OAP: Toward a Process for an Open World

In pursuit of a capitalist world configuration, the causal phenomenon of globalization spread its cultural values in the built international system, as evidenced by the dichotomy between the rich North and the poor South. This era of cultural globalization is predominantly characterized by social inequality, economic inequality and instability, political instability, social injustice, and environmental change. Consequently, the world is empirically infected by divergent global inequalities among nations and people, as evidenced by the numerous problems plaguing humanity. This article seeks to understand Islam from the viewpoint of technological determinism in attempt to offset these diverging global inequalities for its “sociopolitical economy”1existence, as well as the stabilization of the interconnected world. Based upon the unifying view of microIslamics, the meaning of Islam and its globalizing perspectives are deciphered on a built micro-religious platform. Finally, the world is rebuilt via the Open World Peace (OWP) paradigm, from which the fluidity of open globalization is derived as a future causal phenomenon for seamlessly bridging (or contracting) the gaps between the rich-rich, rich-poor, poor-rich and poor-poor nations and people based on common civilization fronts.

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Island Generator pada Game Open world Menggunakan Algoritma Perlin noise

Repositor ◽

10.22219/repositor.v2i7.601 ◽

2020 ◽

Vol 2 (7) ◽

pp. 965

Author(s):

Naufal Azzmi ◽

Lailatul Husniah ◽

Ali Sofyan Kholimi

Keyword(s):

Performance Testing ◽

Game Development ◽

Procedural Content Generation ◽

Open World ◽

Game World ◽

Perlin Noise ◽

And Performance ◽

Game Developers ◽

Pcg Method ◽

Content Generation

AbstrakPerkembangan game pada saat ini berkembang dengan sangat cepat, dalam perkermbangan game topik AI adalah topik yang paling banyak diteliti oleh beberapa peneliti khususnya pada pembuatan suatu konten game menggunakan metode PCG (procedural content generation). Pada pembuatan sebuah game world menggunakan metode PCG sudah banyak developer game yang sukses dengan mengimplementasikan metode ini, metode ini banyak digunkan pada geme dengan genre RPG, Rouglikes, Platformer, SandBox, Simulation dan lain sebagainya, Pada penelitian ini berfokus pada pengembangan sebuah game world generator untuk game berjenis open world yang berupa sebuah kepulauan dengan metode PCG dengan menggunakan algoritma perlin noise sebagai algoritma pembentuk textur utama pulau yang dimana pada penelitian ini memanfaatkan beberapa variable noise seperti octave, presistance dan lacunarity guna untuk menambah kontrol dari hasil textur yang dihasilkan serta algoritma penempatan pulau untuk membuat sebuah game world yang menyerupai sebuah kepulauan. Dari hasil uji generator terkait degan pengujian playability dan performa dapat disimpulkan bahwa generator yang dikembangkan playable serta performa yang dianaliasa menggunakan notasi Big O menunjukkan (linear). Abstract Game development is currently growing very fast, game development AI is the most discussed topic by most researchers especially in the developing of game content using the PCG (procedural content generation) method. In making a game world using the PCG method, many game developers have succeeded by implementing this method, this method is widely used on RPGs, Rouglikes, Platformers, SandBox, Simulations and ect,. This study focuses on developing a game world generator game for open world type games in the form of an archipelago using the PCG method using the noise perlin algorithm as the island's main texturizing algorithm which in this study utilizes several noise variables such as octave, presistance and use for add control of the texture results as well as the island placement algorithm’s to create a game world that resembles an archipelago form. From the generator test results related to the playability and performance testing, it shows that map are being generated by the generators are playable and performance that are analyzed using Big O notation show O (n) (linear).

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Bindings against Boundaries: Entanglements of Life in an Open World

Environment and Planning A Economy and Space ◽

10.1068/a40156 ◽

2008 ◽

Vol 40 (8) ◽

pp. 1796-1810 ◽

Cited By ~ 214

Author(s):

Tim Ingold

Keyword(s):

Open World

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Automatic Open-World Reliability Assessment

2021 IEEE Winter Conference on Applications of Computer Vision (WACV) ◽

10.1109/wacv48630.2021.00203 ◽

2021 ◽

Author(s):

Mohsen Jafarzadeh ◽

Touqeer Ahmad ◽

Akshay Raj Dhamija ◽

Chunchun Li ◽

Steve Cruz ◽

...

Keyword(s):

Reliability Assessment ◽

Open World

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Efficient Incremental Instance-based Learning Algorithms for Open World Malware Classification

10.1109/atc52653.2021.9598272 ◽

2021 ◽

Author(s):

Kien Hoang Dang ◽

Dai Tho Nguyen ◽

Thu Trang Nguyen Thi

Keyword(s):

Learning Algorithms ◽

Malware Classification ◽

Open World ◽

Instance Based Learning

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Waltzing on Rooftops and Cobblestones

Journal of Sound and Music in Games ◽

10.1525/jsmg.2021.2.3.34 ◽

2021 ◽

Vol 2 (3) ◽

pp. 34-55

Author(s):

Ailbhe Warde-Brown

Keyword(s):

Video Games ◽

Video Game ◽

Real World ◽

World History ◽

Interaction Model ◽

Virtual Space ◽

Open World ◽

Integrated Approaches ◽

The Relationship

The relationship between music, sound, space, and time plays a crucial role in attempts to define the concept of “immersion” in video games. Isabella van Elferen’s ALI (affect-literacy-interaction) model for video game musical immersion offers one of the most integrated approaches to reading connections between sonic cues and the “magic circle” of gameplay. There are challenges, however, in systematically applying this primarily event-focused model to particular aspects of the “open-world” genre. Most notable is the dampening of narrative and ludic restrictions afforded by more intricately layered textual elements, alongside open-ended in-game environments that allow for instances of more nonlinear, exploratory gameplay. This article addresses these challenges through synthesizing the ALI model with more spatially focused elements of Gordon Calleja’s player involvement model, exploring sonic immersion in greater depth via the notion of spatiotemporal involvement. This presents a theoretical framework that broadens analysis beyond a simple focus on the immediate narrative or ludic sequence. Ubisoft’s open-world action-adventure franchise Assassin’s Creed is a particularly useful case study for the application of this concept. This is primarily because of its characteristic focus on blending elements of the historical game and the open-world game through its use of real-world history and geography. Together, the series’s various diegetic and nondiegetic sonic elements invite variable degrees of participation in “historical experiences of virtual space.” The outcome of this research intends to put such intermingled expressions of space, place, and time at the forefront of a ludomusicological approach to immersion in the open-world genre.

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