Civil Society as Democratic Practice: North American Cities during the Nineteenth Century

2000 ◽  
pp. 221-246
Author(s):  
Mary P. Ryan
Keyword(s):  
Nineteenth Century ◽  
Civil Society ◽  
North American ◽  
Democratic Practice ◽  
American Cities

scholarly journals Warehouses and Warehouse Districts in Mid-American Cities

2013 ◽  
Vol 11 (1) ◽  
pp. 17-26 ◽  
Author(s):  
Leonard K. Eaton
Keyword(s):  
Nineteenth Century ◽  
North American ◽  
Late Nineteenth Century ◽  
American City ◽  
North American City ◽  
The North ◽  
Building Process ◽  
Late Nineteenth ◽  
American Cities ◽  
Railroad Station

In the late nineteenth century, the construction of warehouse districts became an important part of the building process in the North American city. These warehouse districts were the centres of activity for the wholesalers who were the key agents for the expansion of mercantile capitalism. The warehouses themselves were often structures of unusual architectural distinction. With the railroad station, the warehouse was ordinarily the true civic monument of the North American city. This article studies the process by which the wholesale district was formed.

‘The worst loups-garous that one can meet’: Reading the Werewolf in the Canadian ‘Wilderness’

2020 ◽  
Vol 22 (1) ◽  
pp. 64-80
Author(s):  
Kaja Franck
Keyword(s):  
Nineteenth Century ◽  
North American ◽  
Native Canadian

Ginger Snaps (2000) has been recognised as a significant example of feminist horror. This article analyses the final film in the trilogy, Ginger Snaps Back: The Beginning (2004). On first appearance, Ginger Snaps Back reacts to the ending of the first film, in which Brigitte kills her lupine sister Ginger. Set in the nineteenth century, the film draws on Canadian Gothic tropes with the two sisters trapped in an isolated fort, surrounded by frozen forest. In doing so, it echoes another Canadian werewolf narrative, Henry Beaugrand's ‘The Werwolves' (1898). Beaugrand's story opens with a group of settler-colonisers spending the Christmas period in Fort Richelieu, Quebec. This location evokes North American fears, and the representation of the wooded wilderness as full of wild beasts and wild men. Beaugrand collapses the ‘wild beasts’ and ‘wild men’ into one hybrid monster. By comparing the depiction of werewolves in Ginger Snaps Back and Beaugrand's story, this article uncovers the implications of ignoring and appropriating Native Canadian folklore.

The Blue Flower and the Account Book

2016 ◽  
Vol 85 (1) ◽  
pp. 1-22
Author(s):  
Anne F. Hyde
Keyword(s):  
Nineteenth Century ◽  
North American ◽  
American West ◽  
Fur Trade ◽  
Blue Flower ◽  
Racial Category ◽  
North American West ◽  
Mixed Blood ◽  
Anglo American

This essay, a revised version of the August 2015 talk, examines the story of two mixed-blood women, indigenous and Anglo American, who lived in the fur trade North American West. The essay examines a racial category, mixed blood or “half-breed” and considers the challenges for people who lived in and used that category in the nineteenth century. The essay illuminates the challenges of using different kinds of personal records to understand how these nineteenth-century women might have thought about identity, a word they never would have used.

Hymnody and Liturgy

2019 ◽  
pp. 491-506
Author(s):  
Jonathan Hehn
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
North American ◽  
John Calvin ◽  
Church Of Scotland ◽  
Metrical Psalmody ◽  
History Of ◽  
The Church

This chapter outlines the history of Presbyterian worship practice from the sixteenth century to the present, with a focus on North American Presbyterians. Tracing both their hymnody and their liturgy ultimately to John Calvin, Presbyterian communions have a distinct heritage of worship inherited from the Church of Scotland via seventeenth-century Puritans. Long marked by metrical psalmody and guided by the Westminster Directory, Presbyterian worship underwent substantial changes in the nineteenth century. Evangelical and liturgical movements led Presbyterians away from a Puritan visual aesthetic, into the use of nonscriptural hymnody, and toward a recovery of liturgical books. Mainline North American and Scottish Presbyterians solidified these trends in the twentieth and twenty-first centuries; however, conservative North American denominations and some other denominations globally continue to rely heavily on the use of a worship directory and metrical psalmody.

István Széchenyi, the casino movement, and Hungarian nationalism, 1827–1848

2014 ◽  
Vol 42 (3) ◽  
pp. 508-525 ◽  
Author(s):  
Alexander Maxwell ◽  
Alexander Campbell
Keyword(s):  
Nineteenth Century ◽  
Civil Society ◽  
Stock Exchange ◽  
Ethnically Diverse ◽  
Diverse Population ◽  
Public Forum ◽  
1848 Revolution

The establishment of theNemzeti Casino(National Casino) in Pest helped establish civil society in nineteenth-century Hungary. Count István Széchenyi, hoping to modernize Hungary on the English model, established the casino in 1827 as a public forum for the Hungarian nobility. By transcending caste divisions between nobles and bourgeois elites, Széchenyi's casino served as an unofficial parliament and stock exchange, and generally helped cultivate Hungarian patriotism. The Pest Casino inspired a nation-wide trend for casinos, which in turn formed a civil society in opposition to Habsburg absolutism. Yet when the casino movement spread to Hungary's minority nationalities, Jews, Slovaks, Romanians, and particularly Croats, the casino also contributed to national divisions in Hungary's ethnically diverse population that affected the course of the 1848 Revolution.

Sign in / Sign up

Export Citation Format

Share Document