Transnational Politics in Friedrich Dürrentmatt's Der Auftrag and Wolfgang Herrndorf's Sand

Author(s):  
Tanja Nusser

This comprehensive study brings together leading international scholars in a variety of disciplines to both revisit the Spaghetti Western genre's cultural significance and consider its ongoing influence on international film industries. The book provides a range of innovative perspectives on this discrete and perennially popular topic. The book consists of four sections: Trans-Genre Roots; Ethnic Identities, Transnational Politics; Asian Crossovers; and Routes of Relocation, Transition, and Appropriation. Its rigorous historical, cultural, and political enquiry engages with current scholarly trends and balances specialized contextual knowledge with recognition of the instability of national/local identities. The book provides fresh interrogations of the myriad ways in which the Spaghetti Western has influenced contemporary filmmaking practice across national industries.


Author(s):  
Anthony Shay ◽  
Barbara Sellers-Young

Ethnic groups have been defined as people who share a common ethos based on ancestry, nation, language and other identity markers. This volume brings scholars from across the globe that have incorporated perspectives from critical and cultural studies in an investigation of what it means to define oneself in an ethnic category and how this category is performed and represented as an ethnicity. The essays in this volume engage the four themes of identity construction, local and transnational politics, appropriation and related exotification, and resistance that are part of the ongoing discourse in the relationship between dance and ethnicity. Cumulatively, the essays in their research approach and methodology document the change that has taken place in dance studies from the ethnic as an easily identified category based on biology and geography to ethnicity as a fluid concept and dance as an active contributor to the creation and negotiation of it.


2018 ◽  
Vol 52 (1) ◽  
pp. 66-73
Author(s):  
Madeline C. Zilfi

AbstractOutside the disciplines of communication and cultural studies, scholarly interest in television programming, especially scripted entertainment, has been overshadowed by attention to digital media, reality TV, and smart phone connectivity. A 2017 University of Maryland conference offered a reconsideration of popular Middle East-produced television dramas and their surprising impacts on national and transnational politics and culture. As conference papers showed, social and historical themes resonated in unexpected ways inside and outside national borders, with state authorities responding, not just with the usual censoring, but with investment in social and historical dramas of their own.


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