An analysis of food and beverage advertising on bus shelters in a deprived area of Northern England

Objective: To quantify the extent of food and beverage advertising on bus shelters in a deprived area of the UK, to identify the healthfulness of advertised products, and any differences by level of deprivation. The study also sought to assess the creative strategies used and extent of appeal to young people. Design: Images of bus shelter advertisements were collected via in person photography (in 2019) and Google Street View (photos recorded in 2018). Food and beverage advertisements were grouped into one of seventeen food categories and classified as healthy/less healthy using the UK Nutrient Profile Model. The deprivation level of the advertisement location was identified using the UK Index of Multiple Deprivation. Setting: Middlesbrough and Redcar and Cleveland in South Teesside. Participants: N/A Results: 832 advertisements were identified, almost half (48.9%) of which were for foods or beverages. Of food and non-alcoholic beverage adverts, 35.1% were less healthy. Most food advertisements (98.9%) used at least one of the persuasive creative strategies. Food advertisements were found to be of appeal to children under 18 years (71.9%). No differences in healthiness of advertised foods were found by level of deprivation. Conclusions: Food advertising is extensive on bus shelters in parts of the UK, and a substantial proportion of this advertising is classified as less healthy and would not be permitted to be advertised around television programming for children. Bus shelter advertising should be considered part of the UK policy deliberations around restricting less healthy food marketing exposure.

Developing Synergistic Relationships between Age-Friendly Universities and Age-Friendly Communities

The Age-Friendly University (AFU) initiative was designed to support the Global Network for Age-Friendly Cities and Communities (WHO, 2018) and offers a range of opportunities for institutions of higher education to help communities adapt to their new age-diverse social structures as a result of shifting age demographics. In turn, age-friendly community partnerships are helping to fuel campus efforts to advance age-inclusivity through education, research, and community engagement. At present over 70 institutions have joined the AFU global network, as more campuses prepare to become age-friendly partners. In this collaborative symposium (Directors of Aging Centers and AFU Interest Groups), campus leaders will describe synergistic relationships between their age-friendly campus efforts and the age-friendly efforts of their neighboring communities. Montepare (Lasell University) will provide an overview of the AFU initiative and its set of 10 principles, and make the case that campuses and communities are necessary partners for creating and developing age-friendly efforts. Demonstrating this assertion, Pastor and Rogers (University of Illinois Urbana-Champaign) will describe linkages between their community and campus initiatives, including developing a Panel of Elders, television programming for older adults, and hosting joint events. Black and Andel (University of South Florida) will discuss the intersection between the AFU principles and the processes undertaken by age-friendly communities. Revell and Viveiros (University of Massachusetts Dartmouth) will show how campus collaborations with nearby communities are instrumental in sustaining age-friendly efforts, especially during a pandemic.

Exposure of 4-year to 24-year olds to tobacco imagery on prime-time Chilean television

IntroductionThe extent of the population’s exposure to tobacco imagery across all genres of regular TV programming and the contribution of each of these genres is unknown, except for UK broadcast channels. The objective of this study is to estimate the exposure of young people to tobacco imagery on Chilean prime-time television and the programme source contributing to such exposure.MethodsProgrammes aired during 3 weeks in 2019 from the 15 highest audience channels in Chile were content-analysed for the occurrence of tobacco categorised as actual use, implied use, tobacco paraphernalia, tobacco brand appearances and whether they violated Chilean smoke-free law for each 1 min interval (92 639). The exposure of young people to tobacco content was estimated using media viewership figures.ResultsYoung people received 29, 11 and 4 million tobacco impressions of any type, explicit use and smoke-free violation, respectively, at a rate of 21.8, 8.0 and 2.1 thousand impressions per hour of TV viewing. The main sources of exposure to tobacco impressions were feature films and animated productions, which were almost entirely non-Chilean. Finally, young people were exposed to tobacco brand impressions primarily through films, effectively circumventing the advertising ban in Chile.DiscussionTelevision programming is a source of significant youth exposure to tobacco imagery, including branding impressions. To conform to the WHO FCTC, Chile should prohibit tobacco branding in any TV programme and require strong anti-tobacco advertisements prior to any TV programme portraying tobacco.

Here Come My 600-Pound Quintuplets: A Discussion of Reality Television as a Freak Discourse

History is littered with tales of the absurd, odd, and unusual. From Gorgons and mermaids to bearded ladies and elephant men, people have, for centuries, been fascinated by those who deviate from physical and mental social norms. Such fascinations seemed to peak during the 19th century when showmen, like PT Barnum, bought and exhibited those deemed too different and macabre for “normal” society. However, as science and medicine progressed, and the protection of human rights became more important, freak shows and travelling sideshows dwindled (Nicholas & Chambers, 2016). Society’s fascination with the unusual though, did not. Despite increased political correctness and calls to end “fat shaming,” bullying and the like, reality television appears to encourage “a dehumanising process that actually lessens our regard for other people” (Sardar, 2000). While some writers have considered how reality television exploits stereotypes and links social norms to hegemonic whiteness (Cooke-Jackson & Hansen, 2008; Rennels, 2015), few have commented on the similarities between such programming and the stylings of the 19th century freak show. Utilising Thomson’s (1996) concept of freak discourse, and Bogdan’s (1996) assessment of freak narrative, this article examines how reality television programming as a genre, despite its varied plots, uses a narrative formula that can be likened to 19th century freak shows to enhance its storylines and “produce a human spectacle” (Thomson, 1996, p. 7).

Research and application of satellite communication networks as an alternative to modern communication systems

Research work has been devoted to show how satellite technology can meet a variety of human needs and the ultimate measure of its effectiveness. Communication satellites, whether in geostationary Earth orbit (GEO) or non GEO, provide an effective platform to relay radio signals between points on the ground. The users who employ these signals enjoy a broad spectrum of telecommunication services on the ground, at sea, and in the air. In recent years, such systems have become practical to the point where a typical household can have its own satellite dish. That dish can receive a broad range of television programming and provide broadband access to the Internet. Key words: satellite, antenna, Earth orbit (GEO), transponder, VHF, frequency modulation (FM)10.36719/2663-4619/68/78-83 Müslim Vahid oğlu Nasiyev Azərbaycan Texniki Universiteti magistrant [email protected] MÜASİR RABİTƏ SİSTEMLƏRİNƏ ALTERNATİV OLARAQ, PEYK RABİTƏ ŞƏBƏKƏLƏRİNİN ARAŞDIRILMASI VƏ TƏTBİQİ Açar sözlər: Peyk, antena, yer orbiti (GEO), transponder, VHF, tezlik modulyasiyası (FM) Research and application of satellite communication networks as an alternative to modern communication systems Summary Research work has been devoted to show how satellite technology can meet a variety of human needs and the ultimate measure of its effectiveness. Communication satellites, whether in geostationary Earth orbit (GEO) or non GEO, provide an effective platform to relay radio signals between points on the ground. The users who employ these signals enjoy a broad spectrum of telecommunication services on the ground, at sea, and in the air. In recent years, such systems have become practical to the point where a typical household can have its own satellite dish. That dish can receive a broad range of television programming and provide broadband access to the Internet. Key words: satellite, antenna, Earth orbit (GEO), transponder, VHF, frequency modulation (FM)

Travelling Sideways in Time (Without a Suitcase): The Aggregate Identity of Audrey Parker on Haven

A distinct strand has differentiated itself in television programming in the twenty-first century: television series that feature female protagonists travelling between parallel worlds. The worlds in most of these series are on the edge of destruction through terrorism, war or another traumatic event. The female protagonists, who share the special ability to travel between the worlds, have a unique role to play – they serve as mediators between the universes. Their inbetweenness enables their autonomy and resistance to violence, death, and appropriation. This role is played by Audrey Parker (Emily Rose) in the fantasy/supernatural drama Haven. Audrey’s task is to travel through an interdimensional portal to the town of Haven every twenty-seven years to help as a police officer to protect the inhabitants who are plagued by “the Troubles,” that is, supernatural abilities, which finally threaten them with imminent destruction. The uniqueness of Audrey resides not only in her special status as a traveller between the worlds but also in her identity, which consists of many segments in which different consciousnesses inhabit the same non-ageing body over five hundred years. The essay will analyse the unique temporality of the character, governed by female patterns of travel and her nomadic subjectivity, proposing that her figure links human lifetimes to geological aeons, symbolised by aether, the primary substance of the Void, located between the worlds. That link makes Haven a show of the Anthropocene, the geologic time period defined by humanity’s influence upon the earth. The Anthropocene challenges us to think beyond the usual temporality of a human lifespan, and so does Haven. The imminent destruction as a result of individual egotism leading to the misuse of aether in the show is a trope for the destruction of our planet. Haven uses the figure of Audrey Parker to represent a network of connections and repercussions dispersed over centuries to illustrate how our cumulative actions impact our planet. The show’s anti-linear strategies thus address the environmental concerns of an increasingly unstable environment to propose new ways through which to figure and address imminent threats concerning ecological disaster.

Practicing Atheism

Practicing Atheism is a cultural study of contemporary atheism, focusing on how atheists negotiate meanings and values through media. This book examines a variety of cultural products, both corporate driven and grassroots, that circulate messages about what atheism means—what ideas, values, affinities, and attitudes the term denotes. Through the creation, consumption, and exchange of this media, atheism gains positive content, the term signaling much more than lack of belief in god(s) for those who identify with the emergent culture. Primary source materials for this book include grassroots Internet communities, popular television programming, organized atheist events, and material culture representations of the movement, such as those found in atheist fan art. Practicing Atheism argues that atheist culture emerges from a unique tension with religion—a category atheists critique and resist but also, at times, imitate and approximate. Using a framework based on ritual studies, this book theorizes ambivalence, ambiguity, and “in-betweenness” as the essential condition of contemporary atheist culture.

The end(s) of analogue: access to CBC/Radio-Canada Television Programming in an era of digital delivery

This dissertation studies the political economy of public television access in Canada as manifest in the country’s 2011 digital television/télévision numérique transition. Specifically, this dissertation scrutinizes the provision of access to television programming offered by Canada’s national public broadcaster, the Canadian Broadcasting Corporation/Société Radio-Canada (CBC/Radio-Canada), and how CBC/Radio-Canada’s response to Canada’s 2011 digital television transition corresponds with its mandate under the Broadcasting Act to ensure that its programming is “made available throughout Canada by the most appropriate and efficient means and as resources become available for the purpose” (Canada, 1991). Drawing from research interviews conducted with disconnected analogue over-the-air (OTA) CBC/Radio-Canada television-viewing households and members of CBC/Radio-Canada Management involved with the public broadcaster’s response to Canada’s digital television transition deadline, this dissertation finds competing accounts of how public television delivery is linked to the provision of access to the public broadcaster’s television programming in the digital age. While interviewed members of CBC/Radio-Canada Management describe an inefficient analogue OTA public television delivery system that would be best superseded by more efficient modes of digital delivery, OTA CBC/Radio-Canada television-viewing households describe an analog OTA CBC/Radio-Canada television service that had been providing access to CBC/Radio Canada television programming and describe a digital disconnect following CBC/Radio Canada’s digital television transition. This dissertation questions the post-analogue public television delivery operations of CBC/Radio-Canada; mainly that public television delivery cost savings achieved as a result of CBC/Radio-Canada’s response to Canada’s digital television transition deadline have resulted in gaps in access to CBC/Radio-Canada television programming by some Canadian households as articulated through this dissertation’s Public Media Access Puzzle Sieve (Public M.A.P.S.) model. The Public M.A.P.S. model offers a means by which to both anticipate and assess levels of access to public media based on the model’s elements of access related to cost, availability, functionality, opportunities for à la carte service, and access to locally relevant feed(s). In the case of CBC/Radio-Canada, gaps in household access to the public broadcaster’s digital television programming as identified by the Public M.A.P.S. model help to underscore deficiencies in Canada’s post-analogue television system, the information communication technology (ICT) sector, and domestic spectrum management practices.