The First World War and the mobilization of biblical scholarship. Edited by Andrew Mein, Nathan MacDonald and Matthew A. Collins. (Scriptural Traces: Critical Perspectives on the Reception and Influence of the Bible, 15; Library of Hebrew Bible/Old Testament Studies, 676.) Pp. x + 307. New York–London: T&T Clark, 2019. £85. 978 0 5676 8078 5

2019 ◽  
Vol 70 (4) ◽  
pp. 901-903
Author(s):  
James Carleton Paget
Traditio ◽  
1958 ◽  
Vol 14 ◽  
pp. 17-31 ◽  
Author(s):  
Rudolph Arbesmann

The three decades preceding the publication of the new Latin translation of the Psalter by the Biblical Institute in Rome in 1945 have seen a number of studies and articles which throw revealing light on the interpretation of Psalm 90.6. Discussing the laws of purification and diet in the Old Testament, J. Döller thought it possible to discover in the Bible a few faint vestiges of a popular belief in demons among the Israelites and saw a plague demon especially in ‘the destruction that lays waste at noonday’ (Ps. 90.6b). Referring to Döller's study, S. Landersdorfer pointed to a parallel Assyrian belief which regarded midnight and noonday as periods especially dangerous and haunted by demonic agencies, and was inclined to assume even for the Masoretic text the idea of a demon of night (6a) and a demon of noonday (6b). Both demons were thought to exercise their power especially at the hours of the chilling midnight cold and the scorching noonday heat, and to be responsible for certain bodily disorders, such as sunstroke and malaria fever, and for other diseases caused by the rapid changes of temperature in the southern deserts. In this case the psalmist would already have alluded to a popular belief, though such an allusion would not necessarily imply that he himself shared the view, Landersdorfer's article had been written ten years prior to its publication, that is, in a period when, owing to the disturbances during and shortly after the First World War, access to foreign publications was difficult and often impossible. Thus he was apparently unaware that, only about a year before the completion of his article, W. H. Worrell had pointed out some similar parallels from oriental countries.


2006 ◽  
Vol 49 (4) ◽  
pp. 1253-1271
Author(s):  
TALBOT C. IMLAY

Anticipating total war: the German and American experiences, 1871–1914. By Manfred Boemeke, Roger Chickering, and Stig Förster. New York and Cambridge: Cambridge University Press, 1999. Pp. ix+506. ISBN 0-521-62294-8. £55.00.German strategy and the path to Verdun: Erich von Falkenhayn and the development of attrition, 1870–1916. By Robert T. Foley. Cambridge: Cambridge University Press, 2005. Pp. xiv+316. ISBN 0-521-84193-3. £45.00.Europe's last summer: who started the Great War in 1914? By David Fromkin. New York: Knopf, 2004. Pp. xiii+368. ISBN 0-375-41156-9. £26.95.The origins of World War I. Edited by Richard F. Hamilton and Holger H. Herwig. Cambridge: Cambridge University Press, 2003. Pp. xiii+552. ISBN 0-521-81735-8. £35.00.Geheime Diplomatie und öffentliche Meinung: Die Parlamente in Frankreich, Deutschland und Grossbritanien und die erste Marokkokrise, 1904–1906. By Martin Mayer. Düsseldorf: Droste, 2002. Pp. 382. ISBN 3-7700-5242-0. £44.80.Helmuth von Moltke and the origins of the First World War. By Annika Mombauer. Cambridge: Cambridge University Press, 2001. Pp. xvi+344. ISBN 0-521-79101-4. £48.00.The origins of the First World War: controversies and consensus. By Annika Mombauer. London: Pearson Education, 2002. Pp. ix+256. ISBN 0-582-41872-0. £15.99.Inventing the Schlieffen plan: German war planning, 1871–1914. By Terence Zuber. Oxford: Oxford University Press, 2002. Pp. xi+340. ISBN 0-19-925016-2. £52.50.As Richard Hamilton and Holger Herwig remark in the introduction to their edited collection of essays on the origins of the First World War, thousands of books (and countless articles) have been written on the subject, a veritable flood that began with the outbreak of the conflict in 1914 and continues to this day. This enduring interest is understandable: the First World War was, in George Kennan’s still apt phrase, the ‘great seminal catastrophe’ of the twentieth century. Marking the end of the long nineteenth century and the beginning of the short twentieth century, the war amounted to an earthquake whose seismic shocks and after-shocks resonated decades afterwards both inside and outside of the belligerent countries. The Bolshevik Revolution, the growth of fascist and Nazi movements, the accelerated emergence of the United States as a leading great power, the economic depression of the 1930s – these and other developments all have their roots in the tempest of war during 1914–18. Given the momentous nature of the conflict, it is little wonder that scholars continue to investigate – and to argue about – its origins. At the same time, as Hamilton and Herwig suggest, the sheer number of existing studies places the onus on scholars themselves to justify their decision to add to this historiographical mountain. This being so, in assessing the need for a new work on the origins of the war, one might usefully ask whether it fulfills one of several functions.


2020 ◽  
Vol 8 (2) ◽  
pp. 209-226 ◽  
Author(s):  
Adrienne L. Kaeppler

Four early photographers are examined here in relation to their encounters with Tongans and Tonga. These photographers are Andrew Garrett, Gustav Adolph Riemer, Clarence Gordon Campbell and Walter Stanhope Sherwill. Garrett, an American natural historian who specialized in shells and fish, took two ambrotypes of Tongans in Fiji in 1868, which are two of the earliest Tongan photographs known. Riemer, born in Saarlouis, Germany, was a marine photographer on S.M.S. Hertha on an official diplomatic visit and took at least 28 photographs in Tonga in 1876. Campbell, a tourist from New York, took 25 culturally important photographs in 1902. Sherwill, a British subject born in India, moved to Tonga about the time of the First World War. He probably took many photographs with more modern equipment, but only two have been identified with certainty. This article presents information about the photographers and those depicted, where the original photographs can be found and the research that made it possible to glean cultural information from them. These early photographers are placed in the context of other more well-known early photographers whose works can be found in archives and libraries in New Zealand, Australia, Hawai‘i and Germany. In addition, summary information about two Tongan-born photographers is presented, as well as where their photographs/negatives can be found.


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