thryothorus rufalbus
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2008 ◽  
Vol 62 (7) ◽  
pp. 1107-1117 ◽  
Author(s):  
Stephanie M. Topp ◽  
Daniel J. Mennill


The Condor ◽  
2007 ◽  
Vol 109 (4) ◽  
pp. 870-877 ◽  
Author(s):  
Sandra V. Valderrama ◽  
Jorge E. Parra ◽  
Daniel J. Mennill

Abstract Niceforo's Wrens (Thryothorus nicefori) and Rufous-and-white Wrens (Thryothorus rufalbus) are closely related Neotropical birds. Niceforo's Wrens, critically endangered endemic Colombian songbirds, are generally considered a sister species to Rufous-and-white Wrens, although some have suggested that they may represent a well-marked race. A careful comparison of the two taxa has never been conducted. Here we present a thorough study of the songs of male Niceforo's and Rufous-and-white Wrens based on recordings collected throughout both species' geographic ranges. Both species sing low-pitched songs composed of varied pure tone whistles. Niceforo's Wren songs are shorter and simpler with fewer syllables and syllable types; they have higher frequency trills and terminal syllables; and they have distinctive terminal syllables with a broader bandwidth, higher frequency of maximum amplitude, and a larger number of frequency modulations. Discriminant analysis based on fine structural details of songs differentiates the two species. In a subspecies-level discriminant analysis, all five subspecies of Rufous-and-white Wren cluster together and are distinct from Niceforo's Wren. Comparisons of morphometric measurements and plumage features reveal parallel differences in body size (Niceforo's Wrens are larger for most measurements) and plumage color (Niceforo's Wrens are more gray than Rufous-and-white Wrens). This study is the first to compare Rufous-and-white versus Niceforo's Wrens with a quantitative approach and supports the idea that these taxa are best understood as distinct species.



The Auk ◽  
2005 ◽  
Vol 122 (1) ◽  
pp. 175-186 ◽  
Author(s):  
Daniel J. Mennill ◽  
Sandra L. Vehrencamp

AbstractIn many tropical bird species, males and females sing together in coordinated vocal duets. Although studies of duetting present unique opportunities for understanding conflict and cooperation between the sexes, very few investigations describe the similarities and differences between male and female singing behaviors. Here, we present the first detailed account of the singing behavior of Rufous-and-white Wrens (Thryothorus rufalbus), a resident tropical duetting songbird. Male and female songs share a similar structure, yet show pronounced sex differences. Male songs have lower frequency characteristics and more repeated trill syllables, and often sound louder than female songs. Males sing more than females, and only males show elevated song output at dawn. Both males and females have song repertoires. Males have an average repertoire size of 10.8 song types, whereas females have a significantly smaller average repertoire size of 8.5 song types. Although males share proportionately more of their song types with neighbors than females do, both sexes share more song types with nearby individuals than with distant individuals. Breeding partners combine their solo songs to create duets. Duets assume a variety of different forms, ranging from simple, overlapping male and female songs to complex combinations of multiple male and female songs. Most duets (73%) are created by females responding to male song. Males respond to female-initiated duets with shorter latencies than when females respond to male-initiated duets. Each pair sings certain combinations of song types in duets more often than can be explained by random association, which demonstrates that Rufous-and-white Wrens have duet types. The most common duet type was different for each pair. Our results show that Rufous-and-white Wrens have pronounced sex differences in song structure, singing activity, repertoire size, repertoire sharing, and duetting behavior.Diferencias entre Sexos en el Canto y Comportamiento de Dueto en Thryothorus rufalbus





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