scholarly journals I Introduction: Surveying the Scene

2009 ◽  
Vol 39 ◽  
pp. 1-15
Author(s):  
Diana Spencer

What is landscape? Was there a concept of landscape in ancient Rome? Analysing the cityscape is now an established trend in the study of Rome and, since the 1990s, scholarship has explored the idea that thinking about the topography of the city of Rome encourages a more wide-ranging exploration of what being Roman was all about. Taking a broader approach, this Survey tackles the semiotics of a set of described, depicted, and three-dimensional landscapes where the emphasis is on a collaboration between nature and humankind. The timeframe is the late Roman Republic and early Principate, an era of change and reconstitution, when defining what being Roman meant was high on many agendas. This is also an era that offers the best possible scope for exploring a fascinating and diverse range of emblematic natural and manmade environments, taking in some of the most famous (but also some more unexpected) scenes in Roman literature, art, and architecture, closing with Hadrian's out-of-town landscaped villa near Tibur.

Classics ◽  
2009 ◽  
Author(s):  
David Konstan ◽  
Marilyn B. Skinner

Catullus, a master of lyric poetry, epigram, and other forms during the late Roman Republic, was born in Verona in 87 bce, according to Jerome’s Chronicle, which also reports that he died at the age of thirty. Since the latest datable references in his poems relate to 54 bce, most scholars assign Catullus’s birth to 84 (thus treating one of Jerome’s statements as true), but it is possible that he lived longer. At the time of Catullus’s birth, Verona had not yet been granted full Roman status; but Catullus’s family, which was prominent in the city, probably enjoyed Roman citizenship. Catullus moved to Rome as a young man (the precise year is unknown), and probably died there. From his poems, we know that he was very attached to an older brother who died in the Troad. His verses give evidence of a wide circle of friendships among the highest classes in Rome, but, of course, they must be used with great care in reconstructing anything like a narrative of his own life. His friends, as well as his amatory relationships, are discussed in this article.


Electrum ◽  
2020 ◽  
Vol 27 ◽  
pp. 173-188
Author(s):  
Marcin N. Pawlak

Theophanes and Potamon of Mytilene, two Greek euergetes who sought to serve their home polis in a rapidly changing political landscape of the late Roman Republic and early Principate, took an active interest in the politics of the day and sought to lobby Roman elites on Mytilene’s behalf. Theophanes befriended and advised Pompey, contributing to Pompey’s decision to pardon and liberate Mytilene after the city’s ignominious participation in the Asiatic Vespers, whereas Potamon served as Mytilene’s ambassador in Rome, adroitly championing its city’s interests. Two politicians bettered Mytilene’s political status in the tumultuous period of transformation from a republic to an autocracy and ensured that the city maintained its freedom until the times of the Flavians.


Author(s):  
Valentina Arena

Corruption was seen as a major factor in the collapse of Republican Rome, as Valentina Arena’s subsequent essay “Fighting Corruption: Political Thought and Practice in the Late Roman Republic” argues. It was in reaction to this perception of the Republic’s political fortunes that an array of legislative and institutional measures were established and continually reformed to become more effective. What this chapter shows is that, as in Greece, the public sphere was distinct from the private sphere and, importantly, it was within this distinction that the foundations of anticorruption measures lay. Moreover, it is difficult to defend the existence of a major disjuncture between moralistic discourses and legal-political institutions designed to patrol the public/private divide: both were part of the same discourse and strategy to curb corruption and improve government.


1992 ◽  
Vol 85 (6) ◽  
pp. 732
Author(s):  
J. Drew Harrington ◽  
Michael C. Alexander
Keyword(s):  

2021 ◽  
Vol 10 (7) ◽  
pp. 460
Author(s):  
Mario Matthys ◽  
Laure De Cock ◽  
John Vermaut ◽  
Nico Van de Weghe ◽  
Philippe De Maeyer

More and more digital 3D city models might evolve into spatiotemporal instruments with time as the 4th dimension. For digitizing the current situation, 3D scanning and photography are suitable tools. The spatial future could be integrated using 3D drawings by public space designers and architects. The digital spatial reconstruction of lost historical environments is more complex, expensive and rarely done. Three-dimensional co-creative digital drawing with citizens’ collaboration could be a solution. In 2016, the City of Ghent (Belgium) launched the “3D city game Ghent” project with time as one of the topics, focusing on the reconstruction of disappeared environments. Ghent inhabitants modelled in open-source 3D software and added animated 3D gamification and Transmedia Storytelling, resulting in a 4D web environment and VR/AR/XR applications. This study analyses this low-cost interdisciplinary 3D co-creative process and offers a framework to enable other cities and municipalities to realise a parallel virtual universe (an animated digital twin bringing the past to life). The result of this co-creation is the start of an “Animated Spatial Time Machine” (AniSTMa), a term that was, to the best of our knowledge, never used before. This research ultimately introduces a conceptual 4D space–time diagram with a relation between the current physical situation and a growing number of 3D animated models over time.


1955 ◽  
Vol 45 (1-2) ◽  
pp. 106-115 ◽  
Author(s):  
Giacomo Caputo ◽  
Richard Goodchild

Introduction.—The systematic exploration of Ptolemais (modern Tolmeita), in Cyrenaica, began in 1935 under the auspices of the Italian Government, and under the direction of the first-named writer. The general programme of excavation took into consideration not only the important Hellenistic period, which gave the city its name and saw its first development as an autonomous trading-centre, but also the late-Roman age when, upon Diocletian's reforms, Ptolemais became capital of the new province of Libya Pentapolis and a Metropolitan See, later occupied by Bishop Synesius.As one of several starting-points for the study of this later period, there was selected the area first noted by the Beecheys as containing ‘heaps of columns’, which later yielded the monumental inscriptions of Valentinian, Arcadius, and Honorius, published by Oliverio. Here excavation soon brought to light a decumanus, running from the major cardo on the west towards the great Byzantine fortress on the east. Architectural and other discoveries made in 1935–36 justified the provisional title ‘Monumental Street’ assigned to this ancient thoroughfare. In terms of the general town-plan, which is extremely regular, this street may be called ‘Decumanus II North’, since two rows of long rectangular insulae separate it from the Decumanus Maximus leading to the West Gate, still erect. The clearing of the Monumental Street and its frontages revealed the well-known Maenad reliefs, attributed to the sculptor Callimachus, a late-Roman triple Triumphal Arch, and fragments of monumental inscriptions similar in character to those previously published from the same area.


2014 ◽  
Vol 42 (4) ◽  
pp. 637-654 ◽  
Author(s):  
Uilleam Blacker

This article analyzes how the Poles and Jews who disappeared from the western Ukrainian city of L'viv as a result of the Second World War are remembered in the city today. It examines a range of commemorative practices, from monuments and museums to themed cafes and literature, and analyzes how these practices interact to produce competing mnemonic narratives. In this respect, the article argues for an understanding of the city as a complex text consisting of a diverse range of mutually interdependent mnemonic media produced by a range of actors. The article focuses in particular on the ways in which Ukrainian nationalist narratives interact with the memory of the city's “lost others.” The article also seeks to understand L'viv‘s memory culture through comparison with a range of Polish cities that have faced similar problems with commemorating vanished communities, but have witnessed a deeper recognition of these communities than has been the case in L'viv. The article proposes reasons for the divergences between the memory cultures of L'viv and that found in Polish cities, and attempts to outline the gradual processes by which L'viv‘s Polish and Jewish pasts might become more widely integrated into the city's memory culture.


Phoenix ◽  
2013 ◽  
Vol 67 (3-4) ◽  
pp. 415-417
Author(s):  
Eleanor Cowan
Keyword(s):  

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