scholarly journals The mechanisms of frost formation on a semipermeable membrane

Author(s):  
Shirin Niroomand ◽  
Melanie T. Fauchoux ◽  
Carey J. Simonson
2018 ◽  
Vol 140 (12) ◽  
Author(s):  
S. Niroomand ◽  
M. T. Fauchoux ◽  
C. J. Simonson

This paper investigates frost formation on a flat horizontal surface, with humid air flowing over the surface and a cold liquid desiccant flowing below the surface. Two different surfaces, a semipermeable membrane and an impermeable plate, are tested. The condensation/frosting limit, that is, the lowest air humidity ratio, Wair, at a constant liquid temperature, Tliq, or the highest Tliq at a constant Wair that leads to condensation/frosting, is determined for each surface. The main aim of this study is to find the effect of moisture transfer through the semipermeable membrane on the condensation/frosting limit. It is found that the semipermeable membrane has a lower condensation/frosting limit, due to the moisture transfer through the semipermeable membrane, which dehumidifies the air flow. For a given Wair, the surface temperature can be approximately 5 to 8 °C lower when using a semipermeable membrane, compared to an impermeable plate, before condensation/frosting occurs. Furthermore, it is shown that at some operating conditions, frost appears on the semipermeable membrane only at the air flow entrance of the test section, while the impermeable plate was fully covered with frost at the same operating conditions. Moreover, it is shown that increasing the moisture transfer rate through the semipermeable membrane decreases the frosting limit and delays frost formation.


2007 ◽  
Vol 14 (3) ◽  
pp. 257-268 ◽  
Author(s):  
Xiaomin Wu ◽  
WanTian Dai ◽  
XiaoFeng Shan ◽  
Weicheng Wang ◽  
LiMing Tang

Author(s):  
Marjorie Levinson ◽  
Marjorie Levinson

The reading of Coleridge’s “Frost at Midnight” at the center of this chapter opens up the cognitive and aesthetic stakes of seeing writing. It does so by analyzing the encounter with visible script, an experience that can be understood as a reworking of a previously unrecognized source, the scene of writing in David Hume’s A Treatise of Human Nature, Book 4. Just such an encounter is the activity in play with the figure of the window frost and with the entire poem. Broadly speaking, sentence formation is seen as analogous to frost formation. In this way, the discussion seeks to shift the sensory register of criticism of the poem from its traditional emphasis on the acoustic to a new appreciation of the visible.


Author(s):  
Gabriela F. Giordano ◽  
Vitoria M. S. Freitas ◽  
Gabriel R. Schleder ◽  
Murilo Santhiago ◽  
Angelo L. Gobbi ◽  
...  

2013 ◽  
Vol 52 (2) ◽  
pp. 345-352 ◽  
Author(s):  
Gedalia Mazor ◽  
Eli Korin ◽  
Dmitry Nemirovsky ◽  
Izhak Ladizhensky
Keyword(s):  

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