An Ethnographic Turn in Comparative Theology?

This review essay analyses three books of comparative theology between Christian and Hindu traditions in South Asia in order to address two interrelated questions: 1) do they hint at an ‘ethnographic turn’ in comparative theology? And 2) if so, what might that mean for both ethnographic theology and comparative theology as they continue to develop as disciplines? Through an interpretive, exegetical review of these works, the article observes how an evolving appreciation for ethnography in comparative theology – and an attendant and analogous turn toward comparison in ethnographic theology – could bring more texture and critical reflection to the comparison of theologies across religious traditions, a more expansive capacity to ethnographic theology, and bring both fields into more fruitful dialogue. It argues that such developments are needed in a world where the lived navigation of hyper-diversity and multiplying difference are increasingly the norm.

Poems in Interreligious Dialogue: Searching for God in the Poetry of Ku Sang and Thomas Merton

<p>Twentieth-century poets Ku Sang and Thomas Merton, two Catholic poets from Korea and America, respectively, were both aware of a space between themselves and God. Their poetry reveals attempts to go and find him. Because their searches for God entailed an interreligious nexus, insofar as their poetry blended Buddhist and Christian religious imagery, I utilise a comparative method, drawn from the field of Comparative Theology, which juxtaposes religious texts from differing faith traditions; I place Zen Buddhist kōans side-by-side with the Christian poems, each poem understood as representing a way to seek God. Moreover, I provide close readings of each poem and kōan, with critical commentary on the poems and interpretation of any new meaning revealed by the juxtaposition of texts. As a result of my examination, I propose that exploration of how these poets expressed their own understanding of God’s whereabouts, achieved by contact with poetic experience at the naked level of the poem, yields insight both into the two men’s unique contributions to broader knowledge of poets searching for God and how they were transformed for the sake of searching at all.</p>

Poems in Interreligious Dialogue: Searching for God in the Poetry of Ku Sang and Thomas Merton

<p>Twentieth-century poets Ku Sang and Thomas Merton, two Catholic poets from Korea and America, respectively, were both aware of a space between themselves and God. Their poetry reveals attempts to go and find him. Because their searches for God entailed an interreligious nexus, insofar as their poetry blended Buddhist and Christian religious imagery, I utilise a comparative method, drawn from the field of Comparative Theology, which juxtaposes religious texts from differing faith traditions; I place Zen Buddhist kōans side-by-side with the Christian poems, each poem understood as representing a way to seek God. Moreover, I provide close readings of each poem and kōan, with critical commentary on the poems and interpretation of any new meaning revealed by the juxtaposition of texts. As a result of my examination, I propose that exploration of how these poets expressed their own understanding of God’s whereabouts, achieved by contact with poetic experience at the naked level of the poem, yields insight both into the two men’s unique contributions to broader knowledge of poets searching for God and how they were transformed for the sake of searching at all.</p>

Modern oriental reading (reception) of Islam in the works of Max Weber

In this paper we analyse Max Weber's view on Islam as a religion of warriors who lived at the Arabian Peninsula in the 7th century, and also, we analyse this interpretation in the context of Edward Said’s (orientalistic) theoretical approach. The first part of the paper presents various aspects of the analysis of Islam by Max Weber, which must be taken into the context of comparative theology, that is, in the light of considering the characteristics of Islam against the background of other world religions. In the second part of the work, we will analyse the concept of Said’s orientalism. We will construct the framework of moderate orientalism, which, according to the author of this paper, is an important conceptual adjustment that can contribute to a better understanding and analysis of various oriental discourses, including Weber discourse. Taking into account that we are talking about the most influential classics sociologists, especially in the case of the sociology of religion, it is very important to critically analyse his understanding of Islam so that we can determine which of his conclusions are significant for the sociology of religion and the sociology of Islam today, and which of his hypotheses can we attribute to some kind of reductionism or orientalism.