Student Parents or Parent Students in Lockdown Pandemic? A Third Space approach

The pandemic has affected families in many ways. Parents, who at the same time are studying, tend to be an under-represented cohort of adult learners, and in this study, their experiences and reflections, on how they navigated through their dual identities during lockdown, are explored. Through an online survey, 91 student parents from 20 different higher education institutions in the United Kingdom shared their views as to how they balanced their parenting and studying responsibilities during lockdown in early 2021. Findings indicate how student parents felt both their roles were impacted rather negatively, but also how the pandemic provided them opportunities for bridging and resisting binaries, through the emergence of a Third Space (Bhabha, H. K. (1994). The location of culture. New York, NY: Routledge; Soja, E. W. (1996). Third space: Journeys to Los Angeles and other real-and-imagined places. Malden, MA: Blackwell). The study shows how student parents re-positioned their identities, identified ways to manage disruptions caused by the lockdown and acknowledged family time and family relationships as very important.

Empowering Multilingual Learners Through Critical Liberating Literacy Practices in English-Dominated Speech Communities

This chapter explores the nuances of critical literacy reviewing the influence of the sociocultural context and the critical element that arises from the individuals who negotiate their identities as they interact with others in a variety of settings. The perspective adopted here focuses on multilingual learners as they engage in literacy practices in English, the dominant language, within schooled environments resulting in hybrid productions within a Third Space, which is a metaphorical setting that promotes expansive learning. Such literacy productions consider the lived-in experiences of the individuals and their personal histories as tools for learning with the potential to liberate themselves from the dominant literacy practices. The chapter includes a discussion of the role and status of English to empower non-dominant groups within English-speaking settings.

Resonance. (Re)forming an Artistic Identity through Intercultural Dialogue and Collaboration

This artistic doctoral research examines how the third space emerging from intercultural dialogue and transcultural collaboration can be a catalyst for new musical discoveries, intercultural humility, and the (re)forming of artistic identities. The body of this project is centred around three doctoral concerts, a CD/LP recording, and a documentary film which took place between 2016 and 2021. In addition, I draw on the embodied experience of a five-year period that I spent living and collaborating with musicians and dancers in Tanzania and Zambia prior to the doctoral project.As a double bass player, multi-instrumentalist, and composer, I place myself in a series of different musical and multi-arts contexts, engaging in dialogue with musicians, dancers, and visual artists from Brazil, Colombia, Estonia, Finland, France, Madagascar, Mexico, Poland, Sápmi, Tanzania, the UK and Zambia. Various solo, duo, and ensemble settings act as case studies to examine how this process takes place, the new knowledge gained from the collaborations and their resulting artistic outcomes, and the effects of intercultural dialogue, collaboration, and co-creation on my own artistic identity. The instruments and forms of artistic expression used by my collaborators include the Brazilian berimbau, Chinese guzheng, dance, live electronics, experimental instrument making, Finnish Saarijärvi kantele, Sámi joik, vocals, percussion, live visuals, image manipulation, animation, photography and film.The key concepts that I investigate in this research are: artistic identity, global citizenship, hybridity, interculturalism, intercultural humility, liminality, third space theory, and resonance, the latter being viewed both as a physical phenomenon and as an approach to thinking about the ways in which we connect with the world around us. This research contributes to new knowledge and understandings in the areas of artistic identity formation, intercultural collaboration and interculturalism in music education through the interweaving of artistic processes, audio, video, photographs, artistic outcomes and text.Findings emerge in terms of new musical discoveries that surface from the dynamic third space created through transcultural collaboration; the expanding and deepening of musicianship through intercultural dialogue and collaboration; the interconnected nature of interculturalism in music and its reliance on openness, empathy, dialogue and constantnegotiation with sonic material, people and place; and the crucial role of fluidity and resonance in forming a personal artistic identity.Further research outcomes include new techniques and the expansion of the sonic palette of the double bass, enabled by developing custom-made attachments, preparations and electronic manipulation. The complete scope of this doctoral project includes four artistic components (three concerts and a recording), a documentary film and an artistic doctoral thesis comprising two peer-reviewed articles and an integrative chapter, all housed within the main multi-media exposition, Resonance: (Re)forming an Artistic Identity through Intercultural Dialogue and Collaboration.

Accounting for and Accounts of death: Past, present and future possibilities

Despite being an inevitable consequence of living, accounting for and accounts of death are under-researched in the accounting history literature. In this article, we review this literature and find that only a few studies engage beyond a mere reference to death; and even fewer that attempt to account for or provide accounts of death. Those studies that attempt to provide an account fall into two broad categories. First, those that treat death as a transactional phenomenon; and second, those that call for some form of accountability for death, a phenomenon we term necroaccountability. Further, we highlight a third space where accounting and death coalesce in the business of death. Through this process, we identify opportunities to increase our knowledge of accounting and death by understanding the ways in which it has been conceptualised and mobilised in the past.

Hackathons and Libraries

Libraries foster a thriving campus culture and function as “third space,” not directly tied to a discipline.[i] Libraries support both formal and informal learning, have multipurpose spaces, and serve as a connection point for their communities. For these reasons, they are an ideal location for events, such as hackathons, that align with library priorities of outreach, data and information literacy, and engagement focused on social good. Hackathon planners could find likely partners in either academic or public libraries as their physical spaces accommodate public outreach events and many are already providing similar services, such as makerspaces. Libraries can act solely as a host for events or they can embed in the planning process by building community partnerships, developing themes for the event, or harnessing the expertise already present in the library staff. This article, focusing on years from 2014 to 2020, will highlight the history and evolution of hackathons in libraries as outreach events and as a focus for using library materials, data, workflows, and content. [i] James K. Elmborg, “Libraries as the Spaces Between Us: Recognizing and Valuing the Third Space,” Reference and User Services Quarterly 50, no. 4 (2011): 338–50.

Schoolscaping in the third space

The aim of this paper is to trace students’ multilingualism and agency in the schoolscape of the Language Introduction Programme (LIP) in one Swedish upper secondary school. Through linguistic schoolscaping, the study contributes to a deeper understanding of LIP. The schoolscape is analysed as reconstructions of photographs of displayed images, objects, symbols, and written language on walls and elsewhere in the school area. The photographs are analysed in terms of how they orient to time, place, and space; control behaviour; and shape discourses. Through the analysis, discourses of an organized, inclusive, and tolerant society appear, that simultaneously shape a discourse of behaviour: in this school (and in Sweden) we (want to) follow (the) rules. Students’ multilingualism is nearly absent in the schoolscape, as is their agency. In line with Bhabha’s concept third space, the schoolscape may be understood as a space for Swedishness, where inclusion demands mastery of Swedish. The in-betweenness of the LIP, as a transitional programme, appears as a space to escape otherness by changing language, which is the requirement for inclusion. Thus, in this case, the signage displayed in the schoolscape does not open up spaces for identity development related to multilingualism or multiculturalism. Opening space for students as agents in the schoolscape and making their diverse linguistic resources visible would also open up a third space for negotiation of norms, through contestation, resistance, and manifestation. Thus students’ development of multiple identities would be enabled and their opportunities to be (co-)creators of their own futures widened.

Activating and Actualizing the Third Space in Syrian Diasporic Realities: An Autoethnographic Interpretation

This essay, part of a larger study, speaks to the Syrian Diaspora’s lived reality in Canada, a complex topic that delves into issues of dislocation, displacement, loss, exile, identity, resilience and a desire for belonging (Alatrash, 2019; 2020). The study seeks to better understand these issues and the lived experience and human condition of the Syrian Diaspora in Canada. I engage autoethnography as a research methodology and as a method as I think and write from my own personal experience as a Syrian immigrant so that I could better understand the Syrian refugee’s lived experience (Alatrash, 2019). My research participants were three Syrian refugee families in Calgary, in addition to myself as an autoethnographer. As I autoethnographically analyzed, presented, and interpreted the stories of the three families, I identified a number of themes (Alatrash, 2019; 2020); this essay addresses one of these themes: On creating new possibilities: Activating and actualizing the Third Space (Alatrash, 2019).