Delineating Ecosophy as a Counter Discourse in Barbara Kingsolver’s Flight Behaviour

Flight Behaviour by Barbara Kingsolver is a clarion call aimed at exposing the impending future that awaits humanity in the form of grievous climactic changes and its impact on the delicate ecosystem of the earth. The characters presented who maintain varying perspectives regarding ecological concerns may be seen as representing differing ideologies that persist in the society with respect to the same. The paper is an attempt to trace the dominant as well as alternate voices that pervade discussions on an apocalyptic future due to human actions that are ruthless and highly exploitative of ecological resources. The mystical encounter with nature that the protagonist undergoes will be examined to understand the significance of an ecological philosophy or “ecosophy.” The paper would also seek to discern a transition from anthropocentrism to ecocentrism and also the disruption of nature/culture binaries established by an anthropocentric worldview depicted in the text.

The Saving Grace of America’s Green Jeremiad

By the late seventeenth century, Puritan leaders in colonial America were bemoaning what they perceived to be the betrayal of New England’s godly “errand into the wilderness.” In election sermons they mourned the community’s backsliding from its global mission as a “city upon a hill.” Such doomsday rhetoric echoed the lamentations of decline intoned by ancient Hebrew prophets such as Jeremiah. Yet this “Jeremiad” discourse characteristically reached beyond effusions of doom and gloom toward prospects of renewal through a conversion of heart. It blended warnings of impending catastrophe with hope for recovery if the erring souls it addressed chose to repent. This twofold identity of the Puritan Jeremiad, gradually refashioned into the American Jeremiad, has long resonated within and beyond this nation’s literary culture. Featured in creative nonfiction, jeremiad expression surfaces in various forms. And with rise of the modern environmental movement, a prophetic subspecies identifiable as “Green Jeremiad” has lately emerged. The essay reflects on how, especially in an Anthropocene era, Green Jeremiads dramatize the crisis of spirit and faith that undergird challenges to earth’s geophysical health and survival. What saving graces might temper the chilling reminders of imminent peril composed by authors such as Rachel Carson, Bill McKibben, Barbara Kingsolver, and Elizabeth Kolbert?

Barbara Kingsolver

Barbara Kingsolver grew up in Carlisle, Kentucky, on the border between the Bluegrass and the mountains. She earned her undergraduate degree in biology at DePauw University in Indiana before settling in Arizona, where she lived for two decades and earned an MA in ecology and evolutionary biology at the University of Arizona. Kingsolver’s writing and life are inextricably linked. Her work has typically focused on the various landscapes where she has lived: the Southwest (...

Championing Ecology in Barbara Kingsolver's Animal Dreams

Destruction and depletion of nature is prevalent widely in the world today mainly owing to the consumer attitude of the populance. This paper aims to focus on Barbara Kingsolver’s famous novel Animal Dreams in championing the need for safe guarding the environment and it’s ecology. In the novel, Barbara Kingsolver portrays a very important town in history: and speaks about it’s fight against a dominant political bureaucratic corporation, to save the town from polluting it due to the act of mining. And the effect of dead tailings of the mine that are piled up which will bring calamity on the people of Grace and affect the natural resources such as the trees. Imploring this cause the novelist advocates the disastrous unhealthy outcomes of mining and the intensity of the problem. Her message to the readers is to prevent this folly and catastrophe of killing the earth only for the profit of some people. The ill-effects of industrialization which is paralysing the nation by it’s roots is spoken by the author. Barbara Kingsolver wants the people to be Eco-conscious and work for the welfare of the people and the earth.

Barbara Kingsolver: Evaluating Her Contribution to the Eco-Feminist Novel

Climate change, together with terrorism, economic depressions, and mass-destructive weaponry, is a source of international phobia for many people. The advancement in technology increases the competition among world powers and economic systems to develop their industrial enterprises. The smoke that emits from the factories, the pollution caused by the industrial projects, the excessive use of green gas result in the increase of global warming and have catastrophic effects on the ecosphere of the planet. Besides, man’s wrong practices even in agricultural matters are exhausting the natural resources of the lands, and they badly affect the ecological diversity and the wellbeing of the humans and non-humans alike. Contemporary feminist writers treat this international crisis as a priority and start to devote their writings to address ecological issues. These eco-feminists believe that their suffering from patriarchal oppression is not different from man’s exploitation of nature. Through their ecological activism, they endeavor to protect the environment and the planet from the selfish practices of the industrial companies. Barbra Kingsolver is one of the early pioneers of this emerging fictional subgenre. As previous studies of her works focus on individual novels, this study is an evaluation of her contribution to eco-feminist fiction in three major works: Animals Dream, Prodigal Summer, and Flight Behavior.

“A Whitegirl Helped Me”: Locating Poor Whites in Literature

This chapter interrogates the definitions of Grit Lit and Rough South and moves away from both categories to consider, via Raymond Williams and David Harvey, amongst others, the structures of feeling that emerge in contemporary southern literature to reveal the wider shift to liquidity in the form of financial capital and its socio-economic ramifications on poor whites. The chapter focuses on works by Toni Morrison, John Biguenet, Colson Whitehead, Barbara Kingsolver, and Tim McLaurin, and explores the ways these writers represent the impact of various political, economic and environmental changes and disasters including Reaganomics, Hurricane Katrina, and the 2008 financial crisis. It considers communalism and the alternatives that appear in these literary works for measuring time and worth beyond monetary values.

Poverty Politics

Representations of southern poor whites have long shifted between romanticization and demonization. At worst, poor southern whites are aligned with racism, bigotry, and right-wing extremism, and at best, regarded as the passive victims of wider, socio-economic policies. Poverty Politics: Poor Whites in Contemporary Southern Writing pushes beyond these stereotypes and explores the impact of neoliberalism and welfare reform on depictions of poverty. The book examines representations of southern poor whites across various types of literature, including travel-writing, photo-narratives, life-writing, and eco-literature, and reveals a common interest in communitarianism that crosses the boundaries of the US South and regionalism, moving past ideas about the culture of poverty to examine the economics of poverty. Included are critical examinations of the writings of southern writers such as Dorothy Allison, Rick Bragg, Barbara Kingsolver, Tim McLaurin, Toni Morrison, and Ann Pancake. Poverty Politics: Poor Whites in Contemporary Southern Writing includes critical engagement with identity politics as well as reflecting on issues including Hurricane Katrina, the 2008 financial crisis, and mountaintop removal. It interrogates the presumed opposition between the Global North and the Global South and engages with micro-regions through case studies on Appalachian photo-narratives and eco-literature. Importantly, it focuses not merely on representations of southern poor whites, but also on writing that calls for alternative ways of re-conceptualizing not just the poor, but societal measures of time, value, and worth.

Measured Chaos: EcoPoet(h)ics of the Wild in Barbara Kingsolver’s Prodigal Summer // Caos medido: EcoPoética de lo salvaje en Prodigal Summer de Barbara Kingsolver

Ecopoetics forms a human expression of the naturecultures that sustain us, enfolding us within an earth that is much more than a mere environment. In consequence, the ecopoet serves as a mediator between the multitudinous voices and lifeforms that take part in the song of the world. Weaving its way into the matter and texts of the world, human language—I argue in the wake of new materialism—provides the measure of and seeks inspiration in the apparent randomness and underlying design motivating the evolution of complex systems in the universe. I interweave approaches originating in Anglophone ecocriticism and ecophilosophy with ecopoetics—as Jonathan Bate and Scott Knickerbocker have defined it—with its close attention paid to the complex, interlaced fabric of the text. Barbara Kingsolver’s ecopoet(h)ics draws from chaos theory, inviting readers to shift interpretative paradigms, moving away from linear, binary grids of logic and reading, toward integrating complex, overlapping systems of meaning. Focusing on Kingsolver’s novel Prodigal Summer (2000), this paper argues that, as Snyder once put it, art is not so much “an imposition of order on chaotic nature, freedom, and chaos;” rather it is “a matter of discovering the grain of things, of uncovering the measured chaos that structures the natural world,” of revealing “the way [wild] phenomena actualize themselves,” including within a wild ecopoetic language. Resumen La ecopoética constituye una expresión humana de las naturaculturas que nos dan sustento y nos sitúan en relación a una tierra entendida como algo más que un simple medio ambiente. En consecuencia, el ecopoeta funciona como un mediador entre las numerosas voces y formas de vida que configuran la canción del mundo. Abriéndose camino a través de la materia y los textos, sostengo que el lenguaje humano, visto a partir de los nuevos materialismos, proporciona la medida de y busca inspiración en la aparente aleatoriedad y el diseño subyacente que motiva la evolución de los sistemas complejos del universo. Aquí combino diferentes enfoques originados en la ecocrítica y la ecofilosofía anglófona con el concepto de ecopoética (siguiendo la definición de Jonathan Bate y Scott Knickerbocker) prestando particular atención al complejo entramado del texto. La ecopoética de Barbara Kingsolver se basa en la teoría del caos e invita a los lectores a cambiar paradigmas interpretativos, alejándose de las lógicas de lectura lineales y binarias, para integrarse dentro de complejos sistemas de significado. Centrándose en la novela Prodigal Summer (2000) de Kingsolver, este artículo plantea que, como ha señalado Snyder, el arte reside no tanto en "una imposición de un orden en la naturaleza caótica, la libertad y el caos, "sino que representa más bien "una cuestión de descubrir el grano de las cosas, de revelar el caos medido que estructura el mundo natural", mostrando "la forma en que los fenómenos [naturales] se actualizan a sí mismos", a partir de la inclusión de un lenguaje ecopoético salvaje.