scholarly journals Describing the Residential Valorisation of Urban Space at the Street Level. The French Riviera as Example

2020 ◽  
pp. 505-520
Author(s):  
Alessandro Venerandi ◽  
Giovanni Fusco
Keyword(s):  
Urban Space ◽  
Street Level ◽  
French Riviera

scholarly journals The Nine Forms of the French Riviera: Classifying Urban Fabrics from the Pedestrian Perspective.

2017 ◽  
Author(s):  
Alessandro Araldi ◽  
Giovanni Fusco
Keyword(s):  
Spatial Patterns ◽  
Urban Space ◽  
Metropolitan Area ◽  
Urban Form ◽  
Spatial Organization ◽  
Spatial Relations ◽  
Urban Morphology ◽  
Urban Fabric ◽  
Central Cities ◽  
French Riviera

The Nine Forms of the French Riviera: Classifying Urban Fabrics from the Pedestrian Perspective. Giovanni Fusco, Alessandro Araldi ¹Université Côte-Azur, CNRS, ESPACE - Bd. Eduard Herriot 98. 06200 Nice E-mail: [email protected], [email protected] Keywords: French Riviera, Urban Fabrics, Urban Form Recognition, Geoprocessing Conference topics and scale: Tools of analysis in urban morphology     Recent metropolitan growth produces new kinds of urban fabric, revealing different logics in the organization of urban space, but coexisting with more traditional urban fabrics in central cities and older suburbs. Having an overall view of the spatial patterns of urban fabrics in a vast metropolitan area is paramount for understanding the emerging spatial organization of the contemporary metropolis. The French Riviera is a polycentric metropolitan area of more than 1200 km2 structured around the old coastal cities of Nice, Cannes, Antibes and Monaco. XIX century and early XX century urban growth is now complemented by modern developments and more recent suburban areas. A large-scale analysis of urban fabrics can only be carried out through a new geoprocessing protocol, combining indicators of spatial relations within urban fabrics, geo-statistical analysis and Bayesian data-mining. Applied to the French Riviera, nine families of urban fabrics are identified and correlated to the historical periods of their production. Central cities are thus characterized by the combination of different families of pre-modern, dense, continuous built-up fabrics, as well as by modern discontinuous forms. More interestingly, fringe-belts in Nice and Cannes, as well as the techno-park of Sophia-Antipolis, combine a spinal cord of connective artificial fabrics having sparse specialized buildings, with the already mentioned discontinuous fabrics of modern urbanism. Further forms are identified in the suburban and “rurban” spaces around central cities. The proposed geoprocessing procedure is not intended to supersede traditional expert-base analysis of urban fabric. Rather, it should be considered as a complementary tool for large urban space analysis and as an input for studying urban form relation to socioeconomic phenomena. References   Conzen, M.R.G (1960) Alnwick, Northumberland : A Study in Town-Planning Analysis. (London, George Philip). Conzen, M.P. (2009) “How cities internalize their former urban fringe. A cross-cultural comparison”. Urban Morphology, 13, 29-54. Graff, P. (2014) Une ville d’exception. Nice, dans l'effervescence du 20° siècle. (Serre, Nice). Yamada I., Thill J.C. (2010) “Local indicators of network-constrained clusters in spatial patterns represented by a link attribute.” Annals of the Association of American Geographers, 100(2), 269-285. Levy, A. (1999) “Urban morphology and the problem of modern urban fabric : some questions for research”, Urban Morphology, 3(2), 79-85. Okabe, A. Sugihara, K. (2012) Spatial Analysis along Networks: Statistical and Computational Methods. (John Wiley and sons, UK).

Crime and Victimization in Miami

Global Edge ◽  
2018 ◽  
pp. 83-100
Author(s):  
Alejandro Portes ◽  
Ariel C. Armony
Keyword(s):  
Urban Space ◽  
Money Laundering ◽  
Urban Crime ◽  
Street Level ◽  
Economic Progress ◽  
Physical Association

This chapter considers the flipside of globalization and economic progress in Miami—urban crime. Crime is not homogeneous; there are several distinct types, each with its own etiology and consequences. Homicide, for example, is related to but emerges from causal configurations different from those leading to property theft or money laundering. The chapter reviews leading theories of urban crime in order to develop a framework to fit empirical findings. It highlights the fact that not all urban crime occurs at street level or involves personal victims. It indicates the physical association between different forms of crime and locations in urban space. It shows that wealthier areas of town are not crime-free. They are sites for different forms of crime—more complex, apparently “victimless,” but at times more insidious than the street varieties.

Disrupting street-level drug markets: Crime prevention research reviews

2007 ◽  
Author(s):  
Lorraine Mazerolle ◽  
David W. Soole ◽  
Sacha Rombouts
Keyword(s):  
Crime Prevention ◽  
Prevention Research ◽  
Drug Markets ◽  
Street Level

Mobilities, Media, and Urban Space

2014 ◽  
Author(s):  
Suzanne Ballard
Keyword(s):  
Urban Space

Virtual Embodiment as/and the Threshold of Love

2013 ◽  
Vol 3 (2) ◽  
pp. 97-109 ◽  
Author(s):  
Anne Harris
Keyword(s):  
Urban Space ◽  
State Building ◽  
Modern Life ◽  
Space And Time ◽  
Empire State Building ◽  
Arcades Project ◽  
Performance Texts ◽  
And Performance ◽  
The Stranger

This essay draws upon the author’s performance script Fall and Walter Benjamin’s The Arcades Project as a provocation for considering the ways performance texts provide a threshold for somatic inquiry, and for recognizing the limits of scholarly analysis that does not take up performance-as-inquiry. Set at the Empire State Building, this essay embodies the connections and missed possibilities between strangers and intimates in the context of urban modern life. Fall’s protagonist is positioned within a landscape of capitalist exchange, but defies this matrix to offer instead a gift at the threshold of life/death, virtual/real, and love/loss. Through somatic inquiry and witnessing as threshold experiences, the protagonist (as Benjamin’s flaneur) moves through urban space and time, proving that both scholarship and performance remain irrevocably embodied, and as such invariably tethered to the visceral, the stranger, risk, and death.

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