Hokkaido Sculpture Web ant Its Educational Application

Author(s):  
Hajime Saito ◽  
Makoto Nishimura ◽  
Arimasa Ogasawara ◽  
Takashi Maeda ◽  
Azuma Ohuchi
2019 ◽  
Vol 8 (1) ◽  
Author(s):  
Drdillip Giri ◽  
Jyoti Sharma

This article focuses on the importance of Life skill education, which is an educational application of life skills to develop psycho social competence which helps an individual to develop his/her positive behaviour, so as to deal with the challenges and demand of everyday life. It is psycho social because it mainly deals mental functions such as awareness, attitude, leadership, creativity, appreciation and interaction with self, others and environment. It is a study of abilities, coping with peer pressure, emotion conflict and stress. UNICEF in 2009 has recommendation life skills based education should be given with the regular education. It has insisted LSBE should be contributed to a self inclusive gender free educational setting. Therefore research on LSBE is carried out massively in all parts in the world related to this education recently.


Author(s):  
Carlos Ramon Sarmento da Silva ◽  
Antonio Kalielso Mendonca ◽  
Jose Erico Gomes Silva ◽  
Ceres Germanna Braga Morais

Projections ◽  
2021 ◽  
Vol 15 (2) ◽  
pp. 56-90
Author(s):  
Winnifred Wijnker ◽  
Ed S. Tan ◽  
Arthur Bakker ◽  
Tamara A. J. M. van Gog ◽  
Paul H. M. Drijvers

Film has been used for education ever since educators recognized its powerful potential for learning. But its educational application has been criticized throughout the decades for underuse of the distinctive potential of film: to raise interest. To understand more fully film’s potential for learning, we propose a dynamic model of viewer interest and its underlying cognitive and emotional mechanisms (film’s interest raising mechanisms or FIRM model). In addition, we present an analysis method for assessing the interestingness of films in learning contexts. Our model marries interest theories from cognitive film theory and educational psychology and captures the dynamics of interestingness across a film as depending on a balance between challenge posed and coping potential provided.


2020 ◽  
pp. 333-350
Author(s):  
Verena E. Johann ◽  
Julia Karbach

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