scholarly journals John D. Stoeckle and George Abbott White, Plain pictures of plain doctoring. Vernacular expression in New Deal medicine and photography, Cambridge, Mass., and London, MIT Press, 1985, 4to, pp. xxiii, 250, illus., £21.50. - Emanoel Lee, To the bitter end. A photographic history of the Boer War 1899–1902, London, Viking, 1985, 4to, pp. xii, 226, illus., £12.95.

1986 ◽  
Vol 30 (2) ◽  
pp. 224-224
Author(s):  
Christopher Lawrence
Keyword(s):  
New Deal ◽  
Boer War ◽  
2021 ◽  

The Boer War of 1899–1902, also termed the Anglo-Boer War or South African War, was waged by Britain to establish its imperial supremacy in South Africa and by Boers/Afrikaners to defend their independent republican order and control of the destiny of the white settler states they had secured in the interior. Large, long, controversial and costly, the Boer War was a colonial conflict which finally completed the British imperial conquest of the Southern African region. As is to be expected of a war that has a widely recognized significance not only in the history of European imperialism in Southern Africa but in world history more generally, literature on the 1899–1902 conflict is, simply, enormous. Scholarship is available not merely in English and in Afrikaans, but also in Dutch, French, German, Russian, Spanish, and even in Japanese. As it happens, more recent decades have seen the publication of sizeable bibliographies covering a century of writings on the Boer War in German and in Dutch. Although it could obviously not be claimed that every aspect of the 1899–1902 period—military, political, economic, social, or cultural—has been treated, evenly or otherwise, by so vast a body of literature, the sheer quantity of work available has to influence the scope and selectivity of any Boer War bibliography of this kind. While this bibliographic article includes some seminal early pieces, it is weighted toward more recently works and, in particular, includes scholarship which contains detailed bibliographies covering aspects of warfare (battles, sieges) that are not a specific focus of the approach taken here. Secondly, other classifiable areas of historiography which fall beyond the limits of this article, such as war memory and commemoration, and postwar economic reconstruction and political state-making, are treated—in some instances, quite substantially—in single-author general overviews and in multi-author edited treatments. In other respects, this article goes beyond more conventional historical terrain in including the war’s literary and cultural influences.


2017 ◽  
pp. 105-124
Author(s):  
Abdennour Bidar

This chapter discusses Muhammad Iqbal’s response to the argument of Friedrich Nietzsche about the exit from religion. Instead of considering this event as the death of god, Iqbal considers it as the birth of a new man, and the starting point of a new era in the spiritual history of humanity. Following Iqbal’s line of thought, the chapter points to a de-Westernization of the theory of an exit from religion and, in so doing, offers a critique of Western liberalism. In Iqbal’s view, liberation from the guardianship of God does not mean there is no longer any relationship between God and humanity. Thus, when Iqbal talks about a metaphysical liberalism, he is referring to the intuition of the future, characterized by the next step in our spiritual evolution where the human species is liberated from the vision of a divine form as something different from itself, and has instead liberated itself in this divine form. In this sense, the exit from religion signals the beginning of a dialectical process of integrating God into humanity. Accordingly, Iqbal’s ideas can serve as a tool for understanding liberalism and secularization not only as a political process but as a spiritual re-birth for humankind.


1935 ◽  
Vol 21 (4) ◽  
pp. 585
Author(s):  
Harold U. Faulkner ◽  
Louis M. Hacker ◽  
Guy S. Claire

Author(s):  
Camille Bégin

This introductory chapter examines taste as a symbolic, cultural, affective, and as economic currency always in circulation, and that, once mobilized, allows eaters to identify and differentiate themselves along race, class, gender, and ethnic lines. The concept of sensory economies is a plural one and allows exploring sensory experiences of food as the result of social, cultural, and financial exchanges always remade. The chapter looks at the cultural, social, and sensory history of New Deal food writing: the multisensory culinary material produced by employees of the Federal Writers's Project (FWP). Throughout, workers produced comforting snapshot pictures aimed at providing cultural confidence to a country in the midst of one of the worst economic depression of its history and giving legitimacy to the new political, social, and economic order of the liberal New Deal state.


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