The Indian in American Southern Literature

2020 ◽  
Author(s):  
Melanie Benson Taylor
Keyword(s):  
Author(s):  
Justin Mellette

Peculiar Whiteness argues for deeper consideration of the complexities surrounding the disparate treatment of poor whites throughout southern literature and attests to how broad such experiences have been. While the history of prejudice against this group is not the same as the legacy of violence perpetrated against people of color in America, individuals regarded as ‘white trash’ have suffered a dehumanizing process in the writings of various white authors. Poor white characters are frequently maligned as grotesque and anxiety-inducing, especially when they are aligned in close proximity to blacks or with other troubling conditions such as physical difference. Thus, as a symbol, much has been asked of poor whites, and various iterations of the label (e.g., ‘white trash,’ tenant farmers, or even people with a little less money than average) have been subject to a broad spectrum of judgment, pity, compassion, fear, and anxiety. Peculiar Whiteness engages key issues in contemporary critical race studies, whiteness studies, and southern studies, both literary and historical. Through discussions of authors including Charles Chesnutt, Thomas Dixon, Erskine Caldwell, William Faulkner, and Flannery O’Connor, the book analyzes how we see how whites in a position of power work to maintain their status, often by finding ways to re-categorize and marginalize people who might not otherwise have seemed to fall under the auspices or boundaries of ‘white trash.’


PMLA ◽  
2016 ◽  
Vol 131 (1) ◽  
pp. 191-192
Author(s):  
Larose Davis

This is a moment for relentless forward gazing, an impulse already evident, for example, at two conferences in 2013: race in space, a gathering at Duke University, where Mae Jemison spoke about her project 100 Year Starship, and the meeting of the South Atlantic Modern Language Association, with the theme of making meaning in networked worlds. In several ways, the path that I want to propose for southern studies and particularly the study of southern literature is inflected by the conversations at these conferences. It is also informed by my tangential interest in speculative fictions—not necessarily of the literary variety—and by a desire to see more scholarship that goes beyond underscoring the tensions and anxieties of various Souths, scholarship attuned to the generative possibilities and (I, perhaps naively, suggest) the hopes that might emerge from the sites that we call Souths.


2019 ◽  
pp. 89-112
Author(s):  
Sarah Robertson

This chapter interrogates the definitions of Grit Lit and Rough South and moves away from both categories to consider, via Raymond Williams and David Harvey, amongst others, the structures of feeling that emerge in contemporary southern literature to reveal the wider shift to liquidity in the form of financial capital and its socio-economic ramifications on poor whites. The chapter focuses on works by Toni Morrison, John Biguenet, Colson Whitehead, Barbara Kingsolver, and Tim McLaurin, and explores the ways these writers represent the impact of various political, economic and environmental changes and disasters including Reaganomics, Hurricane Katrina, and the 2008 financial crisis. It considers communalism and the alternatives that appear in these literary works for measuring time and worth beyond monetary values.


Author(s):  
Linda Byrd Cook

This chapter discusses Lee Smith's fiction, which consistently probes the crises of identity that plague so many contemporary Americans, particularly women. Born on November 1, 1944, in the southwestern Virginia coal-mining town of Grundy, Lee Smith was an only child and a voracious reader. Smith recalls that growing up in Grundy, she consciously tried to conform to the image of an aspiring southern “lady.” Initially Smith wrote about romantic and foreign subjects, but after encountering Eudora Welty's work in a southern literature course, she realized the importance of writing from one's experience. Like other members of her generation of southern writers, Smith creates a full, complex world of characters who confirm some stereotypes and transcend others. Her novels include The Last Day the Dogbushes Bloomed (1968), The Last Day the Dogbushes Bloomed— Something in the Wind (1971), Fancy Strut (1973), Black Mountain Breakdown (1980), Family Linen (1985), Fair and Tender Ladies (1988), Saving Grace (1995), and On Agate Hill (2006).


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