Shorelines in the Desert: Mapping Fish Trap Features along the Southwest Coast of Ancient Lake Cahuilla, California

2019 ◽  
Vol 7 (4) ◽  
pp. 325-336
Author(s):  
Anjali Phukan ◽  
Todd J. Braje ◽  
Thomas K. Rockwell ◽  
Isaac Ullah

ABSTRACTIn the desert of southeastern California, the geological and archaeological remnants of a once massive lake, Lake Cahuilla, are still visible. One of the most distinctive features marking Lake Cahuilla's relic shorelines is a series of rock fish trap features that, in some cases, stretch across thousands of square meters. These fish traps are severely understudied, and systematic archaeological survey can help scientists reconstruct the dynamic human-environmental history of the region. The large number of fish traps along with the rocky desert terrain, however, make traditional pedestrian archaeological surveys both difficult and inefficient. We used unmanned aerial vehicle (UAV) technology along with traditional archaeological methods to conduct surveys and identify patterning in the shapes, orientations, and frequencies of fish traps. Our study demonstrates the potential of emerging archaeological field technology to better understand the nature of human-environmental ecodynamics through time and space.

1945 ◽  
Vol 10 (3) ◽  
pp. 285-294 ◽  
Author(s):  
Adan E. Treganza

A group of small stone enclosures, supposed by some to be of natural origin and by others to be the works of man, lies on a rocky travertine-encrtfsted talus slope at the base of the Santa Rosa Mountains on the west side of the Coachella Valley in Riverside County, California. These phenomena are known locally as the "Ancient Fish Traps." They occupy a series of rocky terraces some 90 feet below the maximum high-water shore line of Ancient Lake Cahuilla (called by some Blake Sea), whose basin is now partly occupied by the Salton Sea. The “traps” consist of 85 to 100 bowl-like depressions composed of a travertine-encrusted granite talus debris. They are arranged in three rows, each of which follows the exact contour of one of the old recessional terraces of the lake (Pl. XIX).


Author(s):  
Benjamin E. Reynolds

The central place of revelation in the Gospel of John and the Gospel’s revelatory telling of the life of Jesus are distinctive features of John when compared with the Synoptic Gospels; yet, when John is compared among the apocalypses, these same features indicate John’s striking affinity with the genre of apocalypse. By paying attention to modern genre theory and making an extensive comparison with the standard definition of “apocalypse,” the Gospel of John reflects similarities with Jewish apocalypses in form, content, and function. Even though the Gospel of John reflects similarities with the genre of apocalypse, John is not an apocalypse, but in genre theory terms, John may be described as a gospel in kind and an apocalypse in mode. John’s narrative of Jesus’s life has been qualified and shaped by the genre of apocalypse, such that it may be called an “apocalyptic” gospel. Understanding the Fourth Gospel as “apocalyptic” Gospel provides an explanation for John’s appeal to Israel’s Scriptures and Mosaic authority. Possible historical reasons for the revelatory narration of Jesus’s life in the Gospel of John may be explained by the Gospel’s relationship with the book of Revelation and the history of reception concerning their writing. An examination of Byzantine iconographic traditions highlights how reception history may offer a possible explanation for reading John as “apocalyptic” Gospel.


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