Non Invasive Study of Nineteenth Century Iranian Polychrome Underglaze Painted Tiles by Fibre Optic Visible Reflectance Spectroscopy

2010 ◽  
pp. 145-151
Author(s):  
I. Reiche ◽  
C. Boust ◽  
J.-J. Ezrati ◽  
S. Peschard ◽  
J. Tate ◽  
...  
Keyword(s):  
Nineteenth Century ◽  
Reflectance Spectroscopy ◽  
Fibre Optic ◽  
Non Invasive ◽  
Visible Reflectance

scholarly journals «Opus artificum universa» estudio colorimétrico de la escultura románica en mármol del Museo Arqueológico Nacional: ejemplos de Galicia y León = «Opus Artificum Universa» Colorimetric Study of the Marble Romanesque Sculpture in the Museo Arqueológico Nacional: Examples from Galicia and León

2018 ◽  
pp. 129
Author(s):  
Sergio Vidal Álvarez ◽  
Marie-Claire Savin ◽  
Carole Biron
Keyword(s):  
Reflectance Spectroscopy ◽  
Santiago De Compostela ◽  
Non Invasive ◽  
Colorimetric Study ◽  
Visible Reflectance ◽  
First Time

El presente estudio da a conocer los resultados de los análisisno invasivosde colorimetría y espectroscopía de reflectancia visible llevados a cabo por primera vez sobre cinco ejemplos de escultura románica en mármol del Museo Arqueológico Nacional (Madrid) de procedencia gallega y leonesa. En concreto se han analizado dos columnas de San Paio de Antealtares (Santiago de Compostela), un parteluz de Vigo, y dos ejemplos procedentes del monasterio de San Benito de Sahagún (León).The present study reveals the results of the non-invasive analysis of colorimetry and visible reflectance spectroscopy, carried out for the first time to five examples of Spanish Romanesque marble sculpture from the National Archaeological Museum (Madrid, Spain) of Galician and Leonese origin. Specifically, two columns of San Paio de Antealtares (Santiago de Compostela), a mullion from Vigo, and two examples from the monastery of San Benito de Sahagún (León) have been analyzed.

scholarly journals On the Hierarchical Use of Colourants in a 15th Century Book of Hours

Heritage ◽  
2021 ◽  
Vol 4 (3) ◽  
pp. 1786-1806
Author(s):  
Angelo Agostino ◽  
Eleonora Pellizzi ◽  
Maurizio Aceto ◽  
Simonetta Castronovo ◽  
Giovanna Saroni ◽  
...  
Keyword(s):  
Reflectance Spectroscopy ◽  
Fibre Optic ◽  
X Ray ◽  
Non Invasive ◽  
15Th Century ◽  
Book Of Hours ◽  
Portable Instruments ◽  
Hierarchical Scheme ◽  
Scientific Survey

An illuminated Book of Hours (in use in Chalon-sur-Saône) currently owned by the Museo Civico di Arte Antica and displayed in the prestigious Palazzo Madama in Torino (Italy) was investigated by means of optical microscopy, fibre optic reflectance spectroscopy, fibre optic molecular fluorimetry, X-ray fluorescence spectrometry and Raman spectroscopy. The aim of the scientific survey was to expand the knowledge of the manuscript itself and on the materials and techniques employed by Antoine the Lonhy, the versatile itinerant artist who decorated the book in the 15th century. The focus was to reveal the original colourants and to investigate the pigments used in rough retouches which were visible in some of the miniatures. The investigation was carried out in situ by portable instruments according to a non-invasive analytical sequence previously developed. It was evident that the use of different pigments by the master was ruled, at least partially, by a hierarchical scheme in which more precious materials were linked to the most important characters or details in the painted scene.

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