The Cambridge Companion to Prose

2021 ◽  

This Companion provides an introduction to the craft of prose. It considers the technical aspects of style that contribute to the art of prose, examining the constituent parts of prose through a widening lens, from the smallest details of punctuation and wording to style more broadly conceived. The book is concerned not only with prose fiction but with creative non-fiction, a growing area of interest for readers and aspiring writers. Written by internationally-renowned critics, novelists and biographers, the essays provide readers and writers with ways of understanding the workings of prose. They are exemplary of good critical practice, pleasurable reading for their own sake, and both informative and inspirational for practising writers. The Cambridge Companion to Prose will serve as a key resource for students of English literature and of creative writing.

2012 ◽  
Vol 6 (1) ◽  
pp. 261-272
Author(s):  
Carol Lipszyc

In this arts-based inquiry, I examine how a student model creative non-fiction essay develops students in a third-year creative writing workshop as critical readers, editors, and writers. Over the course of two semesters, student writers reciprocally acquire strategic knowledge and enhance their creativity. Plural voices emerge in the dialogue between the model student/writer, her peers, and my curriculum as evidenced in the narrative excerpts composed and revised by the student; in her peers’ critical feedback; and in students’ reflections. Exploring this collaboration, I envision affording more opportunity for student model writers to share their evolving knowledge in both traditional and online classrooms.


Author(s):  
Brandy Liên Worrall-Soriano

Dialogically fixed to the previous chapter, “On Asian/American Memory, Illness, and Passing” engages the personal as a means of reflecting upon the political. In particular, Worrall-Soriano—whose recently published cancer memoir, What Doesn’t Kill Us (2014) has received much critical acclaim—reflects upon how the field of Asian American studies, notwithstanding its preoccupations with state-authorized conflict and trauma, has historically failed to deal with widespread stigmatizations involving illness. Worrall-Soriano maps these omissions via a creative non-fiction exploration of her familial past; such forays, which assume the form of intergenerational palimpsest, bring to light the degree to which Asian American studies remains—in the face of teleology and despite critical movement—a post-traumatic stressed engagement.


Author(s):  
Krystn Orr ◽  
Brett Smith ◽  
Kelly P. Arbour-Nicitopoulos ◽  
F. Virginia Wright

2015 ◽  
Vol 21 (2) ◽  
Author(s):  
Gabrielle Lorraine Fletcher

This piece mobilises both creative non-fiction and ficto-criticism to expose the necessary terrains of narrativity as a Country of the Lived,  making visible the redactive cartography of the PhD in telling Indigenous selfhood, and mobilising an argument for authentic encounter under the comfortable maps of form.


New Writing ◽  
2009 ◽  
Vol 6 (3) ◽  
pp. 187-195
Author(s):  
Andrew Green

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