Music and Irish Identity: Celtic Tiger Blues. By Gerry Smyth. New York: Routledge, 2017. 178 pp. ISBN 978-1-4724-4272-7

Popular Music ◽  
2019 ◽  
Vol 38 (01) ◽  
pp. 152-154
Author(s):  
Aileen Dillane
Keyword(s):  
New York ◽  
1999 ◽  
Vol 31 (123) ◽  
pp. 395-410
Author(s):  
Ian McBride

Few Irish men and women can have escaped the mighty wave of anniversary fever which broke over the island in the spring of 1998. As if atoning for the failed rebellion itself, the bicentenary of 1798 was neither ill-coordinated nor localised, but a genuinely national phenomenon produced by years of planning and organisation. Emissaries were dispatched from Dublin and Belfast to remote rural communities, and the resonant names of Bartlett, Whelan, Keogh and Graham were heard throughout the land; indeed, the commemoration possessed an international dimension which stretched to Boston, New York, Toronto, Liverpool, London and Glasgow. In bicentenary Wexford — complete with ’98 Heritage Trail and ’98 Village — the values of democracy and pluralism were triumphantly proclaimed. When the time came, the north did not hesitate, but participated enthusiastically. Even the French arrived on cue, this time on bicycle. Just as the 1898 centenary, which contributed to the revitalisation of physical-force nationalism, has now become an established subject in its own right, future historians will surely scrutinise this mother of all anniversaries for evidence concerning the national pulse in the era of the Celtic Tiger and the Good Friday Agreement. In the meantime a survey of some of the many essay collections and monographs published during the bicentenary will permit us to hazard a few generalisations about the current direction of what might now be termed ‘Ninety-Eight Studies’.


Author(s):  
Mª Isabel Romero Ruiz

The presence of Empire in the Victorian period and its aftermath has become a new trope in neo-Victorian studies, introducing a postcolonial approach to the re-writing of the Victorian past. This, combined with the metaphor of the sea as a symbol of British colonial and postcolonial maritime power, makes of Joseph O’Connor’s novel Star of the Sea a story of love, vulnerability and identity. Set in the winter of 1847, it tells the story of the voyage of a group of Irish refugees travelling to New York trying to escape from the Famine. The colonial history of Ireland and its long tradition of English dominance becomes the setting of the characters’ fight for survival. Parallels with today’s refugees can be established after Ireland’s transformation into an immigration country. Following Judith Butler’s and Sarah Bracke’s notions of vulnerability and resistance together with ideas about ‘the other’ in postcolonial neo-Victorianism, this article aims to analyse the role of Empire in the construction of an Irish identity associated with poverty and disease, together with its re-emergence and reconstruction through healing in a contemporary globalised scenario. For this purpose, I resort to Edward Said’s and Michael Hardt and Antonio Negri’s ideas about imperialism and new imperialism along with Elizabeth Ho’s concept of ‘the Neo-Victorian-at-sea’ and some critics’ approaches to postcolonial Gothic. My main contention throughout the text will be that vulnerability in resistance can foster healing.


Author(s):  
Mary Louise O’Donnell

The Irish harp emblem, adopted as the official emblem of Ireland following the foundation of the Irish Free State in 1922, has remained an image of continuity and stability in Irish politics and society for almost a century. Since the mid-1990s there have been considerable shifts in the representation of the Irish harp emblem, particularly in various government departments and quangos: e.g. the Department of Agriculture, Food and the Marine, the Department of Defence, the National Asset Management Agency (NAMA) and the National Treasury Management Agency. This article explores the shifting interpretations of the iconography of the emblem in the ‘Celtic Tiger’ years - and, more recently, in the economic downturn - and attempts to analyse critically these images as postmodern visual representations of changing political, social and cultural values over the last two decades. By drawing on the studies of Fredric Jameson, Jean Baudrillard and Charles Sanders Peirce, it argues that the deconstruction of the Irish harp emblem is indicative of a wider attempt to construct a new postmodern Irish identity.


2017 ◽  
Vol 98 (2) ◽  
pp. 318-320
Author(s):  
Timothy M Love
Keyword(s):  

Sociology ◽  
2017 ◽  
Vol 52 (4) ◽  
pp. 655-670
Author(s):  
Craig Considine

This article contributes to the discussion on Irish identity by considering a set of empirical data from ethnographic research carried out in Pakistani communities in Dublin. The article considers views on ‘Irishness’ through the lens of young second-generation Pakistani Irish men. The data presented highlight how the Celtic Tiger experience reproduced cultural and ethnic narratives of Irish identity, but simultaneously initiated a new, more civic-oriented view of ‘Irishness’. Of particular concern in the minds of young Pakistani men include the secularisation of Irish society and the role that ‘whiteness’ plays in processes of ‘othering’ in Ireland. The article reveals that the current period of Irish history provides an opportunity for the Pakistani Irish to challenge some of the assumptions currently associated with Irish identity. Ultimately, the article calls for a broader understanding of Irish identity through the lens of civic national principles, which can better serve Ireland’s increasingly diverse population.


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