scholarly journals Todd Preston, King Alfred's Book of Laws: A Study of the “Domboc” and Its Influence on English Identity, with a Complete Translation. Jefferson, NC: McFarland, 2012. Pp. 177. $45. ISBN 978-0-7864-6588-0.

Speculum ◽  
2015 ◽  
Vol 90 (1) ◽  
pp. 291-292
Author(s):  
Kees Dekker
2013 ◽  
Vol 43 (1) ◽  
pp. 119-130
Author(s):  
Declan William Kavanagh

This essay argues that the work of a lesser-known mid-eighteenth-century satirist Charles Churchill (1731–1764) provides a rich literary source for queer historical considerations of the conflation of xenophobia with effeminophobia in colonial imaginings of Ireland. This article analyzes Churchill's verse-satire The Rosciad (1761) through a queer lens in order to reengage the complex history of queer figurations of Ireland and the Irish within the British popular imagination. In the eighth edition of The Rosciad – a popular and controversial survey of London's contemporary players – Churchill portrays the Irish actor Thady Fitzpatrick as an effeminate fribble, before championing the manly acting abilities of the English actor David Garrick. The phobic attack on Fitzpatrick in The Rosciad is a direct response to Fitzpatrick's involvement in the ‘Fitzgiggo’ riots of January 1763 at the Drury Lane and Covent-Garden theatres. While Churchill's lampooning of the actor recalls Garrick's earlier satirizing of Fitzpatrick as a fribble in The Fribbleriad (1741) and Miss in her Teens (1747), The Rosciad is unique in its explicit conflation of androgyny with ethnicity through Irish classification. The portraiture of Fitzpatrick functions, alongside interrelated axes of ethnicity, class and gender, to prohibit access to a ‘normative’ middle-class English identity, figured through the ‘manly’ theatrical sensibility of the poem's hero, Garrick. Moreover, in celebrating a ‘Truly British Age’, the poem privileges English female players, in essentialist and curiously de-eroticized terms, as ‘natural’ though flawed performers. By analyzing Churchill's phobic juxtaposition of Garrick and the female players against the Irish fribble, this article evinces how mid-century discourses of effeminacy were also instrumental in enforcing racial taxonomies.


Author(s):  
Kristina Bross

Chapter 4 focuses on the representation of Anglo-Dutch relations from Asia to America in the seventeenth century. The chapter analyzes the representation of an incident in 1623 on the spice island Amboyna when Dutch traders tortured (with waterboarding) and killed their English rivals in the East Indies. Decades later, New England writers returning to this incident, treating it as news, invoked anti-English violence half a world away to lay claim to a global English identity. The chapter compares visual representation of the Amboyna incident with John Underhill’s “figure” of the Mystic Fort massacre in New England, arguing that these representations of violence are key elements of colonial fantasies that made (and make) real atrocities possible. The coda discusses Stephen Bradwell’s 1633 first-aid manual, partly inspired by the Amboyna incident, which maintains that properly trained, authorized metropolitan authorities can control the potential dangers of the remedies torture and tobacco.


Author(s):  
Laura Ashe

This chapter begins by considering the scattered writings produced in the decades following the Norman Conquest, and the role of their accounts of miracles and visions in re-creating a sense of English identity. It then returns to the reign of Cnut, to argue that his establishment of his rule as an ‘English’ king resolved the ideological impasse of Æthelred’s disastrous reign. Looking at the role of the Church in this crisis, it then considers the origins of the new theology of interiority and confession, and of the roots of affective piety. Turning back to kingship, it describes the patterns set in English government after the Norman Conquest, and turns toward the celebration of new secular and courtly ideals.


Ethnicities ◽  
2006 ◽  
Vol 6 (2) ◽  
pp. 123-158 ◽  
Author(s):  
Susan Condor ◽  
Stephen Gibson ◽  
Jackie Abell

2017 ◽  
Vol 64 (2) ◽  
pp. 220-238
Author(s):  
Ivana Petrovic ◽  
Andrej Petrovic

If you still haven't chosen a book to take with to the desert island, I have a suggestion: L'encyclopédie du ciel. At 1,202 pages, it will keep you occupied day and night: what you read as text by day will help you read by night in the sky. This wonderful and extremely useful book is as difficult to classify as it is to put down. Essentially, it is a compendium of Greco-Roman discourse on the stars and planets, divided into three parts. The first (‘Les images: histoire et mythologie: voir et raconter’) is about the constellations and the planets. It opens with a catalogue in which each constellation is illustrated, explained, and accompanied with appropriate quotations from Eratosthenes’ Catasterismoi and Hyginus’ Astronomica. There follow essays about the names of the constellations, on the Sun, Moon, and the planets, and one on Greek and Roman creation myths. All are accompanied by long passages of appropriate Greek and Latin texts in translation. The second part of the book (‘Les lois: l'astronomie: observer et calculer’) is about the ancient attempts to make sense of and explain the stars and planets as a system, about calendars, and about ancient astronomical instruments and objects. This part of the book also contains a complete translation of Hipparchus’ Commentary on the Phaenomena of Eudoxus and Aratus. It closes with an account of Greek star catalogues. The third part of the book is concerned with various attempts to interpret the celestial phenomena (‘Les messages: signes et influence: interpréter et prédire’). It includes, but is not restricted to, astrology; philosophical ideas are also discussed, such as astral apotheosis, the ascent of the soul through the sky, and the music of the spheres. There is a dictionary of astronomical and astrological terms and a dictionary of ancient astronomers and authors dealing with astronomy. The book closes with parallel star catalogues of Eratosthenes, Hipparchus, and Ptolemy.


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