‘MONS MANUFACTUS’: ROME'S MAN-MADE MOUNTAINS BETWEEN HISTORY AND NATURAL HISTORY (c. 1100–1700)

2017 ◽  
Vol 85 ◽  
pp. 171-204 ◽  
Author(s):  
Lucy Donkin

Rome's man-made mounds occupy a position between built antiquities and natural features. In the Middle Ages and early modern period, particular attention was paid to Monte Testaccio, the Mausoleum of Augustus, and the related ‘mons omnis terra’. Debate focused on the origins and composition of the mounds, thought to contain either earth brought to Rome as symbolic tribute, pottery used to hold monetary tribute, or pottery produced locally. Developing over time in different genres of writing on the city, these interpretations were also employed in works on historical, religious and geological themes. The importation of material, expressive of relations between Rome and the wider world in antiquity, was used to draw positive and negative comparisons with present-day rulers and the papacy, and to associate Rome with Babylon. The growth of the mounds and the presence of ceramics were invoked in discussions of the formation of mountains and montane fossils. If the mounds' ambiguities facilitated their incorporation into other debates, the terms in which they are discussed reflect ongoing engagement with literature on the city. The reception of these monuments thus offers a distinctive perspective on the significance of Rome to connections between spheres of knowledge in this period.

The Oxford Handbook of Latin Palaeography provides a comprehensive overview of the development of Latin scripts from Antiquity to the Early Modern period, of codicology, and of the cultural setting of the mediaeval manuscript. The opening section, on Latin Palaeography, treats a full range of Latin book hands, beginning with Square and Rustic Capitals and finishing with Humanistic minuscule. The Handbook is groundbreaking in giving extensive treatment to such scripts as Old Roman Cursive, New Roman Cursive, and Visigothic. Each article is written by a leading expert in the field and is copiously illustrated with figures and plates. Examples of each script with full transcription of selected plates are frequently provided for the benefit of newcomers to the field. The second section, on Codicology, contains essays on the design and physical make-up of the manuscript book, and it includes as well articles in newly-created disciplines, such as comparative codicology. The third and final section, Manuscript Setting, places the mediaeval manuscript within its cultural and intellectual setting, with extended essays on the mediaeval library, particular genres and types of manuscript production, the book trade in antiquity and the Middle Ages, and manuscript cataloguing. All articles are in English. The Handbook will be an indispensable guide to all those working in the various fields concerned with the literary and cultural dynamics of book production in the Middle Ages and Early Modern period.


2021 ◽  
Vol 48 (1) ◽  
pp. 1-40
Author(s):  
Teresa Schröder-Stapper

The Written City. Inscriptions as Media of Urban Knowledge of Space and Time The article investigates the function of urban inscriptions as media of knowledge about space and time at the transition from the late Middle Ages to the early modern period in the city of Braunschweig. The article starts with the insight that inscriptions in stone or wood on buildings or monuments not only convey knowledge about space and time but at the same time play an essential role in the construction of space and time in the city by the practice of inscribing. The analysis focuses on the steadily deteriorating relationship between the city of Braunschweig and its city lord, the Duke of Braunschweig-Lüneburg, and its material manifestation in building and monument inscriptions. The contribution shows that in the course of the escalating conflict over autonomy, a change in epigraphic habit took placed that aimed at claiming both urban space and its history exclusively on behalf of the city as an expression of its autonomy.


2021 ◽  
pp. 371-397
Author(s):  
Sanja Zubčić

The Glagolitic space refers to the area where in the Middle Ages or the Early Modern Period the Glagolitic script was used in texts of different genres and on different surfaces, and/or where the liturgy was held in Croatian Church Slavonic, adopting a positive and affirmative attitude towards Glagolitism. In line with known historical and social circumstances, Glagolitism developed on Croatian soil, more intensely on its southern, especially south-western part (Istria, Northern Croatian Littoral, Lika, northern Dalmatia and adjacent islands). Glagolitism was also thriving in the western periphery of that space, in today’s Slovenia and Italy, leading to the discovery and description of different Glagolitic works. It is the latter, their structure and language, that will be the subject of this paper. Starting from the thesis that innovations in language develop radially, i.e. starting from the center and spreading towards the periphery, it is possible to assume that in the western Glagolitic periphery some more archaic dialectal features will be confirmed among the elements of the vernacular. It is important that these monuments were created and used in an area where the majority language is not Croatian, so the influence of foreign language elements or other ways of expressing multilingualism can be expected. The paper will outline the Glagolitic activity in the abovementioned space and the works preserved therein. In order to determine the differences between Glagolitic works originating from the peripheral and central Glagolitic space, the type and structure of Glagolitic inscriptions and manuscripts from Slovenia and Italy will also be analysed, especially with respect to potential periphery-specific linguistic features. Special attention is paid to the analysis of selected isoglosses in the Notebook or Register of the Brotherhood of St. Anthony the Abbot from San Dorligo della Valle.


Author(s):  
John Marenbon

This introductory chapter explains how medieval philosophy has hardly made an appearance before in this series of philosophy lectures, and why the author decided on a theme that brings together thinkers from the Middle Ages and the early modern period. It then briefly summarizes the arguments of the three main chapters and of the responses to them.


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