Online Companion Site (http://www.focalpress.com/companions) for Producing and Directing the Short Film and Video, Third Edition

Keyword(s):  
2021 ◽  
Vol 3 (4) ◽  
pp. 51-56
Author(s):  
Wanying Guo

Today’s psychology of star hunting is not only in the obvious “rice circle,” but also in the TikTok star of the live broadcasting platform such as jitter. For the current era of fast consumption, the popularity of short film and video culture is inevitable. Social networks have stimulated the personalization and motivation of Internet users, and the needs of Internet users have become more and more exquisite and artistic. This paper discusses the causes of online red and the interactive process between online red and its fans, and discusses the production mode, possible harm and Countermeasures of online red.


2012 ◽  
Author(s):  
David K. Irving ◽  
Peter W. Rea
Keyword(s):  

2021 ◽  
Author(s):  
◽  
Horst C Sarubin

<p>This thesis is submitted as one part of a three-part Masters program: it is accompanied by two creative praxis: a short film and video installation. The thesis itself mirrors the creative elements of the praxis and should be read in that light. It consists of writing and formatting style not usually found in academic writing. The font and formatting changes are designed to facilitate the reader’s experience and recognition of various points of view personified within. ...</p>


Author(s):  
Patricia Thompson

THE LAUNCHING of the Toronto Worldwide Short Film Festival in May brought about the realization that there are a respectable number of showcases for Canadian short films, and some completely devoted to the national product. Most of these festivals are juried with filmmakers competing for awards of cash or services. The Montréal International Short Film Festival was into its third year in April; The Toronto International Film Festival celebrated the 12th anniversary of its Perspective Canada program in September, while in Saskatchewan, the Yorkton Short Film and Video Festival was 31 years old in May and still kicking up its heels. Many more festivals show short films of a more specialized nature. The Ottawa International Animation Festival is staged every two years in Ottawa and our animators stand out there -- taking part in what must surely be one of our national sports categories! Hot Docs is organized at...


2013 ◽  
Author(s):  
Peter W. Rea ◽  
David K. Irving
Keyword(s):  

2021 ◽  
Author(s):  
◽  
Horst C Sarubin

<p>This thesis is submitted as one part of a three-part Masters program: it is accompanied by two creative praxis: a short film and video installation. The thesis itself mirrors the creative elements of the praxis and should be read in that light. It consists of writing and formatting style not usually found in academic writing. The font and formatting changes are designed to facilitate the reader’s experience and recognition of various points of view personified within. ...</p>


2012 ◽  
Vol 17 (4) ◽  
pp. 257-265 ◽  
Author(s):  
Carmen Munk ◽  
Günter Daniel Rey ◽  
Anna Katharina Diergarten ◽  
Gerhild Nieding ◽  
Wolfgang Schneider ◽  
...  

An eye tracker experiment investigated 4-, 6-, and 8-year old children’s cognitive processing of film cuts. Nine short film sequences with or without editing errors were presented to 79 children. Eye movements up to 400 ms after the targeted film cuts were measured and analyzed using a new calculation formula based on Manhattan Metrics. No age effects were found for jump cuts (i.e., small movement discontinuities in a film). However, disturbances resulting from reversed-angle shots (i.e., a switch of the left-right position of actors in successive shots) led to increased reaction times between 6- and 8-year old children, whereas children of all age groups had difficulties coping with narrative discontinuity (i.e., the canonical chronological sequence of film actions is disrupted). Furthermore, 4-year old children showed a greater number of overall eye movements than 6- and 8-year old children. This indicates that some viewing skills are developed between 4 and 6 years of age. The results of the study provide evidence of a crucial time span of knowledge acquisition for television-based media literacy between 4 and 8 years.


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