Brahmins and carnivores: the Irish historian in Great Britain

1987 ◽  
Vol 25 (99) ◽  
pp. 225-235 ◽  
Author(s):  
D. G. Boyce

This paper is concerned with the teaching of Irish history in Great Britain, with the students, the teachers and their subject. Each merits a brief mention before any detailed discussion, in order to draw attention to the problems that exist, and to clear up any misunderstanding or ignorance about the task that is to be performed.In the great controversy between Edmund Burke and Thomas Paine occasioned by the French Revolution, Paine made at least one telling remark in his refutation of Burke’s defence of tradition and usage: he declared that an hereditary monarch was about as sensible as an hereditary mathematician. An hereditary Irish studies student in Great Britain makes about as much sense as both. Much nonsense is talked about the inherited genes of the Irish in Britain, on the assumption that (somehow) an interest in, and ability to comprehend, Irish studies can be transmitted from one generation of Irish immigrants to another. This may be the case; but if it is, it probably takes its rise from social rather than hereditary factors; and it is no more likely to produce an intelligent, perceptive student of Ireland than of France.

2019 ◽  
pp. 95-120
Author(s):  
Susan Marks

The rights of man ‘arrived’ in England, in the sense of beginning to circulate in public discourse and becoming a topic on which people staked out positions, during the final decade of the eighteenth century. The context was debate over the significance of the French Revolution for England (the ‘Revolution controversy’). This chapter initiates discussion of the contested meaning of the rights of man in that debate, examining contributions by Richard Price, Edmund Burke, Mary Wollstonecraft and Thomas Paine. A vision of the rights of man emerges as the rights of the living to control the political community of which those latter are a part.


Author(s):  
Andrey Mintchev

In Assassin’s Creed Unity, the historical narratives of Thomas Paine, Edmund Burke, Alexis de Tocqueville, François Furet, and Peter McPhee are presented in a way that capitalizes on the virtual and tangible characteristics of gaming. By isolating the historical accounts of the French Revolution, Ubisoft Entertainment has created a stimulating and cinematic experience that challenges the unwavering pedagogy of French historiography. Due to the nature of videogames, Assassin’s Creed Unity serves as a gateway to understanding the French Revolution through the immersive qualities of simulation. The game safely navigates around the historicity of the event by recreating the vibrant landscapes of Paris and filling its streets with believable characters, models, player-driven decisions, and a historically-rich narrative. To this effect, Assassin’s Creed Unity inevitably collides with the opinions of several historians in a way that passively educates its audience on the overall history of 1790's France—making the game an invaluable tool for learning about the French Revolution. 


2020 ◽  
pp. 019145372091314
Author(s):  
Lorenzo Rustighi

I propose taking the beautiful and the sublime in Edmund Burke not just as aesthetic but also as theoretical categories which can help us read his constitutional thought in dialectical terms. I suggest indeed that his usage of these categories in the Reflections on the Revolution in France points to a consistently held argument concerning the aporias of early-modern contractarian theories and their influence on the French Revolution. My hypothesis is that for Burke the Revolution is unable to think of any concrete relation between beauty and sublimity, insofar as they can be associated, respectively, with particularity and universality. Furthermore, I underscore how Burke’s defence of partial representation against contractarian representation aims to overcome this impasse. My goal is to demonstrate that Burke raises decisive questions as to the intrinsically anti-democratic effects of the contractarian concept of democracy and is still useful to confront the contemporary crisis of democratic participation.


PMLA ◽  
2003 ◽  
Vol 118 (5) ◽  
pp. 1305-1319 ◽  
Author(s):  
Elizabeth D. Samet

Jean-Jacques Rousseau's meditations on artificial society's perversions of natural sentiment, specifically on the theater's contribution to societal degeneration, provide a historical context for the dialogue between Edmund Burke and Thomas Paine about the nature of the French Revolution. Much of the debate over the political rights of man consisted of an analysis of his affective rights. It was in many ways a controversy over what could be considered a moral method for attaching an individual's sympathies. The problem of affective liberation stands behind Paine's quarrel with Burke's Reflections and with the victim Burke offered for the world's consideration in that text: Marie Antoinette. For Burke the emotions aroused by theater and by the tragic representation of historical events could liberate the spectator into constructive action. Exposing Burke's own affective imprisonment by the spectacle of revolution, Paine demanded instead a liberation through rational inquiry.


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