scholarly journals Spaces for Creativity in Mediterranean Archaeological Heritage Management

2020 ◽  
Vol 8 (3) ◽  
pp. 275-287 ◽  
Author(s):  
Jaime Almansa-Sánchez

AbstractPublic Archaeology in the Mediterranean Context (#pubarchMED) is a project that focuses on the management of archaeological heritage in the Mediterranean context from the perspective of public archaeology. Ranging from fully public models where preventive archaeology itself is a challenge to mixed models where the outsourcing of this work has been accomplished to a full extent, the variety of solutions is wide and with a common trend: struggle with mitigation and little space for creativity. This article will delve into the range of models that exist in the Mediterranean, exploring the way they approach, first of all, preventive/rescue archaeology, and then, the relationship between archaeology and society in the process. Building on the challenges of an underfunded scheme for an extremely archaeologically rich territory, different solutions have been set in practice—in some cases, under the auspices of competent administrations in the form of public policy—in the endeavor to include public archaeology in the practice, mostly encouraged by professionals as a personal or corporate initiative, and sometimes even consciously avoided. The discussion will offer some ideas for creative mitigation in the different scenarios, built on the comparative study and the broad possibilities to engage stakeholders positively in the process.

2021 ◽  
Author(s):  
Agnieszka Oniszczuk

Understanding the public by analysing the wants, interests and expectations regarding their involvement in archaeology is one of the strategic aims of Europae Archaeologiae Consilium (EAC). Cultural heritage has been the topic of several public opinion polls in Poland over the past few years. In 2011 and 2015, the Narodowy Instytut Dziedzictwa (National Institute of Cultural Heritage) carried out two representative surveys. Subsequent polls focusing on more specific issues or groups of respondents were undertaken in 2015, 2017 and 2018. Other data from Poland come from the 2017 Special Eurobarometer survey on cultural heritage. They can be contrasted with archaeology-orientated opinion polls: a Europe-wide survey carried out within the NEARCH project led by Inrap (French National Institute for Preventive Archaeological Research) and several smaller-scale projects, which might be treated as starting points for more representative research. The scope of these surveys includes: public perception of cultural heritage and archaeology, subjective value of cultural heritage, attitudes towards archaeology, relevance of archaeology for the present (also in terms of the socio-economic potential of archaeological heritage), people's interaction with archaeology and archaeological heritage, sources of information about archaeological heritage etc. Comparison of these data will serve to establish the relevance of surveys for archaeological heritage management. The author will also examine if the specific nature of archaeological heritage is reflected in the surveys and how the public feels about its most hidden heritage. Based on the results of her analysis, the author will look at the desired scope of a survey aimed at filling the identified gaps and shaped to fit the needs of evidence-based archaeological heritage management.


Antiquity ◽  
1999 ◽  
Vol 73 (281) ◽  
pp. 619-625 ◽  
Author(s):  
Hyung Il Pai

The origins of Korean archaeological heritage management can be traced to 1916, when Japan's Resident-general Government in Korea (Chōsen Sōtokufu: 1910-1945) promulgated the first comprehensive laws of historical preservation called the ‘Regulations for the Preservation of Korea's Remains and Relics’. They reflected a combination of late Meiji and early Taishō era laws tailored to the Korean peninsula such as Lost and Stolen Antiquities (1909); Temples and Shrines Protection Laws (1911); the Preservation of Stone and Metal Inscriptions (1916); and most significantly, the establishment of an administrative apparatus, the Committee on the Investigation of Korean Antiquities (1916). The Chōsen Sōtokufu Museum laws governing art exhibitions and display were compiled from Imperial Museum laws (Tokyo National Museum 1976) dating from 1890-1907 (Chōsen Sōkufu 1924: 215-30).


2021 ◽  
Author(s):  
Will Rathouse

This book examines a tense time in archaeological heritage management. Contemporary Pagan groups were actively contesting ancient sites and campaigning for human corporeal remains to be reburied. This book draws on ethnographic field research conducted by the author between 2008 and 2013 to analyse the contestation from both Pagan and heritage management perspectives.


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