancient sources Themis is presented as a goddess and prophetess, one of the Titans and the daughter of Gea and Uranus. She is a symbol of divine order, justice, natural law and good customs. Dike, the daughter of Themis, is the goddess of justice and truth, the protector of rights and courts of justice, the arbiter, the symbol of honor, the goddess of revenge and punishment. In early Greek culture and poetry, the terms themis and dike represented justice in the meaning of cosmic order, natural law, and legality. The paper analyses the Hellenic notions of justice, fairness and legality embodied in the phenomena of themis and dike. Nomos (law) is just only if it is in harmony with themis, and law is valid only if it is just. The paper presents the doctrines of Hellenic writers, poets and playwrights on justice and law, with special reference to the influence of mythology on Hellenic law. Publius Ovidius Naso’s work „Metamorphosis”, which speaks about Themis’ role in the creation of the world and the salvation of the human race is one of the greatest sources about this goddess. In Homer’s „Iliad” and „Odyssey”, epics that sing of the heroic spirit, justice is shown in the motives, intentions and behavior of the participants in the event, mostly heroes. The poet Hesiod, famous for the poems „Theogony” and „Works and Days”, moves away from the heroic virtues of people and portrays the gods as bearers of moral power and guardians of justice. In the light of legislative reforms, Solon’s dike represents the progress and well-being of society through economic reforms, which is why justice and injustice refer only to legal and illegal acquisition of wealth and its effect on the community. Aeschylus’ „Oresteia” shows the principle of justice based on talion, according to which the punishment has to be identical with the committed crime. One of the greatest Ancient Greek playwrights, Sophocles, based his play „Antigone” on the conflict between the laws of men and the laws of gods. According to Herodotus, the greatest Ancient Greek historian, the actions of the gods govern human destinies and historical events. The idea of justice in Ancient Greece was all throughout its transformation based of the universial concept of natural balance.

Outsiders: Integration and Rejection

This chapter focuses on the treatment of outsiders and on the possible procedures for inclusion in the gymnasia of Hellenistic Egypt: attention is devoted in particular to Egyptians, Judaeans, and the possible role of women in gymnasia. The gymnasium was the place for the assertion of specific aspects of Greek identity and those who took part in its life, including visiting guests, were admitted on the understanding that they shared and were willing to perform specific features of Greek culture. It is shown how Egyptians and Judaeans could be welcomed into the gymnasia of Egypt but how they could not and did not advertise or express themselves in them as anything other than ‘Greeks’, adopting or at any rate coming to terms with practices (including nudity) that at times clashed with traditional Egyptian or Judaean values. Women, on the other hand, found no room in the gymnasia of Ptolemaic Egypt: the gymnasium was essentially an institution built by and for men and so it basically remained from the beginning until the end of its days.

When Students Do Not Aspire To Become Professional Anthropologists

Studies in anthropology have been influential in Greece in the recent decades. Anthropological concepts and analysis have prompted a critical assessment of Greek culture and brought this academic discipline close to history and folklore studies. Furthermore, today in Greek universities one finds several courses that teach this subject, plus some whose approaches are influenced by ethnography and the anthropological perspective. Given that only a small percentage of the students learning anthropology in Greek universities will eventually become professional anthropologists, my teaching experience leads me to the position that their acquaintance with anthropology should include a correlation of knowledge received during their studies to aspects of their daily life. Consequently, this article examines how teaching may encourage a fragmentary use of ethnography and a strong reflexive attitude from the students’ side, leading the latter to the exploration and evaluation, in a heuristic way, of their personal worldview and ethos.

Maximus of Tyre on the Zeus of Homer and Plato

The present article discusses the ingenious account of Zeus that was put forward by Maximus of Tyre in his Orations IV and XXVI. When reading into Homer various Platonic and Stoic concepts, Maximus originally amalgamates the notion of Demiurge with that of Providence. As he thus unearths Homer’s latent theology, Maximus not only praises the heritage of Greek culture but also demonstrates the close affinity between poetry and philosophy.

Matthew Arnold’s “Dover Beach’’: A Depiction of Victorian Doubt and Faith

Dissatisfied with his age Arnold turned towards Greek Culture and literature. Victorian age was an age of doubt and faith. Religious faith were in melting pot. Darwin’s ‘Origin Of Species’ (1859) shook the Victorian faith. Darwin questioned the very basic statement of ‘The Holy Bible’. Arnold considered literature as a weapon to established the broken faith of Victorians. He took Greek literature as reference to write literature. Arnold keenly observed Greek art and culture and find solace in it. He used Greek Art and Culture as the tool of morality and it has the healing power to wounded Victorian faith. Arnold’s ‘Dover Beach is a poetry of vanished past and vanished faith. Keywords: Reflective elegy, Vanished Faith, Victorian Doubt and Faith, Sea of faith.