Hymnody and Liturgy

2019 ◽  
pp. 491-506
Author(s):  
Jonathan Hehn
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
North American ◽  
John Calvin ◽  
Church Of Scotland ◽  
Metrical Psalmody ◽  
History Of ◽  
The Church

This chapter outlines the history of Presbyterian worship practice from the sixteenth century to the present, with a focus on North American Presbyterians. Tracing both their hymnody and their liturgy ultimately to John Calvin, Presbyterian communions have a distinct heritage of worship inherited from the Church of Scotland via seventeenth-century Puritans. Long marked by metrical psalmody and guided by the Westminster Directory, Presbyterian worship underwent substantial changes in the nineteenth century. Evangelical and liturgical movements led Presbyterians away from a Puritan visual aesthetic, into the use of nonscriptural hymnody, and toward a recovery of liturgical books. Mainline North American and Scottish Presbyterians solidified these trends in the twentieth and twenty-first centuries; however, conservative North American denominations and some other denominations globally continue to rely heavily on the use of a worship directory and metrical psalmody.

The History of Scottish Theology, Volume II

2019 ◽  
Keyword(s):  
Nineteenth Century ◽  
Scottish Enlightenment ◽  
Women's Poetry ◽  
Scottish Literature ◽  
Civic Architecture ◽  
Church Of Scotland ◽  
Liturgical Reform ◽  
The Usa ◽  
History Of ◽  
The Church

This second volume in The History of Scottish Theology comprises 29 essays ranging from the early Enlightenment to the end of the ‘long nineteenth century’. Attention is devoted to key doctrinal and apologetic themes relating to the inheritance of Reformed orthodoxy and the appearance of deism, as well as to newer challenges and revisionist approaches that later emerged. The extent to which the mid eighteenth-century scholars of the Church of Scotland were committed to the movement that later became known as ‘the Scottish Enlightenment’ is discussed by several contributors who explore the importance of Moderate and Evangelical trends. The influence of nineteenth-century continental developments, including kenotic Christology, idealism, and biblical criticism, is also registered, alongside exploration of the issues raised by religious scepticism, slavery, and the natural sciences. Several essays are devoted to describing the wider dissemination and refraction of theological ideas in Gaelic women’s poetry, Scottish literature, liturgical reform, preaching, hymn writing, and civic architecture. The international influence of Scottish theology is also described, both through the work of important thinkers who migrated to the USA and in the establishment of Scots colleges in Europe.

The study of the catholic tradition of the Kirk: Scoto-Catholics and the worship of the reformers

1997 ◽  
Vol 33 ◽  
pp. 517-527
Author(s):  
Douglas M. Murray
Keyword(s):  
Nineteenth Century ◽  
Late Nineteenth Century ◽  
Church Of Scotland ◽  
Ecclesiastical History ◽  
History Of ◽  
Late Nineteenth ◽  
Apostolic Succession ◽  
Classic Form ◽  
Catholic Tradition ◽  
The Church

James Cooper, Professor of Ecclesiastical History at Glasgow University and a prominent High Churchman, once remarked that one of the main reasons for the Catholic revival in the Church of Scotland in the late nineteenth century was the renewed study of the history of the Scottish Church. The Catholic revival, or Scoto-Catholic movement, found expression in the formation of the Scottish Church Society in 1892. The High Churchmen who formed the Society considered that a Catholic position was no novelty in the Kirk. According to Henry J. Wotherspoon, one of the leading theologians of the movement, the Presbyterian was from the first ‘the High Catholic of Puritanism’, and it followed that the material for a catholic revival lay at hand in the traditions of the Church. In its classic form and confessional position, he said, Presbyterianism discerned the Kingship of Christ; it asserted the Church as a Divine imperium, ‘visible, universal, and divinely ordered’, independent and autonomous; it maintained Episcopate, none the less that it was Episcopate put into commission; it asserted for the Presbyterate Apostolic Succession; it held a very distinct sacramental system, cumbered only by the endeavour to combine it with a doctrine of election; it exercised a vigorous discipline; it adhered to the oecumenical creeds in every term of their definitions and on that ground claimed to be acknowledged as Catholic.

Representing and Misrepresenting the History of Puritanism in Eighteenth-Century England

2013 ◽  
Vol 49 ◽  
pp. 205-218
Author(s):  
Robert G. Ingram
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
Civil Wars ◽  
Church And State ◽  
Foreseeable Future ◽  
History Of ◽  
The Church ◽  
Church Government

An Englishman living during the mid-eighteenth century would have known that his country had been, at least since the late sixteenth century, a decidedly and, for the long-foreseeable future, an unalterably Protestant nation. But what sort of Protestant nation? One that needed a legally estabhshed church? And, if so, what sort of church should that church as established by law be? Did it, for instance, necessarily require a certain kind of church government? In its relation to the English state, did the church need to be the senior, equal or junior partner? And what rights, if any, should those not conforming to the estabhshed church have? These were vexing questions, and the mid-seventeenth-century civil wars had mostly been an intra-Protestant fight over them. Yet neither those internecine religio-political wars nor the subsequent political revolution of the late seventeenth century had resolved definitively any of the fundamental questions about church and state raised originally by the sixteenth-century religious Reformations. Those who had lived through the Sacheverell crisis, the Bangorian controversy or the fiercely anti-clerical 1730s recognized this all too well: historians, alas, have not.

scholarly journals The iconostasis in Decani: the original painted programme and subsequent changes

Zograf ◽  
2012 ◽  
pp. 115-129
Author(s):  
Branislav Todic
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Fourteenth Century ◽  
Wall Painting ◽  
John The Baptist ◽  
History Of ◽  
The Cross ◽  
The Church ◽  
Eighth Decade

The history of the iconostasis in the central nave of the church in Decani can be divided into two periods. The icons of Christ, the Mother of God, John the Baptist and St. Nicholas on the original altar screen, painted around 1343, were related to the relics of King Stefan Decanski and with the wall painting in the church space in front of the altar. The removal of those icons at the end of the sixteenth century and their replacement with new ones explains the strengthening cult of St. Stefan Decanski. In 1577 an icon of St. Stephen was placed over the king?s portrait depicted in the fourteenth century fresco painting, and by 1593/1594, the new despotic icons of Christ and the Virgin were painted for the iconostasis, then an expanded Deesis that was placed above them, with a large cross fixed on the top. The central icons were painted by the painter Longin, and the cross is attributed to Andreja, a painter known for his frescoes from the seventh and eighth decade of the seventeenth century.

The Church of Ireland: a critical bibliography, 1536–1992 Part II: 1603–41

1993 ◽  
Vol 28 (112) ◽  
pp. 352-358
Author(s):  
Alan Ford
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Roman Catholic ◽  
Protestant Church ◽  
Church Of Ireland ◽  
History Of ◽  
The Creation ◽  
The Church ◽  
The Way

There is a marked difference between the history of the Church of Ireland in the sixteenth century and in the early seventeenth century. The historian of the early Reformation in Ireland has to deal with shifting religious divides and, in the Church of Ireland, with a complex and ambiguous religious entity, established but not necessarily Protestant, culturally unsure, politically weak, and theologically unselfconscious. By contrast, the first part of the seventeenth century is marked by the creation of a distinct Protestant church, clearly distinguished in structural, racial, theological and political terms from its Roman Catholic counterpart. The history of the Church of Ireland in the first four decades of the seventeenth century is therefore primarily about the creation of this church and the way in which its new structures and exclusive identity were shaped.

Scottish Missionaries, ‘Protestant Hinduism’ and the Scottish Sense of Empire in Nineteenth- and Early Twentieth-century India

2007 ◽  
Vol 86 (2) ◽  
pp. 278-313 ◽  
Author(s):  
Philip Constable
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
Western India ◽  
Early Nineteenth Century ◽  
Church Of Scotland ◽  
Free Church ◽  
Intellectual Engagement ◽  
Late Nineteenth ◽  
The Church

This article examines the Scottish missionary contribution to a Scottish sense of empire in India in the nineteenth and early twentieth centuries. Initially, the article reviews general historiographical interpretations which have in recent years been developed to explain the Scottish relationship with British imperial development in India. Subsequently the article analyses in detail the religious contributions of Scottish Presbyterian missionaries of the Church of Scotland and the Free Church Missions to a Scottish sense of empire with a focus on their interaction with Hindu socioreligious thought in nineteenth-century western India. Previous missionary historiography has tended to focus substantially on the emergence of Scottish evangelical missionary activity in India in the early nineteenth century and most notably on Alexander Duff (1806–78). Relatively little has been written on Scottish Presbyterian missions in India in the later nineteenth century, and even less on the significance of their missionary thought to a Scottish sense of Indian empire. Through an analysis of Scottish Presbyterian missionary critiques in both vernacular Marathi and English, this article outlines the orientalist engagement of Scottish Presbyterian missionary thought with late nineteenth-century popular Hinduism. In conclusion this article demonstrates how this intellectual engagement contributed to and helped define a Scottish missionary sense of empire in India.

The Book of Common Prayer: A Guide

2020 ◽  
Author(s):  
Charles Hefling
Keyword(s):  
Sixteenth Century ◽  
Church Of England ◽  
The United States ◽  
History Of The Book ◽  
Book Of Common Prayer ◽  
Prayer Book ◽  
Corporate Worship ◽  
History Of ◽  
Common Prayer ◽  
The Church

This book surveys the contents and the history of the Book of Common Prayer, a sacred text which has been a foundational document of the Church of England and the other churches in the worldwide community of Anglican Christianity. The Prayer Book is primarily a liturgical text—a set of scripts for enacting events of corporate worship. As such it is at once a standard of theological doctrine and an expression of spirituality. The first part of this survey begins with an examination of one Prayer Book liturgy, known as Divine Service, in some detail. Also discussed are the rites for weddings, ordinations, and funerals and for the sacraments of Baptism and Communion. The second part considers the original version of the Book of Common Prayer in the context of the sixteenth-century Reformation, then as revised and built into the Elizabethan settlement of religion in England. Later chapters discuss the reception, revision, rejection, and restoration of the Prayer Book during its first hundred years. The establishment of the text in its classical form in 1662 was followed by a “golden age” in the eighteenth century, which included the emergence of a modified version in the United States. The narrative concludes with a chapter on the displacement of the Book of Common Prayer as a norm of Anglican identity. Two specialized chapters concentrate on the Prayer Book as a visible artifact and as a text set to music.

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