The Distinctiveness of Violence: From the Social Body to the Body Politic

2019 ◽  
pp. 123-159
Author(s):  
Jenny Pearce
Keyword(s):  
The Body ◽  
Author(s):  
Gabriel Rockhill

With a few rare but important exceptions, it is arguable that major contemporary debates on the historical relationship between art and politics—from the work of Lukács and Adorno to that of Lyotard and Rancière—have generally favored the visual arts and literature over and against architecture and urban design. However, as a few thinkers like Benjamin and Foucault have recognized, if there is one art that appears to be prototypically political (in the sense that it is almost inevitably the site of collective decisions that directly shape the social body while simultaneously being subject to multifarious communal appropriations), it is surely architecture. This paradox leads to a question of central importance, which serves to guide the analysis in this final chapter: why have many of the foremost philosophic debates on the historical relation between art and politics sidelined what is perhaps the political art par excellence? This leads to a critical re-examination of the metaphilosophical assumptions undergirding many of the standard historical narratives regarding the development of art and its relationship to politics.


2013 ◽  
Vol 34 (3) ◽  
pp. 100-112 ◽  
Author(s):  
Alexandra Crampton

This article uses three levels of body analysis as presented by Nancy Scheper-Hughes and Margaret Lock to compare old age as a construct in population aging discourse with research on lived experience of people aging in the United States and Ghana. I first describe how demographers construct social bodies as becoming “gray” through population statistics and how policy makers then use dependency ratios to rationalize intervention on behalf of older adults in the body-politic.  The construction of old age within this discourse is then compared with ethnographic research that suggests this construct leaves out much of the lived experience familiar to anthropologists of aging.  Rather than debunk the old age construct, however, the purpose of this article is to argue for study of population aging discourse as constituting a social body reflecting cultural constructions of nature and society.  Moreover, this representation is made real through policy and social intervention work, and with very real effect on people’s lives. As such, an anthropology of aging bodies can include the social life of old age as a social construct.


Pólemos ◽  
2016 ◽  
Vol 10 (1) ◽  
pp. 179-195
Author(s):  
Leif Dahlberg

Abstract The article discusses fashion advertising as a means to access and understand contemporary social imaginary significations of the body politic, focusing on an advertising for Louis Vuitton. The article suggest that one can read advertising as a form of continuous, running commentary that society makes of itself, and through which one can unearth the social imaginary. The article finds a plethora of meanings in the selected advertising for Louis Vuitton, but the central finding is that the fashion advertising represents community as an absence of community; in other words as a deficit that the brand somehow is able to rectify.


2006 ◽  
Vol 5 (4) ◽  
pp. 74-82
Author(s):  
Ye. I. Kirilenko

In the modern science, the body is an object of interest not only to the natural science and medicine, but also the humanities. Of special interest, in particular, for the medical discourse, is the ethnic body experience. The paper reveals features of the body experience in the east-slavonic culture from the analysis of the mythological tradition. This experience is characterized by the pronounced interest and ambivalent attitude to the body’s life, natural body standards; and emotional intensity. The experience of the social body is of highest priority in the culture.


1952 ◽  
Vol 12 (1) ◽  
pp. 1-20
Author(s):  
Thomas C. Smith

As in the Middle Ages in the West, so in Tokugawa Japan (1600–1868) men were fond of explaining the hierarchical society in which they lived by comparing it to an organism. Social classes, Confucian scholars said, were like parts of the body: each had a vital function to perform, but their functions were essentially different and unequal in value. In this scheme the peasants were second in importance only to the ruling military class. Just as the samurai officials were the brains that guided other organs, so the peasants were the feet that held the social body erect. They were the “basis of the country,” the valued producers whose labor sustained all else. But, as a class, they tended innately to backsliding and extravagance. Left alone they would consume more than their share of the social income, ape the manners and tastes of their betters, and even encroach upon the functions of other classes to the perilous neglect of their own. Only the lash of necessity and the sharp eye of the official could hold them to their disagreeable role. They had to be bound to the land; social distinctions had to be thrown up around them like so many physical barriers; and, to remove all temptation to indolence and luxury, they had to be left only enough of what they produced to let them continue producing.


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