The Paradoxical World of Psycho-Pass Anime Series

Psycho-Pass is one of the most well-known examples of dystopian anime. The story is set in 22nd century Japan, where the country is ruled by the Sibyl System. The world is portrayed to be an ideal world that is seemingly crime-free, yet the world also contained many problems that offset how ideal it seemed. In this paper, we are concerned about how Psycho-Pass can be categorized as a paradoxical world. Therefore, we aim to show the ways that the world of Psycho-Pass is indeed paradoxical by using utopia and dystopia theories. Through our analysis, we found that elements of both utopia and dystopia are present in Psycho-Pass. The world of Psycho-Pass is paradoxical in that it is ideal and faulty at the same time.Keywords: anime, paradoxical, utopia, dystopia.

The Ethics of Uncertainty

The ethics of uncertainty is an approach to ethical decision-making under conditions of uncertainty. Two legal cases involving patients in the minimally conscious state—Robert Wendland, and a U.K. patient known as M—illustrate the difficulty and complexity of making decisions when so much is unknown about the experiences and minds of these patients. The ethics of uncertainty refocuses ethical enquiry concerning patients with disorders of consciousness, placing less emphasis on their contested personhood and more on inductive risk, on respect for autonomy, and on justice, especially epistemic justice, and the duties of privileged epistemic agents like physicians and medical staff. It encourages an expansive All Things Considered approach to ethical decision-making where the goal is not to arrive at clean, consistent, abstract, ideal decisions for an ideal world, but to enable decision makers facing complexity and uncertainty to fulfill their duties as moral and epistemic agents.

Analysis of Resource Moment Approach and Release & Rehire Approach for Resource Optimization in Construction Project

Building approaches frequently produce schedules which induce undesired, cost-effective resource variations in the field. Two sorts of situational limitations and resource restrictions occur often with a project manager. The resources for carrying out the tasks are required for a project. These resources comprise the necessary effort, equipment and supplies. The resources in the ideal world are infinite but typically not endless throughout the real world, and the project team needs to level off resource usage. Keywords: Resource, Levelling, Resource moment, Minimum moment method, RRH

International cooperation in a non-ideal world: the example of COVAX

The world witnessed one of the fasted responses in history to a new disease in terms of drug and vaccine development. However, despite the fact that safe and effective vaccines for COVID-19 were developed at a remarkable pace, international cooperation seems to have failed regarding the global equitable allocation of vaccines. This article explores challenges to international cooperation in global health and specifically to the fair allocation of vaccines at a global scale. We will present major obstacles to cooperative efforts and an interesting answer such as the COVAX facility, a cooperative redistribution scheme that has recently been launched by WHO, CEPI and Gavi. Considering COVAX a laudable and necessary first step to improve international cooperation in health, we nevertheless argue that the facility needs to identify key areas of potential improvement.

Straniamenti e spaesamenti di Luigi Gualdo

Estrangement and Out-of-Placeness in the Works of Luigi Gualdo Characters and places between ideal and reality, cosmopolitanism and uprooting This paper focuses on the different forms of estrangement and out-of-placeness which can be found in Luigi Gualdo’s works. Gualdo (1844-1898) was a prominent writer whose works are influenced by French realism and Parnasse, Italian scapigliatura and the European decadence and estheticism. Moreover, he lived between France and Italy and he was one of the main passeurs between French and Italian literature of his time. This particular condition of the writer is reflected in his works and in particular in the portraiture of his characters, which are often rootless artists and mundane women with a strong component of cosmopolitism. The aim of this paper is to analyse some of the characteristics and features of Gualdo’s characters according to the parameters of estrangement and out-of-placeness. In particular I will focus on the ambiguous nature of the relation between ideal world and reality, of artistic genius and its place in society and the normal world, as well as on more specific topics related to the subject, such as spleen, places described as theatrical decors, hotel rooms and feminine nomadic attitudes, cosmopolitism as both a challenge and an opportunity for the characters. I will conclude on a specific issue regarding the struggle between the estranged character, time, and aging.

Socially Embedded Agency

This chapter proposes a distinctive kind of agency that can vindicate the agency of members of marginalized groups while accommodating the autonomy-undermining influences of oppression. Socially embedded agency—the locus of which is in the exercise of our ability to negotiate between different social features—is compatible with, and can explain, various phenomena, including double-consciousness and white fragility. Moreover, although socially embedded agency is neither necessary nor sufficient for autonomy, exercising it is practically necessary to achieve autonomy, at least for members of marginalized groups in our non-ideal world. This means that we can also explain why many have thought that there was a tension between autonomy-eroding effects of oppression and the call for respecting the agency of those who are oppressed.

Hope Under Oppression

This book explores the nature, value, and role of hope in human life under conditions of oppression. Oppression is often a threat and damage to hope, yet many members of oppressed groups, including prominent activists pursuing a more just world, find hope valuable and even essential to their personal and political lives. This book offers a unique evaluative framework for hope that captures the intrinsic value of hope for many of us, the rationality and morality of hope, and ultimately how we can hope well in the non-ideal world we share. It develops an account of the relationship between hope and anger about oppression and argues that anger tends to be accompanied by hopes for repair. When people’s hopes for repair are not realized, as is often the case for those who are oppressed, anger can evolve into bitterness: a form of unresolved anger involving a loss of hope that injustice will be sufficiently acknowledged and addressed. But even when all hope might seem lost or out of reach, faith can enable resilience in the face of oppression. Spiritual faith, faith in humanity, and moral faith are part of what motivates people to join in solidarity against injustice, through which hope can be recovered collectively. Joining with others who share one’s experiences or commitments for a better world and uniting with them in collective action can restore and strengthen hope for the future when hope might otherwise be lost.

Anthropological Dimension of the Philosophical "Literature-Centric" Model of Ukrainian Romanticism

Purpose. Romanticism as a movement developed in Germany, where, becoming the philosophy of time in the 18th-19th centuries, spread to all European countries. The "mobility" of the Romantic doctrine, its diversity, sometimes contradictory views, attitude to man as a free, harmonious, creative person led to the susceptibility of this movement by ethnic groups, different in nature and mentality. Its ideas found a wide response in Ukraine with its "cordocentric" type of culture in the early nineteenth century. Since the peculiarity of "Ukrainian Romanticism" was its "literary-centric" nature, the purpose of this study is to analyse and comprehend the place of man in the national philosophy and literature of this period. Accordingly, the main tasks of the work are as follows: to determine the main features, the nature of Ukrainian Romanticism; to trace the main vectors of comprehension and image of man in the literature of this time. Theoretical basis. The ideas of European Romanticism (as a philosophical-historical and general cultural movement) were creatively rethought and assimilated during the emergence of new Ukrainian literature. It provided samples of highly artistic works, unique names of talented writers – creators and thinkers, who in their works reflected the philosophy of time. Based on the works of F. Schlegel, partly E. Husserl, M. Heidegger, K. Jaspers, Romanticism in the Ukrainian humanities, in terms of philosophy, culturology, as well as at the intersection with literature, was studied by T. Bovsunivska, Y. Hrybkova, S. Efremov, N. Kalenichenko, S. Kozak, T. Komarynets, D. Nalyvayko, Y. Nakhlik, I. Ogorodnyk, V. Ogorodnyk, A. Sinitsyna, D. Chyzhevsky, M. Yatsenko, E. Kyryliuk, M. Biletsky, D. Dontsov, S. Efremov, G. Kostyuk, S. Krymsky, Y. Sherekh and others. Originality. The authors of the article prove that Romanticism in Ukraine, being "literary-centric" inherently, having absorbed the main ideas and features of European Romanticism, has its own features and vectors of formation and development. Man in this kind of movement, thanks to the means of art, appears very clearly as a spiritually rich, sensitive, vulnerable and strong person. For him or her, the highest value is freedom, the ability to make freely independent fateful decisions. Conclusions. Ukrainian writers, reflecting the philosophical ideas of Romanticism, saw in man a harmonious combination of "natural" and "social", through which he indirectly carries out his own national existence. In addition to the objective realities of the external world, in their works, Romantic writers appeal to the subjective, internal, spiritual, "ideal" world of the hero, who interacts with reality through his own system of values. At each level of development of the humanities and methodology of cognition, this allows a new reading of these works.

The Travels and Poems of Matsuo Bashô

This chapter looks at the iconic 17th century Japanese poet Matsuo Bashô, who is known as the originator of haiku and is most famous for his travel-account Oku no hosomichi, ‘The Narrow Road to the Interior’. This account contains many references to Buddhist temples and legends, since the purpose of the trip was not only to “be one with nature” and write poetry, but also to visit religious sites. Bashô was a Buddhist, as well as a Shintôist, a Confucian, and a Daoist. He had studied Zen Buddhism, but had enough worldly attachment to not want to enter a monastery permanently. Through his travel journals, Bashô created an ideal world of itinerant monks and he is often hailed as a role-model for wandering religious poets.