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2021 ◽  
Vol 21 (1) ◽  
Author(s):  
Leah Ashanti Amaral ◽  
Johanna Tesfaye

This paper describes a collaborative self-reflexive practice using art-making, personal experience, womanist performance pedagogy (WPP), the Black Arts Movement, and poetry as the starting material for inquiry. Through arts-based inquiry, we reflected on our practice and Black personhood as art therapists, artists, and activists. We investigated the concepts of therapeutic and professional space in three areas: negotiating identity, co-creating our therapeutic practice, and making alternatives. We utilized the seven characteristics of WPP proposed by Khalilah Ali in her dissertation ‘For Us Poetry is Not a Luxury’: A Case Study of Six Black Women Artist-Educator-Activists as a framework, while drawing from care and healing practices from the Black Arts Movement, and using poetry as material. We merge our experience, theory, and action through this collaborative, self-reflexive, exploratory investigation, to better understand how to cultivate subversion and challenge the power structures and systems that we navigate on a daily basis. Our interest in this topic derived from the two alternative spaces that we created during our time as art therapy students: BIPOC Makespace and Sister Circle. We realized that our starting point does not always have to be in relation to whiteness, critiquing whiteness, or talking about our experiences in relation to oppression that has happened in our education. This paper is giving us the opportunity to choose our own starting point and material to investigate, putting Black knowledge, experience, and praxis at the center.


2019 ◽  
Vol 11 (20) ◽  
pp. 5611
Author(s):  
Jane Burt

This paper describes how Changing Practice courses, developed by environmental activists in South Africa and based on social learning practice, have seeded cognitive justice action. For the educator-activists who facilitated these courses, it became apparent that we needed a bold emancipatory pedagogy which included cognitive justice issues. This enabled us and the activist-researcher participants to understand the extent to which local, indigenous, and spiritual knowledge had been excluded from water governance. The paper investigates how participants in the ‘Water and Tradition’ change project, established by the Vaal Environmental Justice Alliance (VEJA, engaged with cognitive justice, to demonstrate how African spiritual practice offers a re-visioning of the natural world. Finally, using the tools of critical realist theory, the paper reviews how VEJA bring about transformative social action through their participation in the Changing Practice course.


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