Middle East History Is Social History

2014 ◽  
Vol 46 (2) ◽  
pp. 382-384 ◽  
Author(s):  
Gavin D. Brockett

My engagement with the social history of the Middle East, as I embarked on graduate studies, coincided with Judith Tucker's lamentation in 1990 that it was a field understudied to the point of being largely ignored. I came to the study of this new region with training in the native history of Canada, which had introduced me to the challenges and rewards of reconstructing the stories of people who had been denied agency in a narrative dominated by European conquest and nation-building.

2014 ◽  
Vol 46 (2) ◽  
pp. 379-381 ◽  
Author(s):  
Başak Tuğ

Starting with Said's critique of Orientalism but going well beyond it, poststructuralist and postcolonial critiques of modernity have challenged not only one-dimensional visions of Western modernity—by “multiplying” or “alternating” it with different modernities—but also the binaries between the modern and the traditional/premodern/early modern, thus resulting in novel, more inclusive ways of thinking about past experiences. Yet, while scholars working on the Middle East have successfully struggled against the Orientalist perception of the Middle East asthetradition constructed in opposition to the Western modern, they often have difficulties in deconstructing the traditionwithin, that is, the premodern past. They have traced the alternative and multiple forms of modernities in Middle Eastern geography within the temporal borders of “modernity.” However, going beyond this temporality and constructing new concepts—beyond the notion of tradition—to understand the specificities of past experiences (which are still in relationship with the present) remains underdeveloped in the social history of the Middle East.


Allpanchis ◽  
2020 ◽  
Vol 45 (81/82) ◽  
pp. 437-468
Author(s):  
Alan Durston

La historiografía de América Latina está cada vez más consciente del hecho de que el desarrollo de las lenguas indígenas después de la conquista no se puede entender como un proceso lineal de declive, y que en ellas existen fuentes valiosas provenientes de lugares y épocas imprevistas. Hace bastante tiempo que una parte importante de la historiografía del México colonial ha hecho un fuerte uso de las fuentes en  lenguas indígenas, y estas han comenzado a tener presencia en la historiografía de otras regiones. Este artículo analiza el tratamiento de las lenguas indígenas y sus fuentes en las historiografías de México, Perú y Paraguay. Sostiene que las nuevas tendencias más prometedoras en este ámbito prestan una mayor atención a la historia social del lenguaje, al uso de las lenguas indígenas por personas no indígenas, y a su utilización en los procesos de construcción nacional. Abstract The historiography on Latin America is increasingly cognizant of the fact that the post-conquest development of indigenous languages cannot be understood in terms of a linear process of decline, and that there are valuable sources in these languages from unexpected times and places. An important segment of the historiography on colonial Mexico has long made intensive use of indigenous-language sources, and indigenous languages are beginning to appear on the historiographical radar elsewhere. This article surveys the treatment of indigenous languages and indigenous-language sources in the historiographies on Mexico, Peru, and Paraguay. It argues that the most promising new trends in the field include greater attention to the social history of language, to the use of indigenous languages by non-Indians, and to their use in nation-building processes.


1999 ◽  
pp. 48
Author(s):  
Christopher Alexander ◽  
Ellis Jay Goldberg

2015 ◽  
Vol 45 (1) ◽  
pp. 69-76 ◽  
Author(s):  
Darryl Li

The Journal of Palestine Studies presents an original translation of a 1981 article by Yugoslav anthropologist Nina Seferović (1947–1991) on “Bushnaqs”—Palestinians whose ancestors hail from the territory of present-day Bosnia-Herzegovina. Seferović describes the circumstances of the Bushnaqs' departure in the late nineteenth century; the distinct community they founded in the village of Caesarea near Haifa; and their assimilation into the Palestinian nation. This study is a contribution to the social history of Palestine that raises productive questions about the legacies of the Non-Aligned Movement and about the role of race and temporality in framing such categories as settler and native in the broader examination of settler colonialism. Below, in order of appearance, are Darryl Li's translator's preface, “A Note on Settler Colonialism,” illuminating and explicating the original study; Nina Seferović's article, “The Herzegovinian Muslim Colony in Caesarea, Palestine,” and an appendix titled, “Balkan Migration to the Middle East.” A substantial section of endnotes follows, divided into three corresponding parts.


This collection of essays, drawn from a three-year AHRC research project, provides a detailed context for the history of early cinema in Scotland from its inception in 1896 till the arrival of sound in the early 1930s. It details the movement from travelling fairground shows to the establishment of permanent cinemas, and from variety and live entertainment to the dominance of the feature film. It addresses the promotion of cinema as a socially ‘useful’ entertainment, and, distinctively, it considers the early development of cinema in small towns as well as in larger cities. Using local newspapers and other archive sources, it details the evolution and the diversity of the social experience of cinema, both for picture goers and for cinema staff. In production, it examines the early attempts to establish a feature film production sector, with a detailed production history of Rob Roy (United Films, 1911), and it records the importance, both for exhibition and for social history, of ‘local topicals’. It considers the popularity of Scotland as an imaginary location for European and American films, drawing their popularity from the international audience for writers such as Walter Scott and J.M. Barrie and the ubiquity of Scottish popular song. The book concludes with a consideration of the arrival of sound in Scittish cinemas. As an afterpiece, it offers an annotated filmography of Scottish-themed feature films from 1896 to 1927, drawing evidence from synopses and reviews in contemporary trade journals.


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