The Authorship of the περ Τψονς

1938 ◽  
Vol 32 (3-4) ◽  
pp. 133-134 ◽  
Author(s):  
G. C. Richards
Keyword(s):  
The Other ◽  
Intimate Friend ◽  
The Sublime ◽  
Prose Style ◽  
Other Hand ◽  
Dionysius Of Halicarnassus

It is hardly necessary to recapitulate Rhys Roberts' cumulative and convincing proof that the treatise ‘On the Sublime’ was not written by Cassius Longinus, the tutor of Zenobia, but belongs to the early days of the Empire. Not the least convincing of the arguments for this date is the fact that the treatise is suggested by and put out as a substitute for the Περ ״ϒψоνς of Caecilius of Calacte, who according to Suidas taught rhetoric (σоφστενσε) in Rome in the time of Augustus. Now Caecilius was an intimate friend of Dionysius of Halicarnassus (Ep. ad Pomp. 776 τῷφιλττῳ Kαικιλψ): they were both Atticists and fellow-workers in leading literary Romans back to the best models of Greek prose style. But Dionysius is no candidate for the authorship of the extant treatise, which is not one that he could have written. On the other hand he gives a plain indication by which to identify its writer, which Rhys Roberts mentioned but did not adopt. It is the object of this paper to put this identification seriously forward.

scholarly journals Wzniosłe i cielesne pożywienie w sztuce jedzenia i nie-jedzenia

2018 ◽  
Vol 21 (2) ◽  
pp. 55-68
Author(s):  
Robert Dobrowolski
Keyword(s):  
Modern Art ◽  
The Body ◽  
The Other ◽  
The Sublime ◽  
Other Hand ◽  
Sensual Pleasure ◽  
The One

Wzniosłe i cielesne pożywienie w sztuce jedzenia i nie-jedzeniaPrzenikające współczesną sztukę rozmaite, często przeciwstawne, strategie estetyczne manifestują się w  kulinarnym artyzmie nowoczesnej kuchni, a  także w  zmieniających się pod jej wpływem postawach i  zwyczajach żywieniowych. Z  jednej strony — abiektualizacyjny porządek dadaistycznej dezynwoltury, perwersyjna obrona przed całkowitym nihilizmem, w  perwersyjny sposób dekonstruuje estetykę jedzenia w  kuchni fusion; z  drugiej — zupełnie odmienna i  szczególnie zaskakująca w  wypadku sztuki jedzenia, charakterystyczna dla kuchni molekularnej, estetyka wzniosłości, zbliżająca się niekiedy do anorektycznej awersji wobec ciała, ale też nigdy nieporzucająca perspektywy smaku i  związanej z  nią zmysłowej przyjemności. The sublime and carnal food in the art of eating and not eatingVarious aesthetic strategies present in modern art, often contradictory, are not only manifested in culinary art of modern cuisine, but also in changing dietary attitudes and habits. On the one hand — abject order of dadaistic unceremoniousness, defense against complete nihilism, perversely deconstructs the food aesthetics in fusion cuisine; on the other hand — completely surprising in the context of food art, characteristic of molecular cuisine, aesthetics of sublime acquires sometimes anorectic aversion to the body, but never abandons the taste and connected with it sensual pleasure.

Can there be a Finite Interpretation of the Kantian Sublime?

Kant Yearbook ◽  
2019 ◽  
Vol 11 (1) ◽  
pp. 17-40
Author(s):  
Sacha Golob
Keyword(s):  
Detailed Comparison ◽  
The Other ◽  
Costs And Benefits ◽  
The Sublime ◽  
Other Hand ◽  
The One ◽  
Resultant Theory

Abstract Kant’s account of the sublime makes frequent appeals to infinity, appeals which have been extensively criticised by commentators such as Budd and Crowther. This paper examines the costs and benefits of reconstructing the account in finitist terms. On the one hand, drawing ona detailed comparison of the first and third Critiques, I argue that the underlying logic of Kant’s position is essentially finitist. I defend the approach against longstanding objections, as well as addressing recent infinitist work by Moore and Smith. On the other hand, however, I argue that finitism faces distinctive problems of its own: whilst the resultant theory is a coherent and interesting one, it is unclear in what sense it remains an analysis of the sublime. I illustrate the worry by juxtaposing the finitist reading with analytical cubism.

scholarly journals ARABIC-2 The Chapter of Fatiha; Its Names, Objectives, Virtues and Features: Analytical Study of the Relevant Hadith Literature

2021 ◽  
Vol 5 (3) ◽  
pp. 25-44
Author(s):  
Dr Syed Abdul Majid Ghouri
Keyword(s):  
Analytical Study ◽  
The Other ◽  
Inductive Method ◽  
The Sublime ◽  
Other Hand ◽  
Critical Method ◽  
The One ◽  
Hybrid Methodology ◽  
Divine Guidance

The Chapter of Fatiha is conceived as one of the paramount chapters of the Holy Qur’an; rather, it is unprecedented one in the sense that not a similar chapter has been revealed in any of revealed Books including the Qur’an itself. Also, as many prophetic traditions have been narrated with regard to its virtues as not narrated concerning any other chapter; the objectives of this chapter have extensively been discussed more than other chapter; and this chapter is characterized by having many names more than all other chapters. Moreover, this chapter, despite of being conciseness, comprises of three types of Tawhid (Oneness of God); namely, Oneness in terms of Lordship, Oneness in terms of Divinity, and Oneness in terms of Names and Attributes. Similarly, this chapter is characterized with many other features: such as the role of this chapter in attracting benefits and removing harms, healing of deceased, (getting divine) guidance, and fulfilling necessities. In addition to this, the Qur’an begins with this chapter. It is stated that it is one of the basic elements of the prayer without which prayer does not stand valid. It, by all means, indicates to the sublime nature, great features and magnificent virtues that this chapter holds. This work analyses the prophetic traditions narrated concerning this chapter and focuses over its objectives, names, virtues and characteristics in the light of authentic prophetic traditions. Meanwhile, the researcher adopts hybrid methodology: namely inductive one and critical one. On the one hand, critical method is adopted for searching and gathering all relevant traditions that discuss in one way or another this chapter; and, on the other hand, inductive method is adopted for analyzing the relevant traditions and drawing significant conclusions therefrom. At the end, a conclusion is added that contains several important remarks which have been drawn while this study.

Immaginazione e pensiero del limite. Darstellung e Einstimmung in Jant e in Wittgenstein

PARADIGMI ◽  
2009 ◽  
pp. 101-125
Author(s):  
Silvana Borutti
Keyword(s):  
Key Words ◽  
Logical Form ◽  
The Body ◽  
The Other ◽  
Presence Of Meaning ◽  
The Sublime ◽  
Other Hand ◽  
Cognitive Faculties ◽  
Human Capacity ◽  
The One

- This essay focuses on the occurrence of two words-concepts in Kant's and Wittgenstein's texts: Darstellung, which designates in both philosophies the imaginative activity of exhibition or presentation, essential in the experience of meaning, and Einstimmung, which designates the inter-subjective communicability of meaning. In Kant's philosophy, Darstellung plays a fundamental role in connecting the cognitive faculties. It refers, on the one hand, to the sublime character of imaginative power, which makes representation free from presence, and, on the other hand, to the inter-subjective and communicable character of this human capacity. By Darstellung also Wittgenstein refers to the presence of meaning in the logical form of language, and, at the same time, to the impossibility of representing language as an object. Imagination also presides over the communicability of meaning understood as an agreement, that is both a consonance of voices and a consent inscribed in the body.Key words: Agreement, Imagination, Presentation, Seeing as, Showing, Sublime.Parole chiave: Darstellung, Immaginazione, Mostrare, Sublime, Übereinstimmung,

scholarly journals Donner à voir : explorer et exploiter les images en histoire de ľinterprétation

Translationes ◽  
2019 ◽  
Vol 11 (1) ◽  
pp. 92-107
Author(s):  
Alina Pelea
Keyword(s):  
New Technologies ◽  
Visual Representations ◽  
The Other ◽  
The Sublime ◽  
Other Hand ◽  
Works Of Art ◽  
The Status ◽  
History Of ◽  
History Of Translation ◽  
The One

Abstract It may be too much to say that a picture is worth a thousand words, but no one can deny the informative potential of visual representations. Considering that the history of translation would also benefit from their use, we propose an intervention that will try to look at these resources in order to shed additional light on the status of the interpreter and its evolution. We analyze visual resources dating back to the 17th and 18th centuries (works of art) and others from 2018 (potentially more objective) to see how they reflect, on the one hand, the status of the dragomans of the Sublime Porte and, on the other hand, that of today’s interpreters. In conducting this research, we also look at how new technologies can contribute to the study of different media.

scholarly journals The Ancient Sublime(s). A Review of The Sublime in Antiquity

Mnemosyne ◽  
2020 ◽  
Vol 73 (1) ◽  
pp. 149-163
Author(s):  
Casper C. de Jonge
Keyword(s):  
The Other ◽  
Innovative Approach ◽  
Latin Literature ◽  
Ancient Greek ◽  
James I ◽  
The Sublime ◽  
Other Hand ◽  
The One ◽  
Rhetorical Texts

Abstract The sublime plays an important role in recent publications on Greek and Latin literature. On the one hand, scholars try to make sense of ancient Greek theories of the sublime, both in Longinus’ On the Sublime and in other rhetorical texts. On the other hand, the sublime, in its ancient and modern manifestations presented by thinkers from Longinus to Burke, Kant and Lyotard, has proved to be a productive tool for interpreting the works of Latin poets like Lucretius, Lucan and Seneca. But what is the sublime? And how does the Greek rhetorical sublime in Longinus relate to the Roman literary sublime in Lucretius and other poets? This article reviews James I. Porter, The Sublime in Antiquity: it evaluates Porter’s innovative approach to the ancient sublime, and considers the ways in which it might change our understanding of an important, but somewhat enigmatic concept.

Hegel on the Sublime

1974 ◽  
Vol 10 (2) ◽  
pp. 153-172
Author(s):  
S. K. Saxena
Keyword(s):  
Point Of View ◽  
The Other ◽  
Wide Context ◽  
The Sublime ◽  
Other Hand ◽  
Self Consistent ◽  
Specific Stage ◽  
The One ◽  
Diverse Cultures ◽  
Historical Necessity

Hegel's treatment of the Sublime is both self-consistent and distinctive. He not only defines sublimity, but discovers and ranks its types or stages from one select point of view—the viewpoint of God-world relation; and the way he does this, on the one hand, distinguishes him from many others who have contributed to an understanding of the concept, and, on the other hand, enables him to suggest, if but implicitly, a criterion for distinguishing the sublime from allied concepts. Besides, he discusses the matter in the wide context of diverse cultures, making quite a few insightful references to Eastern literature; and, consistently with his own conception of philosophy, also from the viewpoint of historical necessity, so that the sublime appears, in his Aesthetik, as a specific stage which the evolving story of art must in fact traverse.

A study of cometary eruptions through OH radio-lines

1999 ◽  
Vol 173 ◽  
pp. 249-254
Author(s):  
A.M. Silva ◽  
R.D. Miró
Keyword(s):  
Short Duration ◽  
Growth Curves ◽  
The Other ◽  
Initial Mass ◽  
Radio Lines ◽  
Other Hand ◽  
Sudden Rise

AbstractWe have developed a model for theH2OandOHevolution in a comet outburst, assuming that together with the gas, a distribution of icy grains is ejected. With an initial mass of icy grains of 108kg released, theH2OandOHproductions are increased up to a factor two, and the growth curves change drastically in the first two days. The model is applied to eruptions detected in theOHradio monitorings and fits well with the slow variations in the flux. On the other hand, several events of short duration appear, consisting of a sudden rise ofOHflux, followed by a sudden decay on the second day. These apparent short bursts are frequently found as precursors of a more durable eruption. We suggest that both of them are part of a unique eruption, and that the sudden decay is due to collisions that de-excite theOHmaser, when it reaches the Cometopause region located at 1.35 × 105kmfrom the nucleus.

Closing the GAP—A 5Å Scanning Microscope

1969 ◽  
Vol 27 ◽  
pp. 6-7
Author(s):  
A. V. Crewe
Keyword(s):  
Normal Form ◽  
The Other ◽  
Resolving Power ◽  
Scanning Microscope ◽  
Conventional Microscope ◽  
Other Hand ◽  
Closing The Gap ◽  
Thermal Sources ◽  
Better Than ◽  
Transmission Microscope

We have become accustomed to differentiating between the scanning microscope and the conventional transmission microscope according to the resolving power which the two instruments offer. The conventional microscope is capable of a point resolution of a few angstroms and line resolutions of periodic objects of about 1Å. On the other hand, the scanning microscope, in its normal form, is not ordinarily capable of a point resolution better than 100Å. Upon examining reasons for the 100Å limitation, it becomes clear that this is based more on tradition than reason, and in particular, it is a condition imposed upon the microscope by adherence to thermal sources of electrons.

Life Beyond 1MeV

1980 ◽  
Vol 38 ◽  
pp. 30-33
Author(s):  
K.H. Westmacott
Keyword(s):  
Electron Microscopy ◽  
Past Experience ◽  
The Other ◽  
Good Case ◽  
Other Hand ◽  
The U.S

Life beyond 1MeV – like life after 40 – is not too different unless one takes advantage of past experience and is receptive to new opportunities. At first glance, the returns on performing electron microscopy at voltages greater than 1MeV diminish rather rapidly as the curves which describe the well-known advantages of HVEM often tend towards saturation. However, in a country with a significant HVEM capability, a good case can be made for investing in instruments with a range of maximum accelerating voltages. In this regard, the 1.5MeV KRATOS HVEM being installed in Berkeley will complement the other 650KeV, 1MeV, and 1.2MeV instruments currently operating in the U.S. One other consideration suggests that 1.5MeV is an optimum voltage machine – Its additional advantages may be purchased for not much more than a 1MeV instrument. On the other hand, the 3MeV HVEM's which seem to be operated at 2MeV maximum, are much more expensive.

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