Space and time in the Upper Palaeolithic: Case studies from Western Europe

2018 ◽  
Vol 498 ◽  
pp. 1-3
Author(s):  
Lars Anderson ◽  
Mathieu Lejay
2021 ◽  
Vol 63 (2) ◽  
pp. 310-338
Author(s):  
Victor Lieberman

AbstractInsisting on a radical divide between post-1750 ideologies in Europe and earlier political thought in both Europe and Asia, modernist scholars of nationalism have called attention, quite justifiably, to European nationalisms’ unique focus on popular sovereignty, legal equality, territorial fixity, and the primacy of secular over universal religious loyalties. Yet this essay argues that nationalism also shared basic developmental and expressive features with political thought in pre-1750 Europe as well as in rimland—that is to say outlying—sectors of Asia. Polities in Western Europe and rimland Asia were all protected against Inner Asian occupation, all enjoyed relatively cohesive local geographies, and all experienced economic and social pressures to integration that were not only sustained but surprisingly synchronized throughout the second millennium. In Western Europe and rimland Asia each major state came to identify with a named ethnicity, specific artifacts became badges of inclusion, and central ethnicity expanded and grew more standardized. Using Myanmar and pre-1750 England/Britain as case studies, this essay reconstructs these centuries-long similarities in process and form between “political ethnicity,” on the one hand, and modern nationalism, on the other. Finally, however, this essay explores cultural and material answers to the obvious question: if political ethnicities in Myanmar and pre-1750 England/Britain were indeed comparable, why did the latter realm alone generate recognizable expressions of nationalism? As such, this essay both strengthens and weakens claims for European exceptionalism.


2011 ◽  
Vol 38 (9) ◽  
pp. 2123-2140 ◽  
Author(s):  
Maud Pionnier-Capitan ◽  
Céline Bemilli ◽  
Pierre Bodu ◽  
Guy Célérier ◽  
Jean-Georges Ferrié ◽  
...  

1991 ◽  
Vol 57 (01) ◽  
pp. 149-162 ◽  
Author(s):  
J. D. Lewis-Williams

In 1902 Emile Cartailhac published hisMea Culpa d'un Sceptique. His acceptance of the high antiquity of prehistoric art in western Europe followed Capitan and Breuil's convincing discoveries in Font de Gaume and Les Combarelles and reflected a widespread change of opinion. Despite previous scepticism, researchers were beginning to allow that the parietal as well as the mobile art did indeed date back to the Upper Palaeolithic. But this swing in scientific opinion opened up an even more baffling problem: why did Upper Palaeolithic people make these pictures? In the year following Cartailhac's turn-about Salomon Reinach tried to answer this question by developing an analogical argument based on ethnographic parallels. He could see no other way of approaching the problem: ‘Our only hope of finding outwhythe troglodytes painted and sculpted lies in asking the same question of present-day primitives with whom the ethnography reveals connections’ (Reinach 1903, 259; my translation, his emphasis).


Author(s):  
Melanie Wilmink

Utilising case studies from my curatorial practice, this paper discusses the balance between research and creation, and elaborates on exhibition projects that centre the spectator within an embodied experience of the moving image. While some of my curatorial practice includes installation art that literalises the space of the image, including Urbanity on Film (2009), and The Situated Cinema Project; in camera (2015), other programs have achieved this same effect within a single-channel screening format, including Radiant Bodies (2015) and Dirt City Rock Fantasy: The Short Films of Trevor Anderson (2016). By treating the moving image as an experience that incorporates the space and time of the viewer’s body, these curatorial projects explore the idea of artwork as a phenomenological tool, creating exciting environments while simultaneously advancing knowledge through the process of being with the artwork.


Geografie ◽  
2015 ◽  
Vol 120 (2) ◽  
pp. 188-209 ◽  
Author(s):  
Monika Murzyn-Kupisz ◽  
Magdalena Szmytkowska

For over a decade, the term studentification has been used to denote the process of urban changes linked with the presence of student populations in urban centres. This text broadens the geographic scope of research into studentification using two Polish metropolitan areas as case studies, analysing and comparing research results to existing findings referring to Western European and Anglo-Saxon settings. Using the example of Cracow and the Tri-City (Trójmiasto), two significant centres of higher education in Poland, the paper presents empirical evidence indicating that while some aspects of students’ impact on Polish cities are similar to trends observed in Western Europe and non-European Anglo-Saxon countries, the colonisation of Polish cities by students nonetheless displays some unique features strongly influenced by the post-socialist context in which such cities and their student populations function.


Author(s):  
Paul Pettitt ◽  
Stefanie Leluschko ◽  
Takashi Sakamoto

Human light-producing technology (i.e. the controlled use of fire) evolved during the Palaeolithic. Among its more obvious advantages to survival (heat, cooking, protection), fire-provided light in the form of hearths and lamps probably had considerable evolutionary significance. As human symbolic systems spread with the late Middle Palaeolithic and Upper Palaeolithic in Eurasia, it became a constituent component of European cave art. After reviewing the biological basis of human perception in low-light situations, we examine the existing evidence for the evolution of controlled use of fire (light production), and focus on its use in the performance of Upper Palaeolithic art and other activities in the deep caves of Western Europe.


1951 ◽  
Vol 8 ◽  
pp. 50-51
Author(s):  
Hallam L. Movius

The Lascaux Cave, one of the most important single sites of upper Palaeolithic art ever discovered, is located near Montignac (Dordogne), 16 miles up the Vézère River from the famous town of Les Eyzies. It was found in September 1940 by two French schoolboys out rabbit hunting. Called the “Versailles of Prehistoric Man,” Lascaux ranks among the world's oldest and most remarkable art galleries. It has been completely sealed off from the outside world since late upper Pleistocene times, and it is now generally believed that the majority of the paintings are upper Perigordian (Gravettian) in date—Phase 2 in the upper Palaeolithic art sequence of western Europe. That they were produced during a time of climatic amelioration, possibly the one known as the Achen retreat, is borne out by the fact that the animals depicted belong much more to a steppe and forest type of fauna, than they do to a colder tundra group. For example, there are no mammoths and no reindeer shown, but there are many horses, a considerable quantity of cattle, bison and several ibexes.


2018 ◽  
Vol 30 (3-4) ◽  
pp. 169-179
Author(s):  
S. Prat ◽  
S. Péan ◽  
L. Crépin ◽  
S. Puaud ◽  
D.G. Drucker ◽  
...  

The arrival of modern humans into Europe, their dispersal and their potential interactions with Neanderthals are still in debate. Whereas the first appearance of anatomically modern humans in Western Europe seems to be well understood, the situation is quite different for Eastern Europe, where data are more scarce. The Buran-Kaya III site in Crimea is of key importance to understand the colonization of Europe by anatomically modern humans and their potential contemporaneity with the last Neanderthal occupations. The new radiocarbon dated sequence shows that no Neanderthal settlement existed after 39 ka cal BP and casts doubt on the survival, as previously proposed, of Neanderthal refuge zones in Crimea 28 ka BP ago (34-32 ka cal BP). The human remains from Buran-Kaya III, directly dated to 32450 +250/-230 BP (layer 6-2) and 31900+/-220 BP (layer 6-1) (37.1-35.7 ka cal BP and 36.3-35.2 cal BP respectively), represent some of the oldest evidence of anatomically modern humans in Europe in a unique welldocumented archaeological context (Gravettian). Furthermore, the specimens from layer 6-1 represent the oldest Upper Palaeolithic modern humans from Eastern Europe with evidence of post-mortem treatment of the dead.


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