scholarly journals Structural Manipulation of a Zirconocene‐based Porous Coordination Cage Using External and Host‐Guest Stimuli

2021 ◽  
Author(s):  
Zhifeng Xiao ◽  
Hannah F. Drake ◽  
Yohannes H. Rezenom ◽  
Peiyu Cai ◽  
Hong-Cai Zhou
2019 ◽  
Author(s):  
Terri Lovell ◽  
Curtis Colwell ◽  
Lev N. Zakharov ◽  
Ramesh Jasti

<p>[<i>n</i>]Cycloparaphenylenes, or “carbon nanohoops,” are unique conjugated macrocycles with radially oriented p-systems similar to those in carbon nanotubes. The centrosymmetric nature and conformational rigidity of these molecules lead to unusual size-dependent photophysical characteristics. To investigate these effects further and expand the family of possible structures, a new class of related carbon nanohoops with broken symmetry is disclosed. In these structures, referred to as <i>meta</i>[<i>n</i>]cycloparaphenylenes, a single carbon-carbon bond is shifted by one position in order to break the centrosymmetric nature of the parent [<i>n</i>]cycloparaphenylenes. Advantageously, the symmetry breaking leads to bright emission in the smaller nanohoops, which are typically non-fluorescent due to optical selection rules. Moreover, this simple structural manipulation retains one of the most unique features of the nanohoop structures-size dependent emissive properties with relatively large extinction coefficents and quantum yields. Inspired by earlier theoretical work by Tretiak and co-workers, this joint synthetic, photophysical, and theoretical study provides further design principles to manipulate the optical properties of this growing class of molecules with radially oriented p-systems.</p>


2019 ◽  
Author(s):  
Terri Lovell ◽  
Curtis Colwell ◽  
Lev N. Zakharov ◽  
Ramesh Jasti

<p>[<i>n</i>]Cycloparaphenylenes, or “carbon nanohoops,” are unique conjugated macrocycles with radially oriented p-systems similar to those in carbon nanotubes. The centrosymmetric nature and conformational rigidity of these molecules lead to unusual size-dependent photophysical characteristics. To investigate these effects further and expand the family of possible structures, a new class of related carbon nanohoops with broken symmetry is disclosed. In these structures, referred to as <i>meta</i>[<i>n</i>]cycloparaphenylenes, a single carbon-carbon bond is shifted by one position in order to break the centrosymmetric nature of the parent [<i>n</i>]cycloparaphenylenes. Advantageously, the symmetry breaking leads to bright emission in the smaller nanohoops, which are typically non-fluorescent due to optical selection rules. Moreover, this simple structural manipulation retains one of the most unique features of the nanohoop structures-size dependent emissive properties with relatively large extinction coefficents and quantum yields. Inspired by earlier theoretical work by Tretiak and co-workers, this joint synthetic, photophysical, and theoretical study provides further design principles to manipulate the optical properties of this growing class of molecules with radially oriented p-systems.</p>


2020 ◽  
Vol 7 (24) ◽  
pp. 4985-4989
Author(s):  
Ali Sajedi‐Moghaddam ◽  
Carmen C. Mayorga‐Martinez ◽  
Jayraj V. Vaghasiya ◽  
Osamah Alduhaish ◽  
Zdenek Sofer ◽  
...  

2019 ◽  
pp. 164-176
Author(s):  
Katrina Mayson

This chapter explores aspects of Bishop’s poetics through the lens of the number three, contributing to the debate about Bishop’s place as a ‘lyric’ poet. It does this by charting the myriad ways Bishop used the number three and all its connotations in her poetry. These range from her use of the tercet form to a structural manipulation of time and perspective. Threes are everywhere in Bishop, ranging from the influence of Gerard Manley Hopkins, the Holy Trinity and Dante to ekphrastic notions of shadow boxes in ‘Objects & Apparitions’. That three underpins Bishop’s aphoristic ear is most clearly heard in her prose and letters, for example in her famous statement that ‘The three qualities I admire in the poetry I like best are: Accuracy, Spontaneity, Mystery’ (in ‘Writing Poetry is an Unnatural Act’). Bishop scholars and readers often identify with the quality of reticence in her poetry, often referred to as ‘the other’ or the ‘third space’ where the reader can find or suggest meaning between the hidden and the said. What is less commonly acknowledged is that the threes can also be constructed to create a safe place in which to allow dangerous emotions or thoughts to be expressed.


2012 ◽  
pp. 127-160 ◽  
Author(s):  
Arturo San Feliciano ◽  
María Á. Castro ◽  
José L. López-Pérez ◽  
Esther del Olmo

2020 ◽  
Vol 28 (15) ◽  
pp. 115578
Author(s):  
Anupam Karki ◽  
Hari K. Namballa ◽  
Ian Alberts ◽  
Wayne W. Harding

CrystEngComm ◽  
2020 ◽  
Vol 22 (38) ◽  
pp. 6287-6294
Author(s):  
Bohong Jiang ◽  
Qin Tang ◽  
Wenli Zhao ◽  
Jiao Sun ◽  
Rong An ◽  
...  

Effective functional intercalation and facile structural manipulation of fullerene crystals could be achieved by ferrocene-modified fullerene based on the liquid–liquid interfacial precipitation process.


2019 ◽  
Vol 52 (21) ◽  
pp. 8040-8055 ◽  
Author(s):  
Catalin-Paul Constantin ◽  
Andra-Elena Bejan ◽  
Mariana-Dana Damaceanu

Nanoscale ◽  
2011 ◽  
Vol 3 (5) ◽  
pp. 2329
Author(s):  
Jesse Roose ◽  
Klaus Rischka ◽  
Karsten Thiel ◽  
Andreas Hartwig

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