scholarly journals Implicit temporal predictability enhances pitch discrimination sensitivity and biases the phase of delta oscillations in auditory cortex

NeuroImage ◽  
2019 ◽  
Vol 203 ◽  
pp. 116198 ◽  
Author(s):  
Sophie K. Herbst ◽  
Jonas Obleser
2018 ◽  
Author(s):  
Sophie K. Herbst ◽  
Jonas Obleser

AbstractCan human listeners use strictly implicit temporal contingencies in auditory input to form temporal predictions, and if so, how are these predictions represented endogenously? To assess this question, we implicitly manipulated foreperiods in an auditory pitch discrimination task. Unbeknownst to participants, the pitch of the standard tone could either be deterministically predictive of the onset of the target tone, or convey no predictive information. Both conditions were presented interleaved in one stream, and separated by variable inter-stimulus intervals such that there was no dominant stimulus rhythm throughout. Even though participants were unaware of the implicit temporal contingencies, pitch discrimination sensitivity (i.e. the slope of the psychometric function) increased when the onset of the target tone was predictable in time (N = 49). Concurrently recorded EEG data (N = 24) revealed that standard tones which initiated temporal predictions evoked a more negative N1 component than non-predictive standards, and were followed by an increase in delta power during the foreperiod. Furthermore, the phase angle of delta oscillations (1–3Hz) evoked by the standard tone predicted pitch discrimination sensitivity at the target tone (1.75 s later on average), which suggests that temporal predictions can be initiated by an optimized delta phase reset. In sum, we show that auditory perception benefits from implicit temporal contingencies, and provide evidence for a role of slow neural oscillations in the endogenous representation of temporal predictions, in absence of exogenously driven entrainment to rhythmic input.Significance StatementTemporal contingencies are ubiquitous in sensory environments, especially in the auditory domain, and have been shown to facilitate perception and action. Yet, how these contingencies in exogenous inputs are transformed into an endogenous representation of temporal predictions is not known. Here, we implicitly induced temporal predictability in the absence of a rhythmic input structure, that is without exogenously driven entrainment of neural oscillations. Our results show that even implicit and non-rhythmic temporal predictions are extracted and used by human observers, underlining the role of timing in sensory processing. Furthermore, our EEG results point towards an instrumental role of delta oscillations in initiating temporal predictions by an optimized phase reset in response to a temporally predictive cue.


2019 ◽  
Vol 30 (9) ◽  
pp. 1352-1361 ◽  
Author(s):  
Mireia Hernández ◽  
María-Ángeles Palomar-García ◽  
Benito Nohales-Nieto ◽  
Gustau Olcina-Sempere ◽  
Esteban Villar-Rodríguez ◽  
...  

Individual differences in the level of pleasure induced by music have been associated with the response of the striatum and differences in functional connectivity between the striatum and the auditory cortex. In this study, we tested whether individual differences in music reward are related to the structure of the striatum and the ability to discriminate pitch. We acquired a 3-D magnetization-prepared rapid-acquisition gradient-echo image for 32 musicians and 26 nonmusicians who completed a music-reward questionnaire and a test of pitch discrimination. The analysis of both groups together showed that sensitivity to music reward correlated negatively with the volume of both the caudate and nucleus accumbens and correlated positively with pitch-discrimination abilities. Moreover, musicianship, pitch discrimination, and caudate volume significantly predicted individual differences in music reward. These results are consistent with the proposal that individual differences in music reward depend on the interplay between auditory abilities and the reward network.


2020 ◽  
Author(s):  
Bonnie Lau ◽  
Andrew Oxenham ◽  
lynne werner

Adults perceive pitch with fine precision, an ability ascribed to cortical functions that are also important for speech and music perception. Infants display neural immaturity in the auditory cortex, suggesting that pitch discrimination may improve throughout infancy. In three experiments, we tested the limits of pitch and timbre perception in 66 infants and 44 adults. Contrary to expectations, we found that infants surpassed adults in detecting subtle changes in pitch in the presence of random variations in timbre, and vice versa. The results indicate high fidelity of pitch and timbre coding in infants, implying that fully mature cortical processing is not necessary for accurate discrimination of these features. The surprising superiority of infants over adults may reflect a developmental trajectory for learning natural statistical covariations between pitch and timbre that improves coding efficiency in adults, but results in degraded perceptual acuity when expectations for such covariations are violated.


2020 ◽  
Vol 30 (11) ◽  
pp. 5792-5805 ◽  
Author(s):  
Shiri Makov ◽  
Elana Zion Golumbic

Abstract Dynamic attending theory suggests that predicting the timing of upcoming sounds can assist in focusing attention toward them. However, whether similar predictive processes are also applied to background noises and assist in guiding attention “away” from potential distractors, remains an open question. Here we address this question by manipulating the temporal predictability of distractor sounds in a dichotic listening selective attention task. We tested the influence of distractors’ temporal predictability on performance and on the neural encoding of sounds, by comparing the effects of Rhythmic versus Nonrhythmic distractors. Using magnetoencephalography we found that, indeed, the neural responses to both attended and distractor sounds were affected by distractors’ rhythmicity. Baseline activity preceding the onset of Rhythmic distractor sounds was enhanced relative to nonrhythmic distractor sounds, and sensory response to them was suppressed. Moreover, detection of nonmasked targets improved when distractors were Rhythmic, an effect accompanied by stronger lateralization of the neural responses to attended sounds to contralateral auditory cortex. These combined behavioral and neural results suggest that not only are temporal predictions formed for task-irrelevant sounds, but that these predictions bear functional significance for promoting selective attention and reducing distractibility.


2004 ◽  
Vol 115 (7) ◽  
pp. 1592-1604 ◽  
Author(s):  
Isamu Ozaki ◽  
Chun Yu Jin ◽  
Yasumi Suzuki ◽  
Masayuki Baba ◽  
Muneo Matsunaga ◽  
...  

2019 ◽  
Author(s):  
David A. Stanley ◽  
Arnaud Y. Falchier ◽  
Benjamin R. Pittman-Polletta ◽  
Peter Lakatos ◽  
Miles A. Whittington ◽  
...  

AbstractSalient auditory stimuli typically exhibit rhythmic temporal patterns. A growing body of evidence suggests that, in primary auditory cortex (A1), attention is associated with entrainment of delta rhythms (1 – 4 Hz) by these auditory stimuli. It is thought that this entrainment involves phase reset of ongoing spontaneous oscillations in A1 by thalamus matrix afferents, but precise mechanisms are unknown. Furthermore, naturalistic stimuli can vary widely in terms of their rhythmicity: some cycles can be longer than others and frequency can drift over time. It is not clear how the auditory system accommodates this natural variability. We show that in rhesus macaque monkey A1 in vivo, bottom-up gamma (40 Hz) click trains influence ongoing spontaneous delta rhythms by inducing an initial delta-timescale transient response, followed by entrainment to gamma and suppression of delta. We then construct a computational model to reproduce this effect, showing that transient thalamus matrix activation can reset A1 delta oscillations by directly activating deep (layer 5) IB cells, promoting bursting, and beginning a new delta cycle. In contrast, long duration gamma-rhythmic input stimuli induce a steady-state containing entrainment of superficial RS and FS cells at gamma, and suppression of delta oscillations. This suppression is achieved in the model by two complementary pathways. First, long-duration thalamus matrix input causes IB cells to switch from bursting to sparse firing, which disrupts the IB bursts associated with delta. Second, thalamus core input activates deep FS cells (by way of layer 4), which fire at gamma frequency and actively inhibit the delta oscillator. Together, these two fundamental operations of reset and suppression can respectively advance and delay the phase of the delta oscillator, allowing it to follow rhythms exhibiting the type of variability found in the natural environment. We discuss these findings in relation to functional implications for speech processing.Author summaryNeurons organize their firing into synchronous, rhythmic patterns. These neural oscillations have been shown to entrain to rhythmic stimuli in the external world, such as patterns of speech or patterns of movement. By entraining to a particular input stimulus, these oscillations are thought to help us attend to that stimulus and to exclude others. To understand how this synchronization emerges, we constructed a physiologically detailed mathematical model of the primary auditory cortex. By fitting this model to a variety of experimental data, we suggest fundamental mechanisms by which neurons of the auditory cortex can synchronize their activity to rhythmic external stimuli. This result will be useful for understanding the mechanism and limitations of oscillatory entrainment, which are thought to underlie the processing of naturalistic auditory inputs like speech or music. Furthermore, this model, though simplified, was shown to generalize and reproduce a wide range of experimental results, and can thus be used as a starting point for building more complex models of auditory cortex.


2009 ◽  
Vol 29 (42) ◽  
pp. 13338-13343 ◽  
Author(s):  
T. Rinne ◽  
S. Koistinen ◽  
O. Salonen ◽  
K. Alho

2009 ◽  
Vol 21 (11) ◽  
pp. 2230-2244 ◽  
Author(s):  
Elvira Brattico ◽  
Karen Johanne Pallesen ◽  
Olga Varyagina ◽  
Christopher Bailey ◽  
Irina Anourova ◽  
...  

At the level of the auditory cortex, musicians discriminate pitch changes more accurately than nonmusicians. However, it is not agreed upon how sound familiarity and musical expertise interact in the formation of pitch-change discrimination skills, that is, whether musicians possess musical pitch discrimination abilities that are generally more accurate than in nonmusicians or, alternatively, whether they may be distinguished from nonmusicians particularly with respect to the discrimination of nonprototypical sounds that do not play a reference role in Western tonal music. To resolve this, we used magnetoencephalography (MEG) to measure the change-related magnetic mismatch response (MMNm) in musicians and nonmusicians to two nonprototypical chords, a “dissonant” chord containing a highly unpleasant interval and a “mistuned” chord including a mistuned pitch, and a minor chord, all inserted in a context of major chords. Major and minor are the most frequently used chords in Western tonal music which both musicians and nonmusicians are most familiar with, whereas the other chords are more rarely encountered in tonal music. The MMNm was stronger in musicians than in nonmusicians in response to the dissonant and mistuned chords, whereas no group difference was found in the MMNm strength to minor chords. Correspondingly, the length of musical training correlated with the MMNm strength for the dissonant and mistuned chords only. Our findings provide evidence for superior automatic discrimination of nonprototypical chords in musicians. Most likely, this results from a highly sophisticated auditory system in musicians allowing a more efficient discrimination of chords deviating from the conventional categories of tonal music.


2020 ◽  
Vol 63 (2) ◽  
pp. 487-498
Author(s):  
Puisan Wong ◽  
Man Wai Cheng

Purpose Theoretical models and substantial research have proposed that general auditory sensitivity is a developmental foundation for speech perception and language acquisition. Nonetheless, controversies exist about the effectiveness of general auditory training in improving speech and language skills. This research investigated the relationships among general auditory sensitivity, phonemic speech perception, and word-level speech perception via the examination of pitch and lexical tone perception in children. Method Forty-eight typically developing 4- to 6-year-old Cantonese-speaking children were tested on the discrimination of the pitch patterns of lexical tones in synthetic stimuli, discrimination of naturally produced lexical tones, and identification of lexical tone in familiar words. Results The findings revealed that accurate lexical tone discrimination and identification did not necessarily entail the accurate discrimination of nonlinguistic stimuli that followed the pitch levels and pitch shapes of lexical tones. Although pitch discrimination and tone discrimination abilities were strongly correlated, accuracy in pitch discrimination was lower than that in tone discrimination, and nonspeech pitch discrimination ability did not precede linguistic tone discrimination in the developmental trajectory. Conclusions Contradicting the theoretical models, the findings of this study suggest that general auditory sensitivity and speech perception may not be causally or hierarchically related. The finding that accuracy in pitch discrimination is lower than that in tone discrimination suggests that comparable nonlinguistic auditory perceptual ability may not be necessary for accurate speech perception and language learning. The results cast doubt on the use of nonlinguistic auditory perceptual training to improve children's speech, language, and literacy abilities.


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