Intimate Friend

2012 ◽  
Keyword(s):  
Intimate Friend

Death in the City

2017 ◽  
Author(s):  
Kathryn A. Sloan
Keyword(s):  
Scientific Inquiry ◽  
The United States ◽  
Violent Death ◽  
Special Relationship ◽  
Intimate Friend ◽  
Counter Narrative ◽  
Wide Range ◽  
European Heritage ◽  
The City ◽  
The Temple

Popular culture has long conflated Mexico with the macabre. Some persuasive intellectuals argue that Mexicans have a special relationship with death, formed in the crucible of their hybrid Aztec-European heritage. Death is their intimate friend; death is mocked and accepted with irony and fatalistic abandon. The commonplace nature of death desensitizes Mexicans to suffering. Death, simply put, defines Mexico. There must have been historical actors who looked away from human misery, but to essentialize a diverse group of people as possessing a unique death cult delights those who want to see the exotic in Mexico or distinguish that society from its peers. Examining tragic and untimely death—namely self-annihilation—reveals a counter narrative. What could be more chilling than suicide, especially the violent death of the young? What desperation or madness pushed the victim to raise the gun to the temple or slip the noose around the neck? A close examination of a wide range of twentieth-century historical documents proves that Mexicans did not accept death with a cavalier chuckle nor develop a unique death cult, for that matter. Quite the reverse, Mexicans behaved just as their contemporaries did in Austria, France, England, and the United States. They devoted scientific inquiry to the malady and mourned the loss of each life to suicide.

Making Connections with Milton’s Epitaphium Damonis

Making Milton ◽  
2021 ◽  
pp. 31-41
Author(s):  
Blaine Greteman
Keyword(s):  
Collaborative Work ◽  
Important Place ◽  
Intimate Friend ◽  
Print Publication ◽  
Authorial Identity ◽  
Deep Well

Milton’s Epitaphium Damonis is often described as a profoundly lonely work, marking the loss of his oldest and most intimate friend, Charles Diodati. It also one of the first works to announce Milton’s epic ambitions, and accordingly it holds an important place in narratives that describe Milton as a singular, or even antisocial, poet, producing poetry from the deep well of his interior self. But this chapter examines the poem as a deeply social, collaborative work, and one of Milton’s important early experiments in using print publication to cultivate and maintain relationships. Milton needed printers to establish his name; printers like Augustine Mathewes and Matthew Simmons needed authors with established names as allies in their own extended war against print licensing and monopolies. The wider context of the Epitaphium Damonis’s production makes it clear that the circumstances of Milton’s stationers cannot be disentangled from the arc of his own career. His emerging authorial identity was not solitary but social, and print was an essential strategy for constructing, promoting, and preserving it.

The Publisher to the Reader

2008 ◽  
Author(s):  
Jonathan Swift
Keyword(s):  
Intimate Friend

The Author of these Travels, Mr Lemuel Gulliver, is my ancient and intimate Friend; there is likewise some Relation between us by the Mother’s Side. About three Years ago Mr Gulliver growing weary of the Concourse of curious People coming...

Intimate Friend

2011 ◽  
pp. 835-837
Author(s):  
Julie Newman Kingery ◽  
Tyson R. Reuter
Keyword(s):  
Intimate Friend

In the Photography Business

2008 ◽  
pp. 39-44
Author(s):  
John Roy Lynch
Keyword(s):  
Intimate Friend

This chapter addresses how, chiefly through the efforts of Dr. Patrick H. McGraw, who was an intimate friend of his father, John Roy Lynch secured employment in the photographic establishment of Hughes and Lakin, whose business was carried on in one of the buildings owned by Dr. McGraw. He was employed merely as a messenger boy at a salary of ten dollars per month. While Lynch faithfully discharged the duties for which he was employed, he took advantage of every opportunity to make himself familiar with every detail of the business of photography. Shortly after, he was promoted as printer and his salary was increased to fifteen dollars per month, since his work in that line gave entire satisfaction. He was so much in love with the business of photography that he was anxious and determined to master it with the view of devoting his future life to it if necessary.

Carlyle—His Wife and Critics

1898 ◽  
Vol 44 (184) ◽  
pp. 76-95
Author(s):  
Sir James Crichton-Browne
Keyword(s):  
Nervous System ◽  
French Revolution ◽  
Early Life ◽  
The State ◽  
Thomas Carlyle ◽  
Intimate Friend ◽  
Isle Of Wight ◽  
Modern Times ◽  
The North ◽  
Second Year

Gentlemen,—I am not going to weary you with a catalogue—it would be a long one—of the distinguished sons that Dumfriesshire and Galloway have sent forth; I ask you to bear with me for a little while I appeal for your generous admiration of the most illustrious of all of them —I mean Thomas Carlyle. and such an appeal is not unnecessary, for this illustrious man—glorified by genius— has more than any great man of modern times been subjected since his death to detraction and disparagement. Late in securing the recognition of his claims as a writer, for it was not until he was in his forty-second year that the British public really took note of him, he rose rapidly thereafter in fame and popularity, and after his rectorial address in this University, in 1866, was the object of enthusiastic national regard. He died in universal honour, the ablest and highest of his literary contemporaries vying with each other in sounding his praises, extolling his heroic and unsullied life, and describing him as sovereign by divine right amongst the British men of letters of his generation. But a change speedily came over the spirit of the scene. Carlyle had not been a week in his grave when the Reminiscences, edited by Froude, appeared; these were followed within a year by the Letters and Reminiscences of Jane Welch Carlyle; and after these came rapidly The Early Life and The Life in London, for which also Froude was responsible. “It was these nine volumes,” says Masson, “that did all the mischief.” Full, at least as regards the earlier volumes, of slovenly press errors, and obviously very hurriedly prepared, they depicted Carlyle in his darkest and gloomiest moods, almost ignoring the bright and genial side of his nature, and gave prominence not merely to the biting judgments he had passed on public men, but also to his pungent comments on private individuals then still living. Froude was Carlyle's most intimate friend in his hitter days; he was his chosen literary executor; he was his faithful disciple in doctrine; he has, with lofty eloquence, described his extraordinary personality and gifts, and put on record his conviction that, with all his faults of manner and temper, he was the greatest and best man he had ever known. and yet, for all that, it has been his part to open the flood-gates of adverse criticism, and to supply all the quacks, and idiots, and sects, and coteries whom Carlyle had scourged, in his day, with nasty missiles with which to pelt his memory. Even Froude's warmest defenders are constrained to admit that he showed defective reticence and bad taste, and every impartial reader of the Reminiscences must, I think, perceive that in his vivid sympathy with that brilliant woman, Mrs. Carlyle, Froude has many times been betrayed into references to her husband that are unjust and almost vindictive. When Carlyle was working at the French Revolution “his nervous system,” says Mr. Froude, “was aflame. At such times,” these are Mr. Froude's words, “he could think of nothing but the matter which he had in hand, and a sick wife was a bad companion for him. She escaped to Scotland to her mother.” The plain inference from this is that Mrs. Carlyle, when an invalid, was driven away from home by Carlyle's neglect and irritability. The fact is, that it was solely the state of her own health that sent her to the north, and that she had no peace or comfort till she got home again. She writes, on returning on this occasion: “The feeling of calm and safety and liberty which came over me on re-entering my own house was really the most blessed I had felt for a great while.” Does this sound like coming back to a self-absorbed bear of a husband? “The house in Cheyne Row,” says Mr. Froude, “requiring paint and other readjustments, Carlyle had gone to Wales, leaving his wife to endure the confusion and superintend the workmen alone with her maid.” Thus Froude insinuates that Carlyle selfishly went off to enjoy himself, leaving his wife to drudgery and discomfort. But the facts are that Mrs. Carlyle was a house-proud woman, and took delight in her domestic lustrations, and that while Carlyle was in Wales at this time, on one of those excursions which were essential to the maintenance of his health and of his bread-winning labours, Mrs. Carlyle went off on a holiday on her own account to the Isle of Wight, from which she was very glad to return to her dismantled home. I could quote a dozen paragraphs like these in which Froude seems to seek, by innuendo or elision, to convey the impression that Carlyle was systematically hard and heartless in his relations with his wife, whereas the truth is that, with failings of temper and thoughtlessness—from which few are exempted—he was a tender and affectionate spouse.

scholarly journals XIV. Some Historical Doubts relating to the Biographer Asser. By Thomas Wright, Esq. M.A., F.S.A. in a Letter to Sir Henry Ellis, K.H., F.R.S., Secretary

Archaeologia ◽  
1842 ◽  
Vol 29 (2) ◽  
pp. 192-201 ◽  
Author(s):  
Thomas Wright
Keyword(s):  
National History ◽  
Intimate Friend ◽  
King Alfred

In using Asser's Life of King Alfred as the ground-work of a biographical sketeh of that Monarch, some doubts have arisen in my mind as to the authenticity and character of that well-known work, which I take the liberty of laying before the Society of Antiquaries. It is an important question, because it affects one of the most interesting periods of our national history; and I hope that these observations may lead to a more thorough investigation of the question by those who are better capable of deciding than myself. It will be had in mind that the book in question purports to be a life of King Alfred, written in the 45th year of his age (i. e. A.D. 893 or 894), by his intimate friend Bishop Asser.

The Authorship of the περ Τψονς

1938 ◽  
Vol 32 (3-4) ◽  
pp. 133-134 ◽  
Author(s):  
G. C. Richards
Keyword(s):  
The Other ◽  
Intimate Friend ◽  
The Sublime ◽  
Prose Style ◽  
Other Hand ◽  
Dionysius Of Halicarnassus

It is hardly necessary to recapitulate Rhys Roberts' cumulative and convincing proof that the treatise ‘On the Sublime’ was not written by Cassius Longinus, the tutor of Zenobia, but belongs to the early days of the Empire. Not the least convincing of the arguments for this date is the fact that the treatise is suggested by and put out as a substitute for the Περ ״ϒψоνς of Caecilius of Calacte, who according to Suidas taught rhetoric (σоφστενσε) in Rome in the time of Augustus. Now Caecilius was an intimate friend of Dionysius of Halicarnassus (Ep. ad Pomp. 776 τῷφιλττῳ Kαικιλψ): they were both Atticists and fellow-workers in leading literary Romans back to the best models of Greek prose style. But Dionysius is no candidate for the authorship of the extant treatise, which is not one that he could have written. On the other hand he gives a plain indication by which to identify its writer, which Rhys Roberts mentioned but did not adopt. It is the object of this paper to put this identification seriously forward.

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