A role of virtual turning points and new Stokes curves in Stokes geometry of the quantum Hénon map

Author(s):  
Akira Shudo
Keyword(s):  
1992 ◽  
Vol 03 (06) ◽  
pp. 1295-1321 ◽  
Author(s):  
JASON A.C. GALLAS

Isoperiodic diagrams are used to investigate the topology of the codimension space of a representative dynamical system: the Hénon map. The codimension space is reported to be organized in a simple and regular way: instead of “structures-within-structures” it consists of a “structures-parallel-to-structures” sequence of shrimp-shaped isoperiodic islands immersed on a via caotica. The isoperiodic islands consist of a main body of principal periodicity k=1, 2, 3, 4, …, which bifurcates according to a period-doubling route. The Pk=k×2n, n=0, 1, 2, … shrimps are very densely concentrated along a main α-direction, a neighborhood parallel to the line b=−0.583a+1.025, where a and b are the dynamical parameters in Eq. (1). Isoperiodic diagrams allow to interpret and unify some apparently uncorrelated phenomena, such as ‘period-bubbling’, classes of reverse bifurcations and antimonotonicity and to recognize that they are in fact signatures of the complicated way in which period-doubling occurs in higher codimensional systems.


Author(s):  
Kjeld Schmidt

The emergence of practice-centered computing (e.g., Computer-Supported Cooperative Work, or CSCW) raises the crucial question: How can we conceptualize the practices into which the prospective technology is to be integrated? How can we, reasonably, say of two observed activities or events that they are, or are not, instances of the same type? These are crucial questions. This chapter therefore attempts to clarify the concepts of “practice” and “technique.” First, since our ordinary concepts of “practice” and “technique” developed as part of the evolution of modern technology, as tools for practitioners’ and scholars’ reflections on the role of technical knowledge in work, the chapter outlines the major turning points in the evolution of these concepts, from Aristotle (via the scholastics), to enlightenment thinkers such as Diderot and Kant, and finally to Marx and Marxism. The chapter thereafter moves on to analyze the concepts as we use them today in ordinary discourse.


2010 ◽  
Vol 29 (2) ◽  
pp. 278-326 ◽  
Author(s):  
Mario Telò

This paper examines the role of the generation gap in Aristophanes' construction of his persona throughout Wasps, Clouds, and Peace. It contends that in Wasps and Clouds Aristophanes defines the relationship with his audience and his rivals by presenting himself as the figure of a paternal son. The same stance shapes the comic poet's generic self-positioning in the initial scene of Peace, where the parody of Euripides' Aeolus and Bellerophon evinces a corrective attitude in relation not only to the troubled images of fatherhood offered in the two tragic plays, but also to Aristophanes' unsuccessful performances as a paternal son in his earlier comedies. Euripidean intertextuality thus serves as a discursive medium through which Aristophanes dramatizes the turning points of his poetic autobiography.


1996 ◽  
Vol 54 (6) ◽  
pp. 6201-6206 ◽  
Author(s):  
Michael E. Brandt ◽  
Ahmet Ademoǧlu ◽  
Dejian Lai ◽  
Guanrong Chen

2018 ◽  
Vol 27 (2018) ◽  
pp. 73-78
Author(s):  
Dumitru Deleanu

The predictive control method is one of the proposed techniques based on the location and stabilization of the unstable periodic orbits (UPOs) embedded in the strange attractor of a nonlinear mapping. It assumes the addition of a small control term to the uncontrolled state of the discrete system. This term depends on the predictive state ps + 1 and p(s + 1) + 1 iterations forward, where s is the length of the UPO, and p is a large enough nonnegative integer. In this paper, extensive numerical simulations on the Henon map are carried out to confirm the ability of the predictive control to detect and stabilize all the UPOs up to a maximum length of the period. The role played by each involved parameter is investigated and additional results to those reported in the literature are presented.


2018 ◽  
Vol 1 (1) ◽  
pp. 84
Author(s):  
Chen Ying ◽  
Tan Chee Lay

<p><em>This study adopted the theoretical framework of narrative mediation to investigate a storied conflict talk between a landlord and her tenant in which the mediator played the role of a story recipient in the co-construction of stories with disputants. The focus of this research is on the function of questions posed by the mediator in the production of turning points which are favourable to the evolution of “better-formed” stories. The results of this study indicate that there are at least two types of questions mediators ask: 1) the questions that can help disputants reflect on their imperfectness; 2) the questions that awaken disputants’ memories of their good stories from the past. It is shown that the de-legitimacy for Self laid a foundation for the production of a good story towards a meaningful outcome for the mediation. The inadequacy of the context formed by first having legitimacy for Other followed by the de-legitimacy for Self led to the failure of destabilizing the problematic story in the mediation. The lack of the dominant party’s legitimacy for Other resulted in the absence of legitimacy from the marginalized side and would likely cause unfavourable consequences to the mediation in the long term.</em></p>


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