Russia’s Policy and International Cooperation: The Challenges and Opportunities of Soft Power

2019 ◽  
pp. 79-101
Author(s):  
Natalia Bubnova
Author(s):  
Hani Albasoos ◽  
Gubara Hassan ◽  
Sara Al Zadjali

This study reviews the challenges and opportunities encountered by Qatar because of the blockade imposed by the neighboring countries, namely Saudi Arabia, the United Arab Emirates (UAE), Bahrain, and Egypt. It endeavors to highlight potential scenarios of the crisis. This paper employs a secondary source of information to achieve the objectives, such as books, articles, reports, and academic research, which were later subjected to thematic analysis. The findings of this research reveal that crisis management was an effective strategy implemented by the Qatari Government. It helped Qatari officials to change and transfer the negative impacts to a positive force. The crisis management strategy encouraged Qatar to rely on their local industries, improve education and media institutes, and use Qatar’s soft power internationally. Although 2017 was a challenging year for Qatar due to the crisis, yet the national economy showed an accelerated growth of 5% in the second half of the same year. 


2016 ◽  
Vol 159 (1) ◽  
pp. 32-42 ◽  
Author(s):  
Terry Flew

‘Soft power’ has been a concept that has generated great political and scholarly interest in China, as it raises the question of how to achieve cultural standing commensurate with the nation’s growing economic significance. But from the perspectives of communication and cultural studies, we can identify limits with both ‘soft power’ as a concept and how it understands culture and communication, and the assumptions made about the capacities of state cultural promotion through media to appeal to global audiences. Drawing upon case studies of the United States, the United Kingdom, Russia, India, Japan and South Korea, this article identified challenges and opportunities for China in growing its international cultural soft power in a ‘post-globalisation’ era.


IZUMI ◽  
2017 ◽  
Vol 5 (2) ◽  
pp. 1
Author(s):  
Chadijah Isfariani Iqbal

Pokemon Go is a smartphone game that blends the real and digital worlds, tasking players with exploring their neighborhoods to find creatures and treasure for in-game use. This research describes the ways Japan uses its soft power in international coorporation relations, particulary through Pokemon Go’s game. Based on Joseph S. Nye, Jr, the soft power defined as the ability of country to achieve its goal using cultural attraction rather than coercion and violence. After the World War II, Japan has tried to change its image as war crime through popular culture, such as anime, manga and cosplay. According to Nye, Japan has more potential resources in soft power compared to the other countries. This research is focus on Popular Culture of Pokemon Go’s Game as Japan’s Soft Diplomacy. Pokemon Go is one of  Japan’s cultural diplomacy activities and the other countries uses popular culture to strengthen the positive image of Japan in the international world. The development of popular culture as a soft power and soft diplomacy also a diplomacy tool of development that can be used by Japan in conducting foreign policy in relation to international cooperation.


2019 ◽  
pp. 247-255
Author(s):  
Аnri Sharapov

В современных условиях глобализации в международных отношениях культурный фактор проявляет себя в виде «мягкой силы». Хотя способы использования культуры в политике, международных отношениях с древних времен находятся в центре внимания ученых, она как политический инструмент стала популярной благодаря взглядам американского ученого Дж. Ная. КНР, Япония и Южная Корея как уникальные страны имеют огромные возможности в использовании ее во внешней политике. Глобаллашувнинг замонавий шароитларида халкаро муносабатларда маданий омил “юмшоқ куч” шаклида намоён булади. Маданиятдан сиёсатда, халқаро муносабатларда фойдаланиш усуллари кадимдан мутаффакирлар эътиборида турган булса-да, у сиёсий инструмент сифатида америкалик тадкикотчи Ж. Най карашлари асосида оммавийлашди. ХХР, Япония ва Жанубий Корея ташқи сиёсий фаолиятда ундан фойдаланишда катта имкониятларга эга эканлиги билан ажралиб туради. In modern conditions of globalization, international cooperation of cultural factor shows itself as a «soft power». Although the metodsof using culture in politics of international relations from the ancient time were in the center of attention of thinkers it is as a political instrument has become popular due to its views of American scholar Joseph Nye. China, Korea and Japan as unique countries has huge opportunities of using this resource in a foreign policy.


2019 ◽  
Vol 11 (4) ◽  
pp. 126-142
Author(s):  
Natalya Krivulya

One of the main trends in the development of the Russian animation industry is the intensification of international cooperation and promotion on international media markets. Russian animators are developing different forms of international cooperation and co-production in the context of the economic crisis, financing problems, lack of second-tier personnel and production capacities, as well as national distribution problems. In the situation of a weakening relationship with European partners, there is an increase in cooperation with Asian companies. The leading role is given to cooperation with China, due to the policies pursued by the two countries and close cultural interaction supported at the intergovernmental level. Russian companies are moving from outsourcing in film production to other forms of interaction, such as co-financing of projects and co-production. The essay analyzes the co-production experience of such leaders of the Russian animation industry as Riki, KinoAtis and Wizart Animation. Co-production with foreign companies involves a number of problems caused by cultural, mental, legal and organizational differences. Still, it combines financial efforts and consolidates technical capabilities, raising the quality of films to the world level. Co-production also stimulates international distribution and reduces financial risks, opens up opportunities to conquer new markets and overcome the systems of quotes that exist in some countries. In the Russian animation industry, the number of co-produced films demonstrates a tendency to increase. The development of various forms of interaction between the Russian animation business and foreign partners and the presentation of coproduced films on international media markets contributes to the formation of Russias positive image and promotes its national interests, lifestyle and culture, affirming animations long-standing status of a soft power asset.


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