ecological inquiry
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2017 ◽  
pp. 86-98
Author(s):  
Ronald Barnett
Keyword(s):  

2016 ◽  
Vol 41 (1) ◽  
Author(s):  
Peter Zhang ◽  
Eric McLuhan

This dialogue foregrounds the interological nature of media ecology as a style of exploration into the human condition. Besides Marshall McLuhan, it also brings Gilles Deleuze, field theory, and the I Ching, et cetera, to bear on media ecological inquiry. The idea is to reveal a pattern instead of defining a term.Ce dialogue met en relief la nature « interologique » du style d’exploration de la condition humaine que propose l’écologie des médias. Pour ce faire, il fait intervenir, en plus des réflexions de Marshall McLuhan,  la pensée de Gilles Deleuze, la théorie des champs et le « Livre des transformations » (Yi King). Il s’agit moins ici de définir un terme que de révéler un « motif » (pattern).


2016 ◽  
Vol 78 (1) ◽  
pp. 57-61
Author(s):  
Patrick M. Edwards ◽  
Rodney Shroufe

Streams and stream macroinvertebrates are ideal natural systems for ecological inquiry. We present three simple experiments that students can use to conduct field-based investigations which illustrate the importance of algae-based food webs in streams and measure the effects of sediment pollution (scour and deposition) on stream ecological processes. Over the past 5 years, we have conducted these experiments 19 times with our students. We report on the results and reliability of these experiments and make suggestions for other educators who may want to conduct them.


Author(s):  
Anne Raine

This article examines the historical relation between modernist studies and ecocriticism. It contends that modernist literature offers rich resources for ecocriticism because it responds to the changing environment of industrial modernity in ways that sometimes affirm but more often productively question conventional romantic and realist ideas about nature. It also argues that reading modernism ecocritically requires careful attention to how modernism’s adaptation or disruption of conventional literary forms contributes to its particular modes of ecological inquiry and critique and contends that it is important to develop a thoroughly historicized understanding of literary modernism’s relationship to romanticism, to the sciences, and to various forms of popular nature discourse.


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